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Saturday, March 22
 

9:00am EDT

Ambiguities, Dualities, & Subversive Intents: Queering Art
Saturday March 22, 2025 9:00am - 10:15am EDT
Jess Easter, "Shifting Ontology: Ballroom Culture as Means for Creating Spaces of Security for LGBTQIA+ People of Color"
How and why did drag as it is today, as a widespread cultural practice among many queer persons, develop? To answer these questions, we must first look at the places in which this culture was created. Drag ballrooms have a longstanding existence in large metropolitan areas, like New York City, Newark, and Philadelphia. Current drag culture also has deep roots in a history of queerphobia and racism in the United States, indeed why the practice was so prevalent in cities; these were places not only where marginalized people were left in the race to suburbia later on, but also where people could remain under the radar. Drag balls originally developed in the late 1800s, in large part due to the influence of William Dorsey Swann, a Black man who was born into slavery pre-civil war, in defiance to laws passed outlawing cross-dressing. He organized parties most commonly with other men who were formerly enslaved where they would crossdress and hold competitions. Although Black people had a huge part in the origin of drag and the creation of this safe(r) space for queer persons, the organized circuits themselves were racist in that though POC were allowed to participate, judges were always all White and POC never won any of the prizes. In response, Black and Latinx people formed their own balls, leading to the ballroom culture we see to this day, which offer safe(r) spaces to queer people, particularly queer people of color, beyond competition, through the creation of “houses” and “families.” By examining the places in which ballroom culture has emerged and evolved, we can ascertain that they have been formed in response to the political and socio-cultural imperatives in these locations, widespread racism and queerphobia, in ways so as to create physical spaces of safety, spirituality, and resistance.

Gabby Mahabeer, "Fluxy like Mango: Visualizing Gender and Sexual Fluidity in the Caribbean"
The term “queer” carries gendered, racialized, classed, and geographic privileges specifically rooted in white, middle and upper class citizens of the Global North. Because of its close association with whiteness and the economically privileged, Black scholars such as Audre Lorde, Rod Ferguson, and Angelique Nixon have called out Queer Studies for its inability to discuss queerness alongside an intersectional approach acknowledging oppressions and privileges based on race, gender, class, and religion. Furthermore, “queerness” traditionally functions as a notion of open identity— “coming out” and/or proudly sharing pronouns, wearing pins, or displaying flags. For these reasons and more, the term “queer” and notions of “queerness” do not always encompass the realities of working-class Afro-Caribbeans whose lives are marked by criminality; colonialisms; and changing economics, geographies, and sovereignties. In sum, “queerness” does not encompass relationalities and shifting sexual practices occurring in the Caribbean such as sex tourism, polygamy, and cohabitation.

Considering such limitations of queer theory, I develop a framework of fluxiness to encompass how spiritual and creative Afro-Caribbean practitioners use visual, sonic, embodied, and felt practices to reshape gender and sexuality as boundless, fluid, and experimental, illustrating how gender and sexuality in the Caribbean can be rearranged and/or recalibrated instantly and/or based on specific situations. Specifically, this presentation forms a visual and sonic archive of fluxiness drawing on visual arts and moments from dancehall music videos. I argue that fluxiness, or the state of being fluxy, is an embodied, affective, and spiritual way of challenging gender and sexual norms. In explicitly challenging heteronormativity, being fluxy teaches us how to imagine and create alternate possibilities and worlds amidst climate change, Indigenous erasure, land (dis)possession and other forms of domination.

Shannon Peifer, "Imagination and Play as Liberatory Resistance in Feminist Art"
Within feminist art, an ironic imagination allows for multiple, seemingly oppositional conceptions to be held simultaneously and introduces a playfulness that leaves space for joyful experimentation. In “A Cyborg Manifesto,” Donna Haraway pushes against conceptual boundaries and dualisms to dream of a “blasphemy” that allows for a more politically productive space, admitting contradictory ideas without integrating them into a unified whole. In the same way, we can consider absurdity and ironic imagination in feminist art as resistance worth taking seriously.

This practice of blasphemy or ironic imagination allows for multiple, contradictory truths to exist and for more possibilities of the future to be considered. Can the works of feminist artists help us understand the necessity, effectiveness, and possible limitations of these practices as liberatory resistance?
I argue feminist artists who play on this tension and experiment with the boundaries of dualities are able to collapse normative structures and move beyond prescribed social truths. For example, Lorna Simpson’s “For the Sake of the Viewer” plays with the power structures of a gendered gaze through a fragmented performance of gender in Bio (1992) and She (1992). As Simpson commented on her early work in a recent New York Times interview, “It’s a question mark, rather than complete compliance” (Baquet 2024). Suzan Lori-Parks also plays with words and allows for absurdity in her work. By not allowing the audience to respectfully, politely observe with “a kind of amnesia toward the here and now of performance,” Parks’ “Venus” disrupts performance structures to force the audience into a physical participation of history in the present (Harrower 273). In both cases, ironic imagination acts as a resistance to completeness or simplification and offers a path through crisis that disrupts, rewrites, and reconfigures boundaries.

Baquet, Dean. “Lorna Simpson Is America’s Great Archivist.” The New York Times, 17 Oct. 2024. NYTimes.com, https://www.nytimes.com/interactive/2024/10/17/t-magazine/lorna-simpson-ebony-magazine-race-gender.html.

Haraway, Donna J. “A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century.” Manifestly Haraway, edited by Donna J. Haraway and Cary Wolfe, University of Minnesota Press, 2016, p. 0. Silverchair, https://doi.org/10.5749/minnesota/9780816650477.003.0001.

Harrower, Natalie. “Staging Resistance: Essays on Political Theatre Ed. by Jeanne Colleran and Jenny S. Spencer (Review).” Modern Drama, vol. 41, no. 4, 1998, pp. 661–62.

Parks, Suzan-Lori. Venus. Dramatists Play Service Inc, 1998.

Wright, Beryl J., and Saidiya V. Hartman. Lorna Simpson: For the Sake of the Viewer. First Edition, Universe Pub, 1992.
Speakers
avatar for Gabby Mahabeer

Gabby Mahabeer

Masters, Emory University
avatar for Jess Easter

Jess Easter

Masters, Boston University
Jess Easter (She/Her) is a second year graduate student at Boston University's School of Theology earning a Master of Divinity in the Religion and the Academy track. She holds a Bachelor of Science in Biology and a Bachelor of Arts in Religion from California Lutheran University... Read More →
avatar for Shannon Peifer

Shannon Peifer

Masters, Northeastern University
Saturday March 22, 2025 9:00am - 10:15am EDT
Room 144 Stata Center, 32 Vassar Street, Cambridge, MA 02167

9:00am EDT

Attachment, Adaptations, Agency: Reslience Through Crisis
Saturday March 22, 2025 9:00am - 10:15am EDT
Anvi Nagpal, “Beyond Victimhood: A Pluralistic Examination of Rohingya Women’s Acts of Resilience and Agency in Kutupalong Refugee Camp, Bangladesh”
Mainstream Western feminist frameworks are often critiqued for interpreting gender-based oppression through a Western-centric lens, creating a hegemonic view of gender injustice that risks portraying women globally as powerless. Such perspectives frequently overlook nuanced forms of agency and resilience evident in non-Western contexts. In response, this paper presents a counter-narrative grounded in a pluralistic paradigm, building on current scholarly discourse and my position as a South Asian graduate scholar. It aims to enrich the transnational feminist dialogue by challenging reductive frameworks and highlighting diverse expressions of resilience.

Focusing on the experiences of Rohingya women within Bangladesh's Kutupalong Refugee Camp, this study examines their daily practices of reclaiming agency amidst ethnic persecution, displacement, and gender-based violence within a patriarchal social structure. It addresses the objectification of Rohingya women’s bodies as instruments of control within the political aims of ethnic cleansing, documenting patterns of sexual violence perpetrated by the Myanmar military to diminish reproductive capacity and intensify oppression.

The research also explores how various forms of inequality are embedded spatially within the camp, revealing how the camp’s physical layout reflects and reinforces social hierarchies. Architectural drawings serve as valuable instruments in this analysis, enabling a visual examination of the camp’s socio-spatial politics and an overview of its current physical conditions. Despite these challenges, Rohingya women display resilience through acts of agency, such as income generation through small-scale vocational work, participation in camp politics, and asserting autonomy within the camp’s social structure.

This study reframes Rohingya women as active agents, moving beyond portrayals of passive victimhood to emphasise their self-devised strategies of resistance. It argues that transnational feminist truths are inherently nuanced and contextually grounded, contrasting with the broad, often oversimplified claims of dominant Western narratives. By highlighting diverse lived experiences rather than imposing a singular, universal perspective, these truths are made more robust and tangible. Ultimately, this paper underscores the importance of recognizing and amplifying the emancipatory actions of marginalised women, thereby advancing a more inclusive and representative understanding of global gender justice.

Zainab Najeeb, “بحران پخېر راغلې (Welcome Crisis) – Engendering Displacement in Northwestern Pakistan”
This research investigates the changing social and political landscapes experienced by displaced Pashtun women from Pakistan’s Federally Administered Tribal Areas (FATA) to Peshawar following the 2014 military Operation Zarb-e-Azb. In the absence of male family members due to the Taliban insurgency, these women navigate a complex interplay of colonial-era laws like the Frontier Crimes Regulation (FCR), traditional tribal councils (Jirgas) under the cultural code of conduct Pashtunwali, and the postcolonial state's limited recognition of their citizenship rights. This study aims to examine how forced displacement disrupts entrenched gender norms, particularly by probing the growing tensions between cultural identity and legal status, while reconceptualizing crisis as an ongoing lived experience rather than a temporary rupture (Roitman 2014, Masco 2017).

Through ethnographic research at the University of Peshawar, this project focuses on how Pashtun female internally displaced persons (IDPs) are actively reshaping their social worlds by (a) choosing to remain in Peshawar rather than repatriate to FATA, (b) pursuing higher education at the university, and (c) engaging in political activism on ground and via social media. This research highlights how Pashtun women, often framed as passive victims (Mohanty 1988), are utilizing their education and political engagement to assert agency and challenge state narratives of crisis in the frontier. By focusing on Pashtun women’s practices of forming “newer modes of attachment” (Khan 2010) after becoming displaced, this study problematizes the role of the state in framing the frontier as the site of “chronic crisis.” This research aims to broaden understandings of how women navigate displacement, revealing that their responses are not merely reactive but strategic, as they engage in both survival and resistance within a state-controlled framework of crisis.

Krishna Payeng, “Crisis and Redemption: Unveiling Healing and Resilience Amidst Emasculation in Kashmiri Pandit Narratives”
Crisis(es) profoundly affects human lives, destabilizing individuals and communities socially, economically, politically, and culturally. This paper examines the gendered responses of the Kashmiri Pandit community following the 1990s forced displacement, focusing on the theme of emasculation. The forced migration stripped men of their conventional rights, control, authority, and agency, disrupting their roles within familial and social structures and eroding their sense of belonging tied to their homeland.

In the narratives analyzed, this loss of masculinity is encapsulated in the concept of “emasculation in motion,” meaning men attempting to escape their painful reality through constant movement. This dynamic exemplifies how the theme of emasculation becomes pervasive in their lived experiences. Conversely, women emerge as protectors and caregivers motivated by historical, religious, and cultural factors. They extend their support beyond the confines of family, ensuring both emotional and physical security for their community in times of crisis(es). I argue that post-displacement, Kashmiri Pandit women rely on a reciprocal duality of “caregiving” and “healing.” By connecting with their community through story-telling and decision-making, women, in the meantime, process their trauma and attain self-healing. This interplay highlights the integration of individual and communal healing, fostering hope and resilience in crisis(es). In contrast, men exhibit a duality of “withdrawal” and “adaptation,” often finding themselves conflicted as they navigate their internalized emasculation.

Through writing about their past experiences, the Kashmiri Pandit community seeks social justice and envisions a future that deepens understanding of displacement. This evolving narrative highlights the fluidity of identity, redefined stories, and strengthened solidarity amidst crisis(es). By exploring these gendered responses, this paper enhances our understanding of how marginalized voices navigate crisis(es), envision alternative futures, and create spaces for resilience and healing within their communities.
Speakers
avatar for Anvi Nagpal

Anvi Nagpal

Master of Architecture, University of Toronto
Anvi is a second-year Master of Architecture candidate at the John H. Daniels Faculty of Architecture, Landscape, and Design at the University of Toronto, where she also completed her undergraduate degree in Architectural Design, graduating with the Academic Merit Award in 2022. Her... Read More →
avatar for Zainab Najeeb

Zainab Najeeb

PhD, Rutgers State University of New jersey
Zainab is a PhD candidate at the Department of Anthropology at Rutgers University. She was previously a Teaching Fellow at the Lahore University of Management and Sciences (LUMS) after completing her double Masters in Gender and Development from the London School of Economics and... Read More →
avatar for Krishna Payeng

Krishna Payeng

PhD, Indian Institute of Technology Madras
Saturday March 22, 2025 9:00am - 10:15am EDT
Room 124 Stata Center, 32 Vassar Street, Cambridge, MA 02167

10:30am EDT

Holding Memory: Sites, Objects, & Autobiographies
Saturday March 22, 2025 10:30am - 11:45am EDT
Lincoln Hirn, "Waiting for the Call: Memory, Legacy, and the Immortal Liberation"
This paper argues that, for a generation of freedom fighters, activists, visionaries, and thinkers, the world ended just after the turn of the twentieth century. Figuratively, at least. Because, by 1900, the last Americans who could remember their own enslavement – and, by extension, their own liberation – were beginning to die. And while this was, perhaps, a fairly mundane, slow-moving sort of apocalypse, it was an apocalypse nonetheless. An entire group of people – people who, through their own ingenuity, bravery, sacrifice, and perseverance, had toppled the American slave regime and helped to create a free society from its ashes – was vanishing. And this, I contend, presented no small problem. In studying the published autobiographies of four formerly-enslaved women – Bethany Veney, Lucy Delaney, Kate Drumgoold, and Susie King Taylor – this essay finds that aging Black activists recognized the critical importance of their own liberatory histories, and worked hard to ensure that they were not forgotten by rising generations.

Moreover, this essay finds that we, as human beings facing our own Armageddon, can learn a lot from Veney, Delaney, Drumgoold, and Taylor. Their narratives, published between 1889 and 1902, provide a roadmap for preserving resistant histories in the face of extinction, and demonstrate how cross-generational solidarity enabled activists born after emancipation to build upon the work of their forebears. If we are to confront the crises facing our contemporary world, we must draw upon the liberatory resources provided by women like Veney, Delaney, Drumgoold, and Taylor while, at the same time, preserving a record of our own struggle for those who will, inevitably, succeed us. There is, this paper concludes, an immortal power hidden within the collective histories of liberation. Which is a fortunate thing. Because, if we want to succeed, we’re going to need it.

Anandi Kar, "Materiality of Memories in the Cultures of Northeast India"
The Northeastern regions of India are marked by a history of marginalization and volatility. With its complex ecosystems and diverse landscapes, the Indian Northeast, is home to many Indigenous communities who have suffered racial violence and displacement and in response, have organized resistance and environmental movements to protect their lands and cultural heritage. The region has also experienced continuous population movements due to geographical and cultural proximity to countries, such as, Bangladesh, Bhutan, China, and Myanmar. In fact, since the partition of India, there has been a persistent influx of immigrants into this area, making it essential to any discussion on postcolonial citizenship in context of India and South Asia.

My paper seeks to foreground a theory of material memory as seeming to have the potential of retaining the relational bearing of a substance loaded with mnemonic charge to its human and non-human environment which becomes especially important in case of the cultures in Northeast India. Material memories have important things to say about the lived cultures from this region by highlighting the eco-materiality of landscapes, the elementariness of the cultural practices and arts and crafts of the vulnerable communities on the verge of extinction to help them conserve and reclaim their ethnic identity more securely. Unlike oral histories, material memories extract cultural memory from the garb of matter where history and tradition are solidly condensed and evade escape. The postcolonial condition is characterized by various practices of memory that incorporate visions of resilience, justice and sustainable futures. My paper will argue that the ‘thingness’ of memory can be theorized as one such form of practice.

It will further investigate how the cultures of the peripheral communities contest or expand liberal justice theories and decolonize environmental knowledge by privileging their material mnemonic rites to re define ‘citizenship.’ To be more specific, it will aim to show how the radical possibilities generated by the entanglements of environmental justice and material memories can challenge the triumphant narratives of nation-building, predicated on the erasure of subaltern histories and the fetishization of capitalist development. For exploring the multidimensionality of material memory, my paper will use and go beyond the works of Pierre Nora, Jan Assmann and Aanchal Malhotra to explore memories contained not only in material objects but also in sites and symbols of religious and cultural practices. It will also use arguments from contemporary philosophical developments, such as, new-materialism and object-oriented ontology to probe the ‘thingness’ of memory without turning away from the ‘human.’ My paper will also ask related questions like: Is memory confined to past events, or does it encompass elements like soil, climate, flora, fauna, and spatial existence? How does material memory mediate the relationships between personal, 3 state and collective memory? What role does material memory play in the rehabilitation and settlement of displaced individuals in new environments? How does the affective dimension of material memory aid peripheral communities in reconciling with a traumatic past?

Lara Sabra, "Possibilities of Care and Survival in Lebanon’s Prisons"
In Lebanon, prisons are located in abandoned buildings, underground parking lots, police barracks, and other such structures. These carceral spaces are marked by brutality and neglect: mattresses are moldy and bug-infested, infections rampant, and drugs or sexual favors used as exchange currencies. Lebanon’s prisons, in short, are spaces where people live in utter depravity – a depravity purposefully orchestrated by powerful actors that epitomizes the state of precarity in which the world finds itself. How do people survive and live amidst these circumstances?

To answer this question, I employ creative ethnographic methodologies involving testimony, storytelling, and material artifacts. More specifically, my paper centers on the possibilities of life within Lebanon’s carceral network by drawing on the memories and keepsakes of one formerly incarcerated woman named Sana. Sana’s stories are supplemented by letters, notes, and drawings she preserved from her time in prison. I conceptualize these artifacts as “memory-objects,” a term that encapsulates how “persons, memories and objects are interconnected and mutually constitutive” (Frykman 2016).

By engaging with Sana's memory-objects, I learned about the bonds and solidarities that prisoners forged with one another. In my paper, I accordingly show how prisoners mobilized these bonds to subvert the suppression of intimacy and care that is endemic to prisons. In a context that is becoming exceedingly unlivable as a result of Lebanon’s ongoing range of catastrophes (e.g. socio-economic collapse, political violence, and war), these relationships function as livable collaborations or “workable living arrangements” (Tsing 2017). I argue that Sana's relationships point to cracks or openings within “seemingly all-consuming” carceral systems (Rhodes 2001): small spaces of alterity where prisoners care for and collaborate with one another to transform everyday life inside the prison. My paper, in sum, examines how practices of care and bonds of relatedness made life possible amidst carceral precarity.
Speakers
avatar for Anandi Kar

Anandi Kar

Masters, Jadavpur University
LS

Lara Sabra

PhD, University of Massachusetts Amherst
LH

Lincoln Hirn

PhD, University of Connecticut
Saturday March 22, 2025 10:30am - 11:45am EDT
Room 124 Stata Center, 32 Vassar Street, Cambridge, MA 02167

10:30am EDT

What Theater, Dance & Storytelling Teach Us: Agency, Disobedience, & Counter Hegemony
Saturday March 22, 2025 10:30am - 11:45am EDT
Nancy Blanco, "Flip It and Reverse It: Burlesque as a Liberatory Praxis of Pleasure and Sexual Education"
In an era where sexual expression is frequently censored and comprehensive sexual education remains contentious, burlesque emerges as a bold, liberatory praxis—reclaiming pleasure and redefining the boundaries of erotic art. Combining nursing expertise with the art of burlesque, this performance challenges restrictive narratives around sexuality and body autonomy, framing the body as a site of both knowledge and resistance. Through humor, storytelling, and dance, the performance confronts the crisis of repression that seeks to silence discussions of pleasure, particularly those historically marginalized.

Traditional sexual education often centers on purity culture and reproduction, limiting discussions of sexuality to a narrow, reproductive framework that upholds control over bodies and restricts expressions of desire. This performance directly counters these norms, emphasizing pleasure as a critical aspect of human autonomy and self-knowledge. By reimagining burlesque as a form of embodied sexual education, it challenges purity culture's lingering impact and opens up new pathways for understanding the body as a dynamic source of empowerment.

Liberatory practices, as expressed through this performance, extend beyond resistance, they transform sexual education into an inclusive, participatory experience that celebrates the body’s capacity for joy and agency. This reimagined approach to sexual education not only subverts repressive norms but also invites a broader dialogue about how pleasure and autonomy intersect as central elements of the human experience.

Sam Collier, "“So Many Good Stories Yet to Tell”: Ecodramaturgies of Entanglement for the Climate Crisis"
What role can theater play in the climate crisis? How can we put stories about climate change on stage? This paper will consider how theater artists, playwrights, and performers are creating a new kind of eco-theater. By working with the long timescales and global implications of climate change, bringing nonhuman characters and perspectives into the stories they tell, and upending dramaturgical conventions, playwrights are reimagining the narratives we tell about the climate crisis.

The scale of climate change is almost impossible to fathom. The threat we face is the culmination of centuries of carbon emissions, but also of millions of individual moments happening all over the world, right now. It will shape all of our lives in immediate, personal ways, but it will also unfold over thousands of years. In order to wrestle with climate change on our stages, the theater faces a challenge: how to speak to these multiple layers, while also telling a good story?

“There are so many good stories yet to tell […] and not just by human beings.”[i] So writes Donna Haraway in her book Staying with the Trouble: Making Kin in the Chthulucene. As theater artists and practitioners craft stories about the climate crisis, many of them are moving beyond the Aristotelian narrative structures that have long defined the standard dramatic form in the Western world. Instead, playwrights and performers are developing works that align more with Haraway’s call for relationality and entanglement. These stories employ new narrative forms, blur the edges of the individual protagonist, incorporate nonhuman perspectives, and draw connections across time and space. In this essay I will consider three recent plays— You Are Cordially Invited to the End of the World, by Keiko Green, The Breathing Hole, by Colleen Murphy, and Hurricane Diane by Madeleine George—and the ways they deviate from conventional dramaturgical practices in order to engage with climate change.

[i] Haraway, Donna. Staying with the Trouble: Making Kin in the Cthulucene, p. 49.

Khadija Islow, "Rituals of Resistance: Queer Black Performance in The Netherlands"
In late November 2023, over a thousand protesters gathered in Dam Square, Amsterdam, just two days after the far-right, anti-immigration Party for Freedom (PVV) secured a majority in the Dutch parliament. This electoral success highlights a troubling trend across Europe, where far-right parties have gained prominence in electoral politics and shifted their focus to combating the perceived "crisis" of the so-called Islamization of Europe, all while positioning themselves as defenders of values such as gender equality and LGBT rights (El-Tayeb, 2011). In response to this rising racism and xenophobia, a vibrant countermovement has emerged, particularly from the queer Black community in the Netherlands, aiming to disrupt these prevailing narratives. Drawing on four weeks of ethnographic fieldwork in Amsterdam, this paper employs Black performance theory (DeFrantz & Gonzalez, 2014) to analyze how these artists utilize ritual performances, writing, and dance as acts of resistance against exclusion and as means of fostering community. Grounded in themes of ancestry, belonging, colonial histories, and healing, their performances serve as powerful critiques of the racial oppression embedded in Dutch society and its migration management regime. This study explores how these embodied expressions and staged critiques challenge dominant narratives, revealing deeper insights into the intersections of race, migration, and identity in contemporary Europe. Ultimately, this paper highlights the resilience and creativity of marginalized communities while fostering critical dialogue around the urgent need for solidarity and intersectionality in the face of rising far-right ideologies.

Mohammad Karambeigi, "Performing Multitudinous: Underground Performance in the Downtown of Tehran"
On September 16th, 2022, an Iranian woman named Mahsa (Jina) Amini, after days of being in a hospital, died. Iranian citizens considered Iran’s government responsible for her death and started a nationwide horizontal protest against the Islamic Republic for about 4 months. During and after the “Woman, Life, Freedom” civic movement, theater/performance makers, performers, dramaturgs, and even scholars refused to stage their theater performances and theater/performance-driven lectures in state-centered venues and theater halls. Consequently, the so-called “Underground Theater Movement” started to emerge. It is worth mentioning that Iranian underground theater, music, and even visual arts are not limited to the period after the “Woman, Life, Freedom” movement, and there were a few theater/performance and music collectives that held their performances privately in unofficial venues. However, underground theater as a leading artistic and sociopolitical movement is uniquely limited to the period after 2022. Therefore, this presentation mainly focuses on this particular artistic and sociopolitical movement and aims to investigate it through the lens of political philosophy by opposing the concept of “post-hegemony practice” to post-Marxist theories on hegemonic politics. The former concept is tied to the idea of withdrawal, while the latter emphasizes the importance of articulation and seizing power. I would like to apply the concept of “post-hegemony practice” to Iranian underground theater to understand how Iranian theater/performance practitioners, instead of seizing power, de-territorialize and re-territorialize theater/performance and cultural context under an authoritarian regime. Furthermore, after the emergence of the underground theater movement, I believe theater/performance practitioners have foregrounded the ideas of “radical civil disobedience” and “exit” by practicing and offering alternative politics of space and time to Iranian citizens.
Speakers
KI

Khadija Islow

PhD, Brandeis University
NB

Nancy Blanco

PhD, University of Texas at Austin
avatar for Sam Collier

Sam Collier

PhD, University of Colorado Boulder
Sam Collier is a PhD candidate in Theatre & Performance Studies at the University of Colorado Boulder, focusing her research on multispecies performance and theater about climate change. She holds an MFA in playwriting from the University of Iowa Playwrights Workshop.
MK

Mohammad Karambeigi

PhD, University of Pittsburgh
Saturday March 22, 2025 10:30am - 11:45am EDT
Room 144 Stata Center, 32 Vassar Street, Cambridge, MA 02167

2:45pm EDT

Disability & Multiplicity of Capacity
Saturday March 22, 2025 2:45pm - 4:00pm EDT
Court(ney) Felle, ""Our Love Language of Unspokens": Contemporary Poets on Chronic Pain"
My proposal focuses on how contemporary poets communicate—and foreground the incommunability of—chronic pain using techniques of what I am calling “fragmentation.” Building off theories of pain that emphasize the gap between phenomenological experience and witness interpretation, I am interested in how poets with chronic pain negotiate this chasm to create their own poetic genre grounded in shared recognition and use of fragmentation. This speaks to larger questions of disabled and chronically ill community-building, including across space and time, especially as intensifying series of crises produce "fragmentation" in our own lives and self-narratives.

Within “fragmentation,” I include techniques such as hard enjambment, punctuation (especially em dashes and slashes), nonlinear phrases and pacing, and inconsistent punctuation and line design, all of which bring readers into the multifaceted and chaotic experience of pain itself. In using these techniques, contemporary poets draw fruitful textual attention to how pain is not fully communicable, shifting the terms of what they are trying to communicate from nondisabled-centric demands to “prove” pain to disabled-centric criticism of the very system that demands proof in the first place. Importantly, contemporary poets do not merely co-opt existing devices but create their own uses distinct from nondisabled poetic approaches. These forms speak toward fellow disabled readers, developing affinity and suggesting possible kinship models in line with recent scholarship. For chronically ill readers often isolated through time, physical space, and emotive and political space, these forms could also become a tool of identification for readers overcoming internalized ableism as well as a tool of radicalization into political chronically ill subjecthood.

Poets under consideration include Khadijah Queen, torrin a. greathouse, Aurora Levins Morales, Cyree Jarelle Johnson, Topaz Winters, Meg Day, Leah Lakshmi Piepzna-Samarasinha, and Jillian Weise. (The working title borrows from the poem “Sick4Sick” by torrin a. greathouse.)

Ayesha Khurshid, "Disability, Exclusion, and Systemic Crises: Liberating Learning as a Sustainable Solution for Resilient Communities"
This paper investigates the complex relationship between disability and inclusion and how it ties in with marginalization and systemic oppression. Disability, is oftentimes framed within social structures that institutionalizes exclusion of individuals from accessing equitable opportunities and reinforce social inequities for disabled experiences and realities. The ableist constitution of ideological and systemic marginalization is manifested in the policies and cultural praxis that creates a continuum to impact the agency via limiting access to education, health, employment, and social/civic participation. Alternatively, inclusive education, offers a transformative opportunity to challenge the exclusionary and inequitable practices. Inclusive education creates equal opportunities and builds collaborative spaces for learners with disabilities that are informed by values of social inclusion and accessibility. This approach reimagines learning-scapes as a site of liberation, one that values the right to self-determination, embraces diverse dis/abilities and a commitment to social justice for de-ideologizing oppressive systems and every day practices. Therefore, my research question is: How can inclusive education serve as a liberatory practice in addressing the systemic marginalization of individuals/learners with disabilities, particularly in the context of societal crises? Qualitative methodology will be used and data will be gathered through in-depth interviews from participants that belong to academia, public sector, and nonprofit sector in Boston, Massachusetts. In conclusion, by positioning inclusive education as catalytic for societal transformation, this paper unpacks the need for liberatory practices in (re)designing educational policies and pedagogy. Such a liberatory lens will not only mitigate crises but will critically interrogate the exclusionary oppressive structures and institutional practices that reinforce inequities and accelerate vulnerabilities during emergency and crises situations.

Ren Lovegood, "Breaking Bad Wages: An exploration of disability labor valuation and liberatory praxis"
This paper examines the historical and social contexts that have shaped disability inequality in the United States, focusing on the institutionalization of subminimum wage (SMW) practices. Prior to the rise of industrial capitalism, people with disabilities (PWD) were valued for individual contributions to their communities. Labor was not yet explicitly defined by wage exchange or individual productivity. The Industrial Revolution shifted the discourse in which efficiency and economic productivity were now considered connected to individual value. The discursive portrayal of PWD as inefficient placed them in direct opposition to the prevailing Protestant work ethic of the period, which framed self-sufficiency and hard work as ideal worker qualities. A contradiction emerged between disability and efficiency in which PWD are expected to work despite being constructed as inferior workers.

Discursive artifacts are powerful tools that have constructed disability through various strategies that reproduce realities in which a valuable worker is assumed to be able-bodied. This paper posits that the practice of SMW has been institutionalized through the discursive framing of the disabled as legitimately less valuable in the context of work. Disability inequality is thus embedded into organizational processes and justified through the myth of meritocracy. Utilizing an exploration of praxis and change, I suggest the contributions PWD make to society may currently lie outside our socially constructed definition of ‘labor’.

Drawing on Hochschild’s (2012) “second shift”, which examines women’s unpaid emotional and domestic labor, I explore the unrecognized and inherent human value of PWD. This research re-imagines how an application of pre-industrial conceptualizations of labor that values each person for their unique contributions to society might be applied in the context of modern social systems. Through theoretical exploration of the reproduction of ableist practices through discourse, I am to conceptualize a re-humanization of disability in the context of social constructions of labor.

Satwika Paramasatya, "Resisting Invisibility: The Crisis of Health Security and Human Rights among LGBTQ Community in Indonesia"
This paper examines the critical intersection between health security and LGBTQ rights in Indonesia, focusing on the structural and policy-level exclusion of LGBTQ communities from equitable healthcare access. Using Foucault’s concept of biopower and securitization theory, this analysis explores how Indonesian policies and societal norms perpetuate health insecurities among LGBTQ individuals, framing them as threats to national stability and public morality. LGBTQ individuals face systematic discrimination in healthcare, further compounded by structural violence at social and institutional levels. This study argues that Indonesian LGBTQ communities' health insecurity stems from a state-sponsored biopolitical agenda that defines public health through restrictive moral and ideological lenses. Drawing on conflict analysis, the paper highlights the urgent need for a rights-based approach to health security, emphasizing the role of inclusive policy reforms in mitigating structural violence. By critically assessing this conflict, the paper proposes pathways for policy reformation that foreground the health needs and human rights of LGBTQ communities as essential to societal resilience and ethical governance.
Speakers
AK

Ayesha Khurshid

PhD, University of Massachusetts Boston
CF

Court(ney) Felle

MA/PhD, The Ohio State University
SP

Satwika Paramasatya

PhD, University of Massachusetts Boston
avatar for Ren Lovegood

Ren Lovegood

PhD Student, University of Massachusetts, Boston
I am a legally blind and multiply disabled doctoral student at UMass Boston pursuing a PhD in Business Administration focused on Organizations and Social Change. My work focuses on the ethics of professions, the history of disability employment, and the evolving concept of "care... Read More →
Saturday March 22, 2025 2:45pm - 4:00pm EDT
Room 144 Stata Center, 32 Vassar Street, Cambridge, MA 02167

2:45pm EDT

Memoir: Complexifying Narratives & Ripples of Change
Saturday March 22, 2025 2:45pm - 4:00pm EDT
Tyrell Collins, "Voices of Defiance: Black Queer Memoirs as Resistance"
Amidst social, environmental, and political crises, LGBTQ-BIPOC memoirs offer transformative insights into resilience and liberation. By challenging dominant narratives and embodying acts of personal and communal resistance, LGBTQ-BIPOC memoirs contribute to "liberatory practices." Based on intersectionality and queer theory, this study examines LGBTQ-BIPOC memoirists who navigate intersecting oppressive systems while affirming their identities and asserting agency. Using Kimberlé Crenshaw's intersectionality and E. Partick Johnson's "quare" studies, I argue that these memoirs are acts of defiance, reflecting the LGBTQ-BIPOC experience as both a site of resistance and survival. Janet Mock and Saeed Jones' memoirs Redefining Realness and How We Fight For Our Lives are examples of core texts that establish a relationship between LGBTQ-BIPOC lived experiences and crisis understanding informed by resilience, resistance, and reimagined futures. The purpose of this paper is to contribute to the current discourse on the power of marginalized narratives to disrupt crisis-laden worldviews and foster transformative change.

Kohinur Khyum, "Storytelling as Liberatory Practice for Survivors of Forced Marriage"
This paper examines how forced marriage survivors from the South Asian diaspora community from the US and UK are breaking intergenerational cultural abuse by telling their stories. Forced marriage is prevalent and often hides under the guise of arranged marriage in the South Asian culture. However, there are different layers of honor-based violence against women within the diaspora community. This global human rights issue is often deemed a cultural practice ‘over there’ but not a problem in the countries in the global North. However, forced marriage is a concern among several immigrant communities including the South Asian diaspora community in several developed countries including Canada, the US, Britain, Australia, and others. Forced marriage in South Asian diaspora culture is a complex interplay of tradition, cultural abuse, honor violence, religious practice, and gender dynamics. In this paper, I will shed light on how these individuals are often silenced because they are not considered the ‘model victims’ because most of their perpetrators are from their minority communities in the global north. I argue that narrative liberation by breaking the systemic silence imposed on forced marriage survivors by their communities, families, social services, and a section of feminist activists became a major tool to foster advocacy efforts to prevent forced marriages within the South Asian diaspora community.
Speakers
KK

Kohinur Khyum

PhD, University of Massachusetts Boston
TC

Tyrell Collins

PhD, Georgia State University
Saturday March 22, 2025 2:45pm - 4:00pm EDT
Room 124 Stata Center, 32 Vassar Street, Cambridge, MA 02167

4:15pm EDT

Black Radical Thought in Action
Saturday March 22, 2025 4:15pm - 5:30pm EDT
James Chiyoki Ikeda, "“The Intimate Face of Universal Struggle”: June Jordan’s Search for a Shared Liberatory Project in a Time of Apocalyptic Crisis"
My paper traces the development of poet and educator June Jordan’s conceptualization of a shared, global liberatory project blending antiracism with anti-imperialism—her vision, that is, of universal liberation—between the mid-1960s and the mid-1990s. During this period, Jordan frequently used the word apocalyptic to describe conditions both within the United States and globally, and her vision of universal liberation was shaped fundamentally by her perception of this apocalyptic context and the overlapping crises that constituted it.

I argue that Jordan’s understanding of crisis and the liberatory vision arrayed against it led her to embrace a binary conception of global political struggle and a coalitional politics which enabled her to think expansively about solidarity across many different categories of difference. She ultimately came to see a shared global ‘enemy’ in imperial white male supremacy and a shared end-goal of self-respect and self-determination for the racialized, imperialized global majority, expanding her application of the idioms of American race politics to the so-called Third World.

At the same time, this group-based coalitional thinking was undermined by Jordan’s need to reconcile the utter uniqueness of the individual with politically meaningful groupings like race, gender, nation, and sexual orientation, especially in a world marked by imperial hierarchy. Thus, at the root of her political thinking was a desire to ground collective political identities in something substantive and politically operable without subsuming the individual, whose full existence always cuts across those identities in untidy way. This was the political task Jordan faced as she worked through how to respond to what she saw as an apocalyptic crisis.

My paper will provide direction for people today who are grappling with the strategic question of how to advance collective political struggle against crisis conditions without eliding the individual who is never reducible to their political group identities.

Ki'Amber Thompson, "Emerging Abolitionist Infrastructures of Feeling In and Beyond Times of Crisis"
What do abolition geographies feel like? What are the affective states, or feelings, that maintain carceral geographies? What affective states do we need to attune to in order to make abolition geographies? How can we emerge abolitionist infrastructures of feeling in and beyond times of crisis? This paper explores how we might attune to potentially liberatory affective states that emerge in times of crisis and beyond times of crisis. The COVID-19 pandemic put the state in crisis, and this crisis exposed vulnerabilities of the state, leading people to call for change. The experience of the pandemic and the affective states it created (loss, rage, uncertainty, fear, stillness, clarity, suffocation, etc.) created an opening, an opportunity for liberatory transformation to occur. The COVID-19 pandemic was/is a crisis that came together with the ongoing crisis of police killings of Black people, emerging an abolitionist structure of feeling, where abolition became more thinkable for a broader population and thus more possible. This paper draws upon a queer Black feminist affect theory to inquire beyond the limits of our visual imaginations in making abolition geographies. This paper moves beyond the prioritization of the visual over other ways of knowing and takes us through a sensuous exploration of our capacities to feel with all of our senses to exceed the limits of our imagination that prioritize the visual field. Thinking with the affect theory concept of infrastructure of feeling, this paper examines ordinary or everyday affective energies toward growing our capacities to imagine and practice abolition geographies in and beyond times of crisis.

Jessica Wright, "Bending Toward Gender Equality: Women’s Evolving Roles in the Black Panther Party, 1968-1971"
This paper examines women’s complex roles in the Black Panther Party (BPP). While the BPP’s ideology was egalitarian because of its socialist leanings, female Panthers experienced gender discrimination. Between 1968 and 1971, the Black Panther Party (BPP) struggled to resolve the gender discrimination that female Panthers experienced. Through party policies, actions, and ideology, male and female Panthers both perpetuated the BPP’s male-centered environment and enacted reform. This paper argues Panthers Linda Greene and Kathleen Cleaver’s descriptions of women’s roles in the BPP demonstrated the party’s changing stance on gender equality.

First, I examine Greene’s 1968 article, “The Black Revolutionary Woman,” in The Black Panther newspaper. Greene’s definition of Black gender roles against U.S. societal expectations exemplified the complexity of the nascent BPP’s views of Black women. Although Greene depicted the ideal Black woman as a self-sacrificing assistant and a sexual object, Greene also reflected the BPP’s egalitarian, socialist ideology. Greene described Black women with masculine adjectives and their equal capacity to be revolutionaries.

By 1971, the BPP began coalition efforts with the women’s liberation movement, renounced the Black nationalist argument for reclaiming masculinity, and implemented internal reforms. I discuss how Kathleen Cleaver’s 1971 interview with The Black Scholar demonstrated the extent of the BPP’s reformative policies and actions on the issue of female party roles. Cleaver articulated the BPP’s motivations for enacting gender equality reform, the party’s rejection of Black women’s subservience, and the discrimination female Panthers faced. By detailing inequalities and stressing women’s roles as mothers, Cleaver showed that the BPP did not fully eradicate sexism by 1971.

Despite the BPP’s shortcomings, Greene and Cleaver emphasized female Panthers’ po
Speakers
JW

Jessica Wright

Masters, Simmons University
Hi, everyone. I'm in my second year of the Archives Management and History Dual Degree Program at Simmons University. I anticipate graduating in the fall of 2026. My research interests include World War I in Europe and women's involvement in the Black power movement in the United... Read More →
JC

James Chiyoki Ikeda

PhD, Northeastern University
KT

Ki'Amber Thompson

PhD Candidate, University of California, Santa Cruz
Saturday March 22, 2025 4:15pm - 5:30pm EDT
Room 124 Stata Center, 32 Vassar Street, Cambridge, MA 02167
 
Sunday, March 23
 

9:00am EDT

Dynamic Methodologies: How is the Work Done? Digital Storymaps, Data and Research Science, & Ephemeral Methods
Sunday March 23, 2025 9:00am - 10:15am EDT
Taylor Marie Doherty, "Grounded Ephemerality: The Liberatory Potential of the Queer Feminist Archive/s"
This paper employs transdisciplinary queer, feminist, and trans, Black feminist, decolonial, critical, and assemblage theories to rework methodological assumptions that pose social movements as empirically discrete objects anchored in space and time. develop “grounded ephemerality” as an archival reading praxis that reads and reassembles materials from the archive, alongside the liveness of protest and what is left behind in its wake in the present. This paper draws on my ethnographic research at the New York City Women’s Strike and is grounded in my participation in a performance of “Un violador en tu camino” alongside queer feminist Latin American artist colectivas. I examine how fleeting traces of protest, like street art, posters, glitter, and pañuelos verdes stick to our bodies and spaces inviting ephemera as an embrace of disorderly space and a refusal of the normativity of permanence (Muñoz 1996; Bey 2022). This protest ephemera as it travels can transform into an invitation that prefigures feminist futures.

This project examines the relationship between archive/s and protest. I develop the term the archive/s to refer to the archive—as deployed in critical theory—and actual archives—as understood in archival science—as always becoming and co-constitutive. I attend to space, practice, and theory to make ephemera and fleeting, fugitive timescapes valuable to archive/s and protest. This reshapes how political science understands protest and how archival science understands records with the explicit aim of moving towards liberatory futures. I develop grounded ephemerality as an (auto)ethnographic method that reads archival materials alongside embodied experiences and tethers ephemera to community. This method offers ways of reading, feeling, sensing, and listening to the archive that foster more livable futures.

Liyang Dong, "Against the Narrative Crisis of Censorship: From Closed Hearings to Congressional Testimonies"
The grounding of the ship Golden Venture carrying 286 Chinese refugees in New York on June 6, 1993 brought undocumented immigration from China to national attention. Driven by national fear of the “Asian horde,” the ancient Orientalist rhetoric of the “yellow peril,” the Clinton Administration orchestrated dispersed mass detention and a sweeping denial of asylum of the Golden Venture asylees through inappropriate political interference and ex parte communication with the judicial agencies. Such abrupt administrative changes in asylum statute catalyzed by the Golden Venture asylees eventually prompted the enactment of the 1996 IIRIRA which normatized mass detention and expedited deportation of undocumented immigrants we are witnessing today.

This paper is a chapter of my digital dissertation using ArcGIS StoryMaps as a digital arm to present different forms of the detainees’ narratives in multimodal media genres. Drawing on legal case archives preserved by pro bono lawyers representing the Golden Venture detainees and neglected for three decades, this paper will illuminate how the U.S. government orchestrated a narrative crisis of censoring the testimonies of the detained Chinese asylum seekers, will foreground the collective fight of the female and male detainees alongside their attorneys and advocates against government agencies and engagement with the media, and center the “subaltern” Chinese detainees’ testimonies. The liberatory practices of their solidarity across national, racial, class, and religious overturned sweeping denial of asylum in closed hearings to publicly testifying in Congress, and offers us an alternative way to resist symbolic annihilation and racialization, against official Orientalist narrative, and a marvelous miracle of community building.

Daria "Dasha" Anikina Ogle, "Identifying Gendered Racial Spectacle in Scientific Research"
Racial spectacles are tools used to control the portrayal of race while deviating attention away from the systems of oppression. Scientific research can operate as a racial spectacle when we pathologize race, gender, and other intersecting identities that deviate from the norms put in place according to the white supremacy model. Often, comparative research reinforces presumptions about superior race (white), gender (male), and heteronormative sexual behavior, strategically placing those that do not subscribe to stated social constructs in the periphery. To assume that the notion of racial spectacle operates within and through racially charged research is to hypothesize that the intersectionality of race and gender in research will potentially operate in concurrence with gendered racial spectacle. To explore further, I look at two articles that conduct research by utilizing constructs of race, gender, and sexual behavior. I then identify the narrative created around women of color regarding drug use, promiscuity, and the risk of STIs. I point out statistical inconsistencies and research biases in these articles and reflect on the authors' failures to question the root cause of social disparities or address the structural obstacles inherent in systems of oppression. I situate gendered racial spectacles by evaluating the background assumptions of the noted articles. I explore the connections between the methods and frameworks used to interpret the findings. I present the ideologies and structures of power that help reinforce specific forms of knowledge. I expose the damaging nature of inserting data into gendered and racial formations. Finally, I propose a direction for future scientific inquiry to amend these problems.
Speakers
LD

Liyang Dong

PhD, Binghamton University
avatar for Daria

Daria "Dasha" Anikina Ogle

PhD Student, University of Tennessee, Knoxville
avatar for Taylor Marie Doherty

Taylor Marie Doherty

PhD Candidate, University of Arizona
Sunday March 23, 2025 9:00am - 10:15am EDT
Room 124 Stata Center, 32 Vassar Street, Cambridge, MA 02167

9:00am EDT

Networks of Care: Collective Action Against Oppressive Structures
Sunday March 23, 2025 9:00am - 10:15am EDT
Dyala Kasim, "(Un)Sanctioned: Community Building and Intrusion in the Contemporary Arab American Novel"
In my paper, I explore Arab American community building and non-Arab American community breaking practices within the post-9/11 United States — a place of "crisis" for Arab Americans facing anti-Arab sentiment, Islamophobia and the effects of pervasive neo-Orientalism, or the “new Orientalism” that emerged post-9/11 to subjugate Arab American individuals. I study this duality through the lens of “intrusion,” which I identify as invasive acts done without seeking permission from the individual(s) receiving them, splitting the concept into the subcategories of “sanctioned” and “unsanctioned.” Sanctioned intrusion is the socially-accepted allowance for Arab Americans to encroach upon each others’ spaces, homes and lives, and manifests in different social/cultural customs, cues and behaviors. Though it can feel invasive, sanctioned intrusion is always coming from a place of love and care for Arab Americans; thus, it is an internal practice that builds connection between people. Unsanctioned intrusion is an unauthorized encroachment tactic practiced by non-Arab Americans upon Arab American spaces, homes and lives. It is an explicit exertion of neo-Orientalist power and dominance, making it an external practice that destroys connection. Through the examination of seven key contemporary Arab American novels — Diana Abu Jaber’s Crescent, Mohja Kahf’s The Girl in the Tangerine Scarf, Laila Halaby’s Once in a Promised Land, Rabih Alameddine’s The Hakawati, Laila Lalami’s The Moor’s Account, Sahar Mustafah’s The Beauty of Your Face and Zaina Arafat’s You Exist Too Much — I argue that community building through sanctioned intrusion makes Arab Americans feel like U.S. insiders, while community breaking through unsanctioned intrusion makes Arab Americans feel like U.S. outsiders. Ultimately, intrusion becomes the channel through which these individuals humanize and liberate themselves by telling their own stories about their lives and experiences in their own words.

Moloud Soleimani, "Networks of Care: Exploring the Interconnection of Women and Children in the Woman, Life, Freedom Movement"
In 2022, the death of Mahsa Amini, who was in the custody of Iran’s morality police for “improper” clothing, sparked the Woman, Life, Freedom movement, which, despite not achieving regime change, is widely regarded as a social revolution. To sustain the spirit of this revolution, women and girls engage in daily acts of resistance against the morality police, and those who choose to wear what they love embody hope, signaling that the struggle is far from over.

In this paper, I explore how women and children together form an intertwined network of care that keeps the revolution alive. I am investigating the potential for dialogue between childhood studies and women’s studies by examining the interconnected roles of care within the context of the Zhina revolution.

While much of the discourse centers on “saving” children or on parental discussions about current events, children have frequently played an essential role in the caregiving network, supporting their mothers while sometimes requiring their mothers to take on additional responsibilities to manage their own anxieties. This dynamic includes not only women who resist the mandatory hijab by choosing not to wear it in public but also those who believe in the hijab and wear it outside of the government’s ideology. Children may encourage their mothers to wear what they love, reassure them not to worry, and even choose to stay home to allow their parents to participate in demonstrations. In some cases, children have actively joined these demonstrations, facing grave consequences, including the loss of life.

İlayda Üstel, "Emerging from Crisis: Vulnerability and Reimagining the Present"
In this paper, I explore the alternative worlds and ways of being together that emerge during moments of collective political action. Taking recent acts of resistance by women and LGBTQI+ communities in Turkey—and the interviews I conducted with activists—as my point of departure, I focus on the fleeting moments of protest and the vulnerability of protesters. Through these interviews, I examine the new relations of care that form during protests and re-conceptualize vulnerability, not only in connection to violence but as an opening to potential social relationalities and care. Drawing on Judith Butler’s ideas on vulnerability and precarity, I argue that this vulnerability can become a generative force during collective action, transforming individual precarity into collective strength. I further extend this idea by considering vulnerability not just as a condition to be minimized, but as an opportunity for new forms of relationality, where protesters’ shared openness to one another fosters deeper networks of care and solidarity. The moments of interruption where the dominant order is interrupted that collective action leads to embody the potential to reorder the world, allowing us to glimpse and enact alternative ways of being together. In moments of crisis, when vulnerability is heightened and temporality is reordered, the present becomes the only temporality in which we can maneuver. By centering the present as a site of transformation and vulnerability as essential to building relationalities between bodies, I suggest that collective action offers liberatory practices that disrupt oppressive structures and create new forms of relationality and care.

Xuyi Zhao, "The Crisis is Coming: Time and Togetherness in China’s Pandemic Community Building"
In this paper, I take the organization of universal COVID testing as a point of departure for understanding the lived experiences of China’s zero-COVID policy and look at “the Community” (shequ) as a dynamic interface between the state and urban residents during the liminal time of a global pandemic. From early 2020 to the end of 2022, China enacted its stringent “zero-COVID” strategy to eliminate local virus transmission through frequent lockdowns, testing, contact tracing, massive quarantine, and control over travel. To urban residents across the country, this top-down initiative passed through the urban bureaucratic system to be experienced on the ground as an unquestionable state of emergency, both collectively and repetitively. In particular, the “urgency” of forestalling a crisis was built into the temporal governance of the pandemic, working to justify the blurring of public/private boundaries, excessive overtime, and mandatory orders regulating the time and space of everyday life.

The primary goal of this paper is twofold. Empirically, I seek to present an ethnographic account of how shequ was caught in between paradoxical rationalities of social cohesion and political control as a result of both aggressive pandemic state-building and the irreplaceable role of shequ organizations in providing and coordinating essential care work. Theoretically, I draw on Rebecca Bryant and Daniel M. Knight’s notion of “vernacular timespace” (2019)—the collective sense of living within a period that has a particular temporality—to analyze the timespace of zero-COVID as a state-regulated future orientation interwoven with collective anticipation of crisis, bureaucratic temporal governance, and contestations over time as a form of agency in everyday life. Instead of assuming a unitary form of present-future relationship that was homogeneous and unchallenged, I argue that the collective anticipation of a public health crisis was constantly shaped, managed, and contested throughout the processes of pandemic community building.
Speakers
avatar for Dyala Kasim

Dyala Kasim

PhD, University of Massachusetts Amherst
Dyala Kasim earned her BA in English and Communication from Villanova University and MA in American Studies from Columbia University. She is currently a doctoral candidate in the English Department at the University of Massachusetts Amherst and a teaching assistant in the American... Read More →
IU

İlayda Üstel

PhD, Ohio State University
MS

Moloud Soleimani

PhD, Rutgers University
avatar for Xuyi Zhao

Xuyi Zhao

PhD, Boston University
Xuyi Zhao is an urban anthropologist broadly interested in gender, (im)mobility, temporality, and placemaking. Her current research investigates the making of a brand-new urban area in Southwest China and various local efforts of community building, as the latter is often informed... Read More →
Sunday March 23, 2025 9:00am - 10:15am EDT
Room 144 Stata Center, 32 Vassar Street, Cambridge, MA 02167

10:30am EDT

New Technological Tools: From Autonomy to Community
Sunday March 23, 2025 10:30am - 11:45am EDT
Michel Madanat, "Media Control and Palestinian Censorship: How American Media Manufactures Public Consent for Genocide"
Throughout the past year, the Israeli state has been systematically committing a genocide against the indigenous Palestinian population of Gaza as an extension of its settler colonial project. The last year has also seen an unprecedented paradigm shift in which public support for Zionism has diminished considerably, with protests held in major U.S. cities demanding an arms embargo on Israel and student encampments demanding that universities divest from the Israeli apartheid state and the corporations affiliated with it. However, this shift has rarely been recognized by major American news outlets and social media platforms, and the voices of Palestinians have been silenced and replaced with misinformation.

Relying on Edward Said’s Orientalism (1978) as a theoretical lens, this paper will examine how American media has taken control over the narrative of the Palestinian genocide. I argue that this has been executed on two dimensions, that of the perpetrator and that of the victim. I will first assert that American media outlets have consistently erased the perpetrator in the Palestinian genocide, using language and images that frame the massacres committed by Israel as humanitarian crises where the aggressor is absent. I will then demonstrate how Palestinian voices have largely been missing from American reporting or blatantly silenced if present. These two dimensions together alleviate the perpetrator of any accountability for war crimes and human rights violations and erase the voices of Palestinian journalists and activists calling for justice. Renowned newspapers such as The New York Times and The Washington Post manufacture a false narrative embedded within a censorship system that pacifies the American public and enables their consent for a US-sponsored genocide against the indigenous population of Palestine.

Finally, I will conclude by discussing forms of resistance that have been adopted by Arab academics and activists as liberatory practice. These forms of resistance include bypassing social media algorithms which attempt to silence their messages and establishing independent platforms outside of social media.

Soodeh Mansouri, "Iranian Women's Online Resistance for Bodily Autonomy"
“Neither East, Nor West” is the main slogan of the Islamic Revolution of 1979 in Iran. According to this slogan, the Islamic Republic of Iran has chosen various domains to demonstrate its anti-capitalistic and anti-imperialistic stance during its four decades of governance. One of these domains is the female body. The Iranian woman’s body, as a symbol to represent the Islamic government's values and its anti-imperialistic and anti-capitalistic position, has been a significant sphere through which socio-political issues are conveyed to the world. The enforcement of veiling (Hijab), the covering of the entire body with the chador, and the avoidance of colorful clothing are some of the key markers the Islamic government uses to project its values through the regulation of women’s bodies.

However, women’s resistance against the ideological commodification of their bodies by the Islamist regime has persisted over the last four decades. There have been numerous activities, such as street protests and civil resistance against compulsory veiling or restrictions on clothing choices. The latest protest against discriminatory rules toward women escalated into a social movement in Iran in 2022, known as “Woman, Life, Freedom.” While the “Woman, Life, Freedom” movement is often described as a failed movement, I believe that the resistance against the ideological use of women’s bodies is stronger today and continues with more intensity. In this paper, I will focus on the ongoing resistance by women for their right to control their bodies in the post-movement era in 2024, specifically on online platforms, with a focus on X (formerly Twitter). I will analyze the trending resistance tweets related to women’s bodily autonomy. My methodology involves content analysis of the tweet texts, and data collection will be based on the snowball sampling method by following tweets participating in this genre.

Kate Yuan, "Psychological Wage of Misogyny: An Existentialist Lens on Deepfake"
This paper examines the crisis of gender-based digital violence through the phenomenon of deepfake pornography and its use as a tool for mass humiliation within misogynistic communities like incel groups. Central to this crisis are “humiliation rooms”—digital spaces dedicated to sharing deepfake pornography targeting specific women, including mothers, sisters, and acquaintances. Here, sexual humiliation is weaponized to assert dominance, revealing a new dimension of technologically enabled gender violence that exploits anonymity and scale. Although humiliation is central to understanding digital gender violence, it remains under-explored. This paper addresses this gap by examining how deepfake technology amplifies large-scale, anonymous humiliation and misogyny, making these discussions urgent and timely.

To analyze this crisis, I draw on W.E.B. Du Bois’s concept of the “psychological wage of whiteness” to introduce a “psychological wage of masculinity,” wherein men derive compensatory value from subjugating women in the digital realm. Jean-Paul Sartre’s existentialist framework, particularly his concepts of “the look” and “bad faith,” illuminates the desire to reduce women to objects, reflecting existential anxiety over women’s autonomy. Simone de Beauvoir’s gendered parallel between racial and gendered oppression further reveals how patriarchal societies render women as the “Other,” positioning their bodies as sites of control and shame.

Through this existential lens, I propose solutions focused on dismantling objectifying structures and reinforcing subjectivity for both genders. Sartre’s concept of the “third person” suggests disrupting collective objectification through external accountability, advocating for legislative measures that enable third-party monitoring of digital spaces. Meanwhile, Beauvoir’s emphasis on self-assertion highlights the importance of cultivating digital and public realms where women can reclaim autonomy and resist objectification. These strategies contribute to a necessary rethinking of human dignity and autonomy in our technologically mediated world, bridging enduring human values with the pressing ethical challenges of our digital age.
Speakers
KY

Kate Yuan

PhD, Yale University
avatar for Michel Madanat

Michel Madanat

Masters, Simmons University
My academic research explores power and identity, post-colonial theory, and gender and sexuality in the Arab world. I am interested in understanding how to conduct research in a way that does not reproduce settler colonial structures.
avatar for Soodeh Mansouri

Soodeh Mansouri

PhD, University of Illinois, Urbana-Champaign
Sunday March 23, 2025 10:30am - 11:45am EDT
Room 124 Stata Center, 32 Vassar Street, Cambridge, MA 02167

10:30am EDT

Speculative Futures: Reclaiming the Future & Reimagining Thriving
Sunday March 23, 2025 10:30am - 11:45am EDT
Amorette Lyngwa, "Across Worlds: Transculturality, resistance and the making of Khasi identity in the 19th and 20th century"
For the Indigenous/tribal people of the Khasi Hills in Northeast India, the world did not end when colonialism and mass conversions to Christianity took over the community during the 19th century; it transformed. It was a period when new worlds, and new identities were built – some that were aligned with the new Christian religion and others that leaned more towards rebuilding native cultures and traditions. The ‘Khasi Renaissance’, as scholars have termed this period, was a watershed in this history that created the identity of the Modern Khasi. It involved the establishment of the Seng Khasi, a cultural and later religious organization that revived and strengthened Khasi heritage to resist colonial cultural destruction. It also kickstarted written literature for the previously unlettered tribe, creating new possibilities for the community.

My presentation explores this period of transformation through a closer look at the transcultural social life of Jeebon Roy, one of the founders of the Seng Khasi and the foremost leaders of the Khasi Renaissance of the 19th and 20th centuries. Through a close reading of a selection of early Khasi writing by Roy and his associates, published by his printing press, I argue that Khasi ‘worldmaking’ in the 19th and 20th century is an amalgamation of past heritage and the many transcultural experiences that leaders and ‘worldmakers’ of the century were exposed to during this time period. Further, this transculturality and transformation became a form of resistance that allowed the Khasi community to transition into the modern world. At a time when the tribe’s cultural heritage was at stake, I ask, what does it mean for a community to survive crisis and their world’s transformation through embracing new worlds and transcultural identities? What are the implications when this transcultural worldmaking becomes a core feature of Khasi identity in the century that followed?

Benvolio Nichols, "“Like Dying and Like Being Born”: The Portal, the Door, and the Closet in Mohsin Hamid’s Exit West"
Exit West by Mohsin Hamid is a novel of global, community, and interior crisis. The scholarship surrounding Exit West—concerningly little of which has emerged since its publication in 2017—has focused on the novel's fabulist conventions and speculative content as a commentary on xenophobia and colonialism. Using noted texts in queer theory including Sedgwick's Epistemology of the Closet, this paper draws further connections between Hamid's portal plot and the experience of coming out. Hamid’s central worldbuilding conceit—magical “doors” which allow passage all over the world, regardless of borders—compellingly troubles cultural narratives about refugees, while serving also as a concrete extension of the metaphorical closet door with which queer people must live. I center the intersectionality of migration and coming out to demonstrate that for characters like Nadia, a refugee and a bisexual woman, these experiences must overlap. Through close reading, I propose that the novel’s short and spare conclusion engages with global crisis on two levels: by showing us a city after violent upheaval, and by showing us the aftermath of a relationship shaped by displacement. In this last scene, set decades after their romantic relationship has ended, the novel’s dual perspective characters Nadia and Saeed finally come to an understanding of each other’s worldviews—particularly, Nadia’s view of intimacy as a queer woman. The conversation around the novel remains incomplete without an analysis of queer experience. Exit West reveals a multilayered perspective of the ways in which queer people and migrants—identities which Western media and culture assume, too often, must exist in opposition to each other—survive and rebuild through crisis.

Madeleine Stone, "Queer Temporalities and Crisis: Reimagining Survival Beyond Normative Time"
This paper explores how queer and trans theories of temporality offer alternative understandings of crisis and survival. By rejecting linear, normative conceptions of time, queer temporalities reframe the experience of crisis as non-catastrophic and open possibilities for non-normative survival strategies. Through the lens of queer studies, the paper examines how crises—environmental, political, and interpersonal—are often framed through dominant, future-oriented narratives that prioritize continuity and progress. Instead, this paper investigates how queer resistance and existence in the present challenge these frameworks, proposing radical reimaginings of living, thriving, and surviving in crisis-laden worlds. The study also considers how embracing queer temporalities allows us to cultivate new care practices and collaborative modes of being in community.
Speakers
AL

Amorette Lyngwa

PhD, Cornell University
BN

Benvolio Nichols

MFA, Cleveland State University
Benvolio Nichols is a first-year graduate student in the Northeast Ohio Master of Fine Arts creative writing program through Cleveland State University. He is a fiction writer with research interests in media studies and bisexual literature. He holds a B.A. in English and Gender Studies... Read More →
MS

Madeleine Stone

Masters, Boston College
Sunday March 23, 2025 10:30am - 11:45am EDT
Room 144 Stata Center, 32 Vassar Street, Cambridge, MA 02167

1:15pm EDT

Fandom as method: Bringing imagination to reality & solidarity within a digital space
Sunday March 23, 2025 1:15pm - 2:30pm EDT
Eleanor Carver, "The “Final Fantasy:” Magic, Climate Disaster, and a Survivable Future"
What does the end of Final Fantasy XVI (hereafter: FFXVI) imply about surviving apocalyptic climate disaster, and how can we use FFXVI as a model for using video games to understand the current world environmental crisis? FFXVI is the sixteenth video game title in the Final Fantasy anthology media franchise. This 2023 title explores what happens when anthropomorphous, anthropogenic magic-use wreaks havoc on nature and how ecoterrorism and bonds of kinship can create hope for a survivable future. The world in the beginning of the game teeters on the precipice of apocalyptic climate disaster reminiscent of the world in which we live currently, while the world after the end of the game demonstrates how active resistance is a path towards a better future. In this essay, I focus on the crystals, the Blight, and the end of the game as representative models for real-world climate change. I also look at how the medium (video game) affects the narrative scope and consequence for players of FFXVI. Roleplaying games (RPGs) place the player in the role of the main character; I explore the sense of agency this structure naturally implies for players. FFXVI has players inhabit the character Clive Rosfield, the leader of a magic-wielding group called the Cursebreakers fighting to save the world. I also think about what optional side quests do (or don’t do) to enhance the considerations of the worlds in crisis both in- and out-of-game. I also consider the implications of the platforms the game is available on (PS5 and PC). Ultimately, I argue that FFXVI makes players think about climate change and, in so doing, encourages them to begin to act against climate change, much like Clive and his Cursebreakers.

Kate Rose, "Affirmational Communities and Transformational Objects: utilizing non-literary fan creation in times of crisis"
Whether it’s rewatching a favorite show, repeating an inspirational quote from a comfort character, or listening to familiar music as a means to affect mood, fans regularly turn to their fandoms in times of emotional distress. Yet fandom can be used for more than escapism. Past fanstudies scholarship has explored the ways authors and readers utilize fanfiction, and especially slashfic (fanfiction depicting a relationship between two or more same-sex characters), to explore difficult or taboo topics in low risk, safe, and familiar environments. However, a narrow scholarly focus on fanfiction has resulted in limited research being conducted on the benefits of other (non-literary) forms of fan creation, especially in terms of fandom’s relationship to crisis. Past scholarship has shown the ways fanfiction works to help authors and readers name, define, and process various crises and traumas, yet these same benefits are being gained by fans through the utilization of non-literary forms of fan creation, including art, crafting, and collections, and through the creation and maintenance of fan communities. Furthermore, the physicality of engaging in tangible tasks serve as care practices for fans living in crisis, while the creation and maintenance of fan communities provides care networks and support systems. These fan communities, which are often online, are especially useful to fans who are members of marginalized populations and, as such, may struggle to find meaningful connections locally. Using interviews with individuals engaged in fan creation, as well as the analysis of fanworks submitted to Affirmation/Transformation: Fandom Created, a museum exhibition of fanworks inspired by fine art, this paper looks at the ways fans use their non-literary creations to name and process a variety of traumas and crises, as well as the ways creation of these works become part of a fan’s self-care practices.

Xiaoya Yang, "Digital Refugees: Queer Resistance and Care in Sinophone Fandom Communities"
Confronting the mass commercialization of fandom culture in mainland, China and intensifying censorship on queer-related topics, this paper provides an ethnographic exploration of how small Sinophone fandom community operates as a site of queer resistance and mutual care, particularly among young queer participants. Building on my previous research, which examined the impact of Queer imaginary media on identity construction among gen-z Sinophone readers, I found that readers and creators increasingly organize themselves within small, private group chats on social media rather than in larger, public digital spaces. Participants expressed concerns about capitalized fandom creation labor and intensified online censorship targeting public discussions of LGBTQ+ topics—common themes in fandom works. Describing themselves as “digital refugees,” they emphasized how this shift to small groups enables free writing environment and closer communication with care among each other.

Expanding on these findings, this paper takes a theoretical focus on queer theory, digital ethnography, and cultural anthropology. Drawing on Jack Halberstam’s concept of “queer alternatives,” I explore how small fandom communities serve as subversive spaces that resist exploitation on fandom economy, hetero-patriarchal norms, and digital censorship while simultaneously fostering solidarity (2). Besides in-depth interviews and digital ethnography methods, I integrate participants' fandom into ethnography as both a method of study and a practice of care. This approach contributes to discussions on alternative ethnographic methodologies, while critiquing academic orientalism and underscoring the activist dimensions of participant-researcher relationships.

By situating my research at the intersection of queer theory, Sinophone studies, and cultural anthropology, I aim to contribute this research in the knowledge of Sinophone queer culture. Providing a nuanced understanding of how small digital communities foster both solidarity and resistance, I also intend to study queer as a collaborative practice rather than a culture under gaze.

Reference
Halberstam, Jack. The Queer Art of Failure. A John Hope Franklin Center Book. Durham, NC: Duke University Press, 2011.
Speakers
EC

Eleanor Carver

PhD, University of Delaware
KR

Kate Rose

PhD, Marquette University
avatar for Xiaoya Yang

Xiaoya Yang

Masters, Brandeis University
Sunday March 23, 2025 1:15pm - 2:30pm EDT
Room 124 Stata Center, 32 Vassar Street, Cambridge, MA 02167

1:15pm EDT

Resistance & Activist Practices in Indigenous Liberation
Sunday March 23, 2025 1:15pm - 2:30pm EDT
Mackenzie Butson, "Pa'u Riding: A Parade of Horsemanship, Hawaiian Culture, and Colonial Resistance"
Pa’u riding, an equine riding discipline with roots in Hawaiian culture, is a popular feature in Hawaiian parades, as the riders personify the Hawaiian Islands. Wearing kepola tops and pa’u bottoms held up with kukui nuts, lei-adorned pa’u riders carry their island's color of flowers on their body, as they ride their horses in Hawaiian cultural parades, like the King Kamehameha Celebration Floral Parade.

Beyond the pageantry of this performative parade unit, pa’u riding carries a complex history regarding Hawaiian culture, sovereignty, and the continued work of colonial resistance. This presentation discusses the 20th century evolution of pa’u parade riding, the importance of Hawaiian cultural preservation amid colonialism, and how the continued practice of pa’u riding brings forth cultural education for tourists while evoking a heightened sense of cultural community among Hawaiian people.

Through the lens of performance and ritual literature, the research compiled in this presentation covers how this equestrian tradition dates back to the 19th century after the introduction of horses to the Hawaiian Islands, how Hawaiian women chose to ride astride, contradictory to European influence, and colonial resistances amid the United States annexation of Hawaii in 1898 and later United States statehood in 1959.

Utilizing both imperative primary and contextual secondary resources, this presentation will also cover how this equestrian dicipline has evolved throughout the 20th and 21st century as a way to honor Hawaiian culture, such as the memorialization of Hawaii’s Queen Lilikuolani, and how pa’u riding withstands the test of time as both an opportunity to learn about the complexities of Hawaiian culture, and the resistance to a colonially-induced cultural crisis.

Kyle Cook, "Land back futurities: A reflection on community-led land rematriation in Hawai’i"
What is the connection, or lack thereof, between collapse and Indigenous Land Back? What are the world building possibilities that can arise from moments of economic and environmental collapse? What opportunities and frictions arise from building futures amongst moments of collapse? What does engaging pono (ethically) with Land Back as a visitor to Indigenous territories look like in practice?

Often referred to as the last Hawaiian island, Moloka’i is a sacred space for many Kānaka ‘Ōiwi (Native Hawaiians). With the introduction of off-island extractive corporations, tourism, and the State, this has left ‘āina (land, that which feeds) out of the hands of the Indigenous peoples of Hawai’i. In this content, many Kānaka ‘Ōiwi are joining Indigenous peoples internationally demanding for the return of Indigenous lands to Indigenous hands, often referred to as Land Back (Schneider, 2022).

In this paper, the author will examine the experiences of engaging in a year-long research project in a multigenerational community-led land back initiative on the island of Moloka’i. Through Tuck and Yang's (2012) framework of rematriation - the restoration of land and relationships to Indigenous peoples to advance Indigenous futures - this paper provides insight through the engagement with community leaders, kupuna (elders), and youth through interviews, sharing mo’olelo (stories), and mālama ‘āina (caring for the land) the opportunities, limitations, tensions, and love experienced through a multigenerational Indigenous-led land rematriation project.

Research findings include the embodiment of visitors understanding their kuleana (responsibilities) to the communities they serve, visitors embodying aloha 'āina (love for the land) in praxis, and the Indigenous futures built upon off-island owned economic collapse. The opportunities and tensions experienced by multigeneration projects such as the affiliation with the Western academy, mediating urgent disasters caused by climate change, and the interconnected need and desire for cultural survival are recurring themes featured throughout the paper.

Adriana Juárez, "Revolution Soundtrack: Indigenous Latin American Resistance Movements and the Use of Music as a Political Tool (1960s-1980s)"
The 1960s-1980s was a politically tumultuous period that impacted the world, characterized by the Cold War, the Civil Rights Movement, and anti-Communism. A largely ignored area within literature is the experiences in Latin American, which saw the rise of right- wing governments that violently targeted those who opposed these oppressive regimes. Mexico, Chile, and El Salvador, specifically, were three countries within Latin America who were impacted deeply during this time and had both similar and different experiences with state organized political violence, despite residing on different continents. More specifically, Indigenous peoples were those who experienced a vast majority of this organized state violence. Despite this unrest, activists were organizing, resisting, and surviving. One unique mode of resistance was the use of music. which created a strong sense of community, resilience and most importantly, supported identity and well-being of those directly and indirectly participating in resistance movements. This music spoke on the history of Indigenous peoples within Latin America, as well as the everyday experience of those living through wars, massacres, and other forms of political violence. Music was expressed through various forms of media, such as live street performances, guerrilla radio shows, guerilla camp performances, and during protests. Drawing on literature on the Cold War, global and cross-cultural social movements, political resistance, concepts of well-being, Indigenous music, political media, as well as interviews with those who experienced direct political violence (and were subsequently involved in various resistance movements and music), this paper explores the role of Indigenous resistance music in political movements within Mexico, Chile, and El Salvador, and what this meant individually and collectively. It is vital to understand how Latin American Indigenous resistance music contributed to individual and collective well-being historically, and how it encouraged people to continue to resist in creative ways during times of state-sanctioned violence.

Asia Parker, "Visual Politics, Human Rights, and Aboriginal Artwork"
Contemporary Aboriginal art challenges legacies of colonial violence that still persist in Australia. Art in this sense holds an interesting paradox to critically examine as Aboriginal people remain marginalized in Australia. They have minimal political self-representation and make up only 3% of the national population. This marginalization persists, evidenced by reconciliation programming to “close the gap” between Indigenous and non-Indigenous people in Australia. On the other hand, Aboriginal art has been co-opted and embraced as “authentic” Australian mainstream identity and culture. Paradoxically while Aboriginal art is celebrated decoratively and culturally, it often contains overt, radical political messages. Aboriginal art is often used as a tool to communicate different human rights issues such as self-determination, rights to land, rights to reparations, and critiques legacies of colonialism. Reverence of Aboriginal art which is wholeheartedly embraced by the nation, and generates billions of dollars in revenue for the state yet this starkly contrasts how Indigenous people are treated in Australia (Butler and Bleiker 2017).

Art becomes political by determining what is seen, what is said, and what is remembered collectively as a nation. Aboriginal art holds deep historical and cultural significance as the first art of the nation. Aboriginal culture, dream time stories, and oral histories have been communicated through rock art, dot paintings and other visual arts forms for thousands of years, however there is scant work on how minorities articulate their understandings of ri
Speakers
avatar for Adriana Juárez

Adriana Juárez

Masters, University of Saskatchewan
AP

Asia Parker

PhD, The University of Georgia
avatar for Kyle Cook

Kyle Cook

Master of Arts in Indigenous Governance, University of Victoria
MB

Mackenzi Butson

Masters, Northern Illinois University
Sunday March 23, 2025 1:15pm - 2:30pm EDT
Room 144 Stata Center, 32 Vassar Street, Cambridge, MA 02167

3:15pm EDT

The (Eco)immunity: Navigating Community Care & Survival in Climate Crisis
Sunday March 23, 2025 3:15pm - 4:30pm EDT
Jemima Duru, "Gendered Experiences of Climate Change-Induced Displacement: Exploring Inequality, Agency, and Resilience among Displaced Women in Nigeria"
The Intergovernmental Panel For Climate Change 2022 report states that with the rising sea level induced by climate change, Lagos will be among the urban centres at risk of submersion by 2050. This can already be seen in the annual displacement of twenty percent of the population in the region, fifty-five percent of whom are women. While men and women face displacement, women are disproportionately affected due to existing gender norms and socio-cultural practices. This study will explore the nuanced dynamics of gendered experiences of climate change-induced displacement, focusing on the agency and resilience of women, amidst displacement. Through a case study of internally displaced women in Lagos, Nigeria, the research aims to unravel the intricate interplay between climate change, displacement, and gender inequality. It will investigate how gender inequality manifests in Internally Displaced People’s (IDP) camps. The study aims to contribute to a deeper understanding of the nexus between climate change, displacement, and gender inequality while offering insights into developing inclusive, equitable, and gender-sensitive policies and interventions. To inform broader strategies that advocate for gender-responsive approaches to climate change adaptation and disaster risk reduction. Through its comprehensive analysis and actionable recommendations, the study aims to foster dialogue, catalyse policy change, and pave the way for a more sustainable and equitable future in the face of climate change-induced displacement.

Taylor Gilliam, "Imagined Alternatives to Chronic Crisis in Appalachia"
This paper will consider the discursive production of the Appalachian region as a product of “crisis talk.” It is informed by the anthropological theorizations of crisis, chronicity, and anti-crisis developed by Janet Roitman and Henrik Vigh, and it will argue that Appalachia’s legibility as a region has virtually always been tied to a call for immediate intervention. This call has been sourced in media representations, federal organizations, and academic publications since the end of the 19th century. An analysis of these mobile “crises” makes plain that their definitions as such have presupposed a civilizationist narrative of modernity that both relies on and reifies settler-colonial logics and white supremacy. This has meant that techniques of intervention that might address the structural violence immanent to this naturalized narrative are foreclosed, and the material consequences of this are writ large on land and bodies. With this in mind, the paper will attend to ways the source-material for crisis narratives in Appalachia and the material consequences of crisis intervention are taken up, reformulated, or left behind by those who live in the region as they negotiate regional identity and transformation. In this way, the paper seeks to work against what Kyle Powys Whyte calls a “crisis epistemology” while attending to the potential for subversion and rearticulation it might leave in its wake. Particularly, it considers temporal and spatial production of a region as in a perpetually reoccurring state of rupture; I suggest that such a production offers a generative site for imagining, theorizing, and practicing alternative space-times that work against civilizationist narratives. Appalachian poetry and folklore are hypothesized as privileged mediums for this and are treated as primary objects of analysis.

Ashley McGraw, "Building Webs of Communicative Care in Western North Carolina after Hurricane Helene"
Housing insecurity, and the lack of resources available to food and housing insecure people in Appalachia, and the world more broadly, have been exacerbated by the rise of neoliberal approaches to social services as well as finance market systems. Pursuing my interest in how communication about resources is a form of care in unhoused communities, I have worked and volunteered at a homeless shelter called Hospitality House pre-Hurricane. I have seen how gendered ideas of care, the non-profit industrial complex or NPIC (INCITE! 2007), and the shift towards “clientization” (Gubrium & Järvinen 2015) were affecting how residents and staff interact with each other about resources. However, in the wake of Hurricane Helene, these conversations have shifted. Housing crises have increased in the area, as well as lack of access to basic necessities as communities recover from the impacts of disastrous flooding as well as evictions due to disaster capitalism (Citizen Times 2024; Klein 2007). Although the hurricane wreaked havoc and revealed existing weaknesses in institutional systems of care, communities have responded with consideration, empathy, and generosity. Investigating what new systems and landscapes of care emerge or are shed light on through this situation is imperative. How are communities and institutions engaging with landscapes ravaged by flooding in order to produce and enact care? How has the conversation about housing shifted, now that the unhoused community has grown in the area? In order to fully understand how communication acts as a form of care in the recent past (pre-Hurricane) and as a response to urgent effects of climate crisis, I use feminist and linguistic anthropological perspectives on care and landscapes of care to analyze the webs of organization and care across different communities in Western North Carolina, and discuss what futures of collective care can look like across reimagined therapeutic landscapes.

Lauren L. Taylor, "Intersecting resilience: a model of Disaster Racism, Intersectionality and Social Capital"
This paper presents the development of a theoretical model that integrates disaster racism, intersectionality, and social capital to enhance understanding of resilience and recovery following wildfires, with a specific focus on Lahaina, HI. As wildfires increasingly threaten communities, particularly BIPOC and NBPOC populations, it is essential to examine how these intersecting frameworks inform disaster preparedness and recovery outcomes. By synthesizing insights from existing literature and preliminary observations, this study explores the dynamics of how social identities and capital influence vulnerability and resilience in disaster contexts. The model posits that disaster racism exacerbates the challenges faced by marginalized communities, while intersectionality reveals the complexity of identities that shape individual and collective responses to disasters. Social capital is examined as a potential resource for recovery, illustrating how community networks can either mitigate or amplify disparities. Through this theoretical framework, the paper seeks to provide a nuanced perspective on community dynamics in disaster scenarios, emphasizing the necessity for equitable policy interventions tailored to the unique needs of vulnerable populations. This exploration aims to inform scholars and practitioners, highlighting the importance of an inclusive approach in disaster management and resilience planning.
Speakers
AM

Ashley McGraw

PhD, University of Massachusetts Amherst
JD

Jemima Duru

PhD, University of Northern British Columbia (UNBC)
avatar for Taylor Gilliam

Taylor Gilliam

PhD, University of Virginia
LL

Lauren L. Taylor

PhD, Howard University
Sunday March 23, 2025 3:15pm - 4:30pm EDT
Room 124 Stata Center, 32 Vassar Street, Cambridge, MA 02167
 
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Liberatory Practices for Worlds in Crisis: 2025 GCWS Grad Student Conference
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