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Saturday, March 22
 

9:00am EDT

Ambiguities, Dualities, & Subversive Intents: Queering Art
Saturday March 22, 2025 9:00am - 10:15am EDT
Jess Easter, "Shifting Ontology: Ballroom Culture as Means for Creating Spaces of Security for LGBTQIA+ People of Color"
How and why did drag as it is today, as a widespread cultural practice among many queer persons, develop? To answer these questions, we must first look at the places in which this culture was created. Drag ballrooms have a longstanding existence in large metropolitan areas, like New York City, Newark, and Philadelphia. Current drag culture also has deep roots in a history of queerphobia and racism in the United States, indeed why the practice was so prevalent in cities; these were places not only where marginalized people were left in the race to suburbia later on, but also where people could remain under the radar. Drag balls originally developed in the late 1800s, in large part due to the influence of William Dorsey Swann, a Black man who was born into slavery pre-civil war, in defiance to laws passed outlawing cross-dressing. He organized parties most commonly with other men who were formerly enslaved where they would crossdress and hold competitions. Although Black people had a huge part in the origin of drag and the creation of this safe(r) space for queer persons, the organized circuits themselves were racist in that though POC were allowed to participate, judges were always all White and POC never won any of the prizes. In response, Black and Latinx people formed their own balls, leading to the ballroom culture we see to this day, which offer safe(r) spaces to queer people, particularly queer people of color, beyond competition, through the creation of “houses” and “families.” By examining the places in which ballroom culture has emerged and evolved, we can ascertain that they have been formed in response to the political and socio-cultural imperatives in these locations, widespread racism and queerphobia, in ways so as to create physical spaces of safety, spirituality, and resistance.

Gabby Mahabeer, "Fluxy like Mango: Visualizing Gender and Sexual Fluidity in the Caribbean"
The term “queer” carries gendered, racialized, classed, and geographic privileges specifically rooted in white, middle and upper class citizens of the Global North. Because of its close association with whiteness and the economically privileged, Black scholars such as Audre Lorde, Rod Ferguson, and Angelique Nixon have called out Queer Studies for its inability to discuss queerness alongside an intersectional approach acknowledging oppressions and privileges based on race, gender, class, and religion. Furthermore, “queerness” traditionally functions as a notion of open identity— “coming out” and/or proudly sharing pronouns, wearing pins, or displaying flags. For these reasons and more, the term “queer” and notions of “queerness” do not always encompass the realities of working-class Afro-Caribbeans whose lives are marked by criminality; colonialisms; and changing economics, geographies, and sovereignties. In sum, “queerness” does not encompass relationalities and shifting sexual practices occurring in the Caribbean such as sex tourism, polygamy, and cohabitation.

Considering such limitations of queer theory, I develop a framework of fluxiness to encompass how spiritual and creative Afro-Caribbean practitioners use visual, sonic, embodied, and felt practices to reshape gender and sexuality as boundless, fluid, and experimental, illustrating how gender and sexuality in the Caribbean can be rearranged and/or recalibrated instantly and/or based on specific situations. Specifically, this presentation forms a visual and sonic archive of fluxiness drawing on visual arts and moments from dancehall music videos. I argue that fluxiness, or the state of being fluxy, is an embodied, affective, and spiritual way of challenging gender and sexual norms. In explicitly challenging heteronormativity, being fluxy teaches us how to imagine and create alternate possibilities and worlds amidst climate change, Indigenous erasure, land (dis)possession and other forms of domination.

Shannon Peifer, "Imagination and Play as Liberatory Resistance in Feminist Art"
Within feminist art, an ironic imagination allows for multiple, seemingly oppositional conceptions to be held simultaneously and introduces a playfulness that leaves space for joyful experimentation. In “A Cyborg Manifesto,” Donna Haraway pushes against conceptual boundaries and dualisms to dream of a “blasphemy” that allows for a more politically productive space, admitting contradictory ideas without integrating them into a unified whole. In the same way, we can consider absurdity and ironic imagination in feminist art as resistance worth taking seriously.

This practice of blasphemy or ironic imagination allows for multiple, contradictory truths to exist and for more possibilities of the future to be considered. Can the works of feminist artists help us understand the necessity, effectiveness, and possible limitations of these practices as liberatory resistance?
I argue feminist artists who play on this tension and experiment with the boundaries of dualities are able to collapse normative structures and move beyond prescribed social truths. For example, Lorna Simpson’s “For the Sake of the Viewer” plays with the power structures of a gendered gaze through a fragmented performance of gender in Bio (1992) and She (1992). As Simpson commented on her early work in a recent New York Times interview, “It’s a question mark, rather than complete compliance” (Baquet 2024). Suzan Lori-Parks also plays with words and allows for absurdity in her work. By not allowing the audience to respectfully, politely observe with “a kind of amnesia toward the here and now of performance,” Parks’ “Venus” disrupts performance structures to force the audience into a physical participation of history in the present (Harrower 273). In both cases, ironic imagination acts as a resistance to completeness or simplification and offers a path through crisis that disrupts, rewrites, and reconfigures boundaries.

Baquet, Dean. “Lorna Simpson Is America’s Great Archivist.” The New York Times, 17 Oct. 2024. NYTimes.com, https://www.nytimes.com/interactive/2024/10/17/t-magazine/lorna-simpson-ebony-magazine-race-gender.html.

Haraway, Donna J. “A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century.” Manifestly Haraway, edited by Donna J. Haraway and Cary Wolfe, University of Minnesota Press, 2016, p. 0. Silverchair, https://doi.org/10.5749/minnesota/9780816650477.003.0001.

Harrower, Natalie. “Staging Resistance: Essays on Political Theatre Ed. by Jeanne Colleran and Jenny S. Spencer (Review).” Modern Drama, vol. 41, no. 4, 1998, pp. 661–62.

Parks, Suzan-Lori. Venus. Dramatists Play Service Inc, 1998.

Wright, Beryl J., and Saidiya V. Hartman. Lorna Simpson: For the Sake of the Viewer. First Edition, Universe Pub, 1992.
Speakers
avatar for Gabby Mahabeer

Gabby Mahabeer

Masters, Emory University
avatar for Jess Easter

Jess Easter

Masters, Boston University
Jess Easter (She/Her) is a second year graduate student at Boston University's School of Theology earning a Master of Divinity in the Religion and the Academy track. She holds a Bachelor of Science in Biology and a Bachelor of Arts in Religion from California Lutheran University... Read More →
avatar for Shannon Peifer

Shannon Peifer

Masters, Northeastern University
Saturday March 22, 2025 9:00am - 10:15am EDT
Room 144 Stata Center, 32 Vassar Street, Cambridge, MA 02167

9:00am EDT

Attachment, Adaptations, Agency: Reslience Through Crisis
Saturday March 22, 2025 9:00am - 10:15am EDT
Anvi Nagpal, “Beyond Victimhood: A Pluralistic Examination of Rohingya Women’s Acts of Resilience and Agency in Kutupalong Refugee Camp, Bangladesh”
Mainstream Western feminist frameworks are often critiqued for interpreting gender-based oppression through a Western-centric lens, creating a hegemonic view of gender injustice that risks portraying women globally as powerless. Such perspectives frequently overlook nuanced forms of agency and resilience evident in non-Western contexts. In response, this paper presents a counter-narrative grounded in a pluralistic paradigm, building on current scholarly discourse and my position as a South Asian graduate scholar. It aims to enrich the transnational feminist dialogue by challenging reductive frameworks and highlighting diverse expressions of resilience.

Focusing on the experiences of Rohingya women within Bangladesh's Kutupalong Refugee Camp, this study examines their daily practices of reclaiming agency amidst ethnic persecution, displacement, and gender-based violence within a patriarchal social structure. It addresses the objectification of Rohingya women’s bodies as instruments of control within the political aims of ethnic cleansing, documenting patterns of sexual violence perpetrated by the Myanmar military to diminish reproductive capacity and intensify oppression.

The research also explores how various forms of inequality are embedded spatially within the camp, revealing how the camp’s physical layout reflects and reinforces social hierarchies. Architectural drawings serve as valuable instruments in this analysis, enabling a visual examination of the camp’s socio-spatial politics and an overview of its current physical conditions. Despite these challenges, Rohingya women display resilience through acts of agency, such as income generation through small-scale vocational work, participation in camp politics, and asserting autonomy within the camp’s social structure.

This study reframes Rohingya women as active agents, moving beyond portrayals of passive victimhood to emphasise their self-devised strategies of resistance. It argues that transnational feminist truths are inherently nuanced and contextually grounded, contrasting with the broad, often oversimplified claims of dominant Western narratives. By highlighting diverse lived experiences rather than imposing a singular, universal perspective, these truths are made more robust and tangible. Ultimately, this paper underscores the importance of recognizing and amplifying the emancipatory actions of marginalised women, thereby advancing a more inclusive and representative understanding of global gender justice.

Zainab Najeeb, “بحران پخېر راغلې (Welcome Crisis) – Engendering Displacement in Northwestern Pakistan”
This research investigates the changing social and political landscapes experienced by displaced Pashtun women from Pakistan’s Federally Administered Tribal Areas (FATA) to Peshawar following the 2014 military Operation Zarb-e-Azb. In the absence of male family members due to the Taliban insurgency, these women navigate a complex interplay of colonial-era laws like the Frontier Crimes Regulation (FCR), traditional tribal councils (Jirgas) under the cultural code of conduct Pashtunwali, and the postcolonial state's limited recognition of their citizenship rights. This study aims to examine how forced displacement disrupts entrenched gender norms, particularly by probing the growing tensions between cultural identity and legal status, while reconceptualizing crisis as an ongoing lived experience rather than a temporary rupture (Roitman 2014, Masco 2017).

Through ethnographic research at the University of Peshawar, this project focuses on how Pashtun female internally displaced persons (IDPs) are actively reshaping their social worlds by (a) choosing to remain in Peshawar rather than repatriate to FATA, (b) pursuing higher education at the university, and (c) engaging in political activism on ground and via social media. This research highlights how Pashtun women, often framed as passive victims (Mohanty 1988), are utilizing their education and political engagement to assert agency and challenge state narratives of crisis in the frontier. By focusing on Pashtun women’s practices of forming “newer modes of attachment” (Khan 2010) after becoming displaced, this study problematizes the role of the state in framing the frontier as the site of “chronic crisis.” This research aims to broaden understandings of how women navigate displacement, revealing that their responses are not merely reactive but strategic, as they engage in both survival and resistance within a state-controlled framework of crisis.

Krishna Payeng, “Crisis and Redemption: Unveiling Healing and Resilience Amidst Emasculation in Kashmiri Pandit Narratives”
Crisis(es) profoundly affects human lives, destabilizing individuals and communities socially, economically, politically, and culturally. This paper examines the gendered responses of the Kashmiri Pandit community following the 1990s forced displacement, focusing on the theme of emasculation. The forced migration stripped men of their conventional rights, control, authority, and agency, disrupting their roles within familial and social structures and eroding their sense of belonging tied to their homeland.

In the narratives analyzed, this loss of masculinity is encapsulated in the concept of “emasculation in motion,” meaning men attempting to escape their painful reality through constant movement. This dynamic exemplifies how the theme of emasculation becomes pervasive in their lived experiences. Conversely, women emerge as protectors and caregivers motivated by historical, religious, and cultural factors. They extend their support beyond the confines of family, ensuring both emotional and physical security for their community in times of crisis(es). I argue that post-displacement, Kashmiri Pandit women rely on a reciprocal duality of “caregiving” and “healing.” By connecting with their community through story-telling and decision-making, women, in the meantime, process their trauma and attain self-healing. This interplay highlights the integration of individual and communal healing, fostering hope and resilience in crisis(es). In contrast, men exhibit a duality of “withdrawal” and “adaptation,” often finding themselves conflicted as they navigate their internalized emasculation.

Through writing about their past experiences, the Kashmiri Pandit community seeks social justice and envisions a future that deepens understanding of displacement. This evolving narrative highlights the fluidity of identity, redefined stories, and strengthened solidarity amidst crisis(es). By exploring these gendered responses, this paper enhances our understanding of how marginalized voices navigate crisis(es), envision alternative futures, and create spaces for resilience and healing within their communities.
Speakers
avatar for Anvi Nagpal

Anvi Nagpal

Master of Architecture, University of Toronto
Anvi is a second-year Master of Architecture candidate at the John H. Daniels Faculty of Architecture, Landscape, and Design at the University of Toronto, where she also completed her undergraduate degree in Architectural Design, graduating with the Academic Merit Award in 2022. Her... Read More →
avatar for Zainab Najeeb

Zainab Najeeb

PhD, Rutgers State University of New jersey
Zainab is a PhD candidate at the Department of Anthropology at Rutgers University. She was previously a Teaching Fellow at the Lahore University of Management and Sciences (LUMS) after completing her double Masters in Gender and Development from the London School of Economics and... Read More →
avatar for Krishna Payeng

Krishna Payeng

PhD, Indian Institute of Technology Madras
Saturday March 22, 2025 9:00am - 10:15am EDT
Room 124 Stata Center, 32 Vassar Street, Cambridge, MA 02167

9:00am EDT

Carcerality in Conversation with Abolitionist Care
Saturday March 22, 2025 9:00am - 10:15am EDT
Samantha Davis, “Anti-Carcerality, ‘Esoteric Aid’, and the Sacred”
Carceral logic works in many often invisible ways; transcending prisons and policing it operates by severing us from each other, from community, and from the spiritual. Drawing from the Abolition Collective’s anthology Spirituality and Abolition my paper recognizes a diversity of spiritual traditions as foundational to prison abolition understood as a social movement. However, my paper goes further by suggesting that certain practices— for example, the pouring of a libation to honor one’s ancestors— is not just a nod of respect to ancestral traditions, but that it is a pluriversal technology–an actual enactment of, or making of, multidimensional support, what I call “esoteric aid.” I define ‘esoteric aid’ as the traditions, practices, and rituals that draw upon resources from realms beyond the material and argue that they have liberatory effects. I suggest that esoteric aid is an often-overlooked territory of counter-carceral knowledge production that occurs in non-traditional organizing spaces. I inquire how, in particular, ceremonies are used to create pluriverses for emancipation that allow people to embody liberation even for a fleeting moment. Rooted in an ethos of transitoriness, migration, and Pan-Africanism, several of the customs disrupt the boundaries of what is formally accepted as social movement strategy in the West. Moreover, many traditions I engage with rearrange the temporality of crises by centering apocalypse, not as an endpoint, but as an opportunity or portal to these other realms. Overall, I ask how the wisdom of ‘esoteric aid’ can transform modern US prison abolition organizing into a more whole, well, and sustainable movement to build futures in what many see as the end of the “world”. Finally, I seek to hold the tension of understanding the anti-carceral labor that occurs in sacred practice, and the danger in drawing mainstream attention to healing art forms that were born on the margins.

Bella Fiorucci, ""What is Left?": The Imprint of Incarcerated Bodies"
Assata Shakur arose as a poet in response to the prison. As such, her poetry is deeply concerned with exactly what it means for poems to be created from a place of unfreedom. As attention to prison studies develops, we must seek to define a poetics of the carceral. To accomplish this goal, I study the relationship between inmate authors, the space of the prison, and the sensory experiences they reproduce. The most recent direction of my work is in the exploration of accounts of women inmates, with specific attention to their physical beings, disembodied beings, and carcerality. This most directly takes shape in the poetry of Assata Shakur, as her existence proved so dangerous to US political systems that she was forcibly erased from her community. Her exploration of this erasure and the broader systems that imprison her provide a deep understanding of the sensory experience of prison for the reader of her poetry. The attempts to erase Shakur translates to others, as the pursuit of her imprisonment results in the removal of others from their landscapes as well. The legacy of her image and the consequences of its attempted erasure allow us to draw a visual environment created by and through the prison, especially as seen through the lyrics of Tupac Shakur. We best understand the significance of the image Shakur creates when we look at the way she gives voice to the conditions of captivity from a place of exile. Her continued impact, especially in modern social movements like Black Lives Matter, reinforces the importance of analyzing her unbodied presence. Her poetry expands our understanding of how the prison leaves its mark within a poem, as she articulates the prison experience in unique ways, reconstructing and experimenting with sight to push back against a dehumanizing, carceral space.

Monica Ramsy, "From “social workers not cops” to “social workers are cops”: Threading the needle between the welfare state, the carceral state, and an anarchist vision for abolition"
Why turn to anarchism and the welfare state when discussing abolition? When contemporary U.S. progressive movements invoke the language of “abolition,” the term’s often-implied shorthand is for a movement to abolish prisons, jails, and other explicitly carceral institutions. An ideal world within this abolitionist imaginary is one in which the welfare state is left reformed, but intact. This paper calls for the integration of a wider and deeper lens in prevailing abolitionist discourse. In particular, this paper seeks to highlight the intellectual and political purchase of applying anti-state, social anarchist critiques to abolitionist analyses of the U.S. welfare state, generally, and U.S. social work practices, specifically. By looking at social work practices, this paper builds out, clarifies, and deepens arguments that the “caregiving” or “nurturing” parts of the U.S. state–the welfare state, the social work that brings this state to life–are inextricable from the carceral operations of the state. Likewise, in examining social(ist) work, we have an opportunity to examine the gaps, tensions, and cross-hatching of anti-state and statist socialist frameworks, goals, and projects.

These questions point to the urgent and critically important need for deeper discussion around the “caregiving” arms of the state and, in particular, the welfare state. Looking more closely at the welfare state’s operations and history reveals how this “benevolent” face of the state both creates structural violence, itself, and also aids the ascribed “malevolent” (read: explicitly carceral) faces of the state. In examining this carceral-welfare state interrelationship, this paper draws from Beckett and Murakawa’s concept of the “shadow carceral state,” or the “legally hybrid and institutionally variegated ways'' (222) in which U.S. carceral structures operate today, to argue that–contrary to prevailing contemporary abolitionist discourse–the U.S. welfare state is more accurately characterized as part of the shadow carceral state.

Jadelynn Zhang, "Writers Against Cop Cities: Recentering Protesters and Challenging Dominant Narratives as a Cultural Process"
In Atlanta, GA, the Stop Cop City movement emerged on the heels of the 2020 Black Lives Matter protests following the police murder of George Floyd. The movement opposes the construction of the Atlanta Public Safety Training Center, or “Cop City,” due to the multidimensional, intersectional, harms that it would cause to surrounding, predominantly Black communities, including but not limited to environmental racism, over-policing and police brutality, and violations to Indigenous land rights. Throughout the course of the movement, movement writers have documented the diversity of tactics used by protesters and established abolitionist aims for the movement, enabling its expansion to other communities across the United States protesting their own Cop Cities. Defined broadly, movement writers refer to all movement participants who produce literature in service of the movement, including but not limited to organizers, cultural workers, historians, journalists, guerrilla writers, and content creators. This study asks the following questions: How do movement writers challenge dominant narratives of abolition and abolitionist movements? How do they recenter the experiences of movement participants? To study these questions, I utilize a toolkit of mixed qualitative methods of in-depth interviews, qualitative content analysis, and archival methods while also embedding this research in a community-based approach. This analysis provides insight into how movement writers challenge dominant narratives in their written work and organizing and how these are put in conversation with historical lineages of social movements. This sociological inquiry builds upon existing literatures of abolition feminism, social movements, and culture yet challenges long-held perspectives on movement success as defined solely by institutional change.
Speakers
avatar for Bella Fiorucci

Bella Fiorucci

PhD, Loyola University Chicago
MR

Monica Ramsy

PhD, University of California, Los Angeles
avatar for Samantha Davis

Samantha Davis

PhD, George Washington University
Samantha Davis (she/her) is a Ph.D. candidate in American Studies at the George Washington University. She graduated from UNC-Chapel Hill in 2022 where she studied Global Studies and Public Policy. Sam is a social movements scholar focusing on how the modern prison abolitionist movement... Read More →
avatar for Jadelynn Zhang

Jadelynn Zhang

PhD, Emory University
Saturday March 22, 2025 9:00am - 10:15am EDT
Room 155 Stata Center, 32 Vassar Street, Cambridge, MA 02167

9:00am EDT

Methods of Resistance: Black Feminisms, Abolitionist Consciousness, and Reimagining Education
Saturday March 22, 2025 9:00am - 10:15am EDT
Alliyah Moore, "Black Feminist Place-making and Spatial Practices"
This paper explores the ways Black feminist theory reimagines space, place-making, and radical utopian visions within the contexts of crisis. Utilizing the prompt of crisis as an entry point, this research examines how Black women’s engagement with space functions as both resistance and resilience within structures of oppression. Drawing on frameworks from Black geography and Black ecology, this work highlights how Black women’s creation of space—whether through literal homemaking, community organizing, or rural relocation—subverts dominant narratives of power and cultivates spaces of care, autonomy, and safety.

Grounded in Black feminist theorists such as bell hooks, whose notion of "homeplace" underscores the home as a site of refuge and resistance, this research considers homemaking as a radical act of self-definition and community building (hooks 1990). By situating Black women’s space-making practices in dialogue with Black feminist utopian thought, the study proposes that such methods foster possibilities for alternative worlds and communal resilience amidst crisis. These efforts not only question existing power structures but also offer actionable blueprints for liberatory futures that prioritize well-being, environmental stewardship, and interdependence.

Ultimately, this paper argues that Black feminist approaches to space and place-making are essential in visualizing and constructing utopian possibilities within dystopian realities. This research builds on existing research into Black feminist spatial practices, emphasizing their importance as methods of resistance. It seeks to further explore how these practices foster radical imagination, boundary-breaking scholarship, and pathways toward transformative futures.

Maya Revell, "(Re)Imagining Desirable Futures through Archival and Speculative Methodologies"
Black feminists have long situated education as a method of liberation. As we contend with ongoing environmental degradation and climate catastrophe, Western education systems continue to forward colonial, neoliberal, and techno-scientific solutions that perpetuate systems of harm (Nxumalo et al., 2022). These curricular models and solutions are deemed effective and promising in colonial, capitalist systems. However, decolonial scholars and critical theorists have noted that these solutions and curricular frames are foundational to the construction of white and settler futurities that erase Black and Indigenous peoples (Curley and Smith, 2023).

In striving for futures that center relationality, liberation, and ecological resilience, this paper tends to the methods that Black feminists have used to survive overlapping crises. Building on Mbembe’s assertion that the “decolonization project” requires deconstructing epistemic coloniality and imagining alternative models, this paper engages with Brian Lanker’s “I Dream a World” archival collection containing interviews and works of Black feminist organizers in the 1980s including Angela Davis, Lucille Clifton, and Sonia Sanchez (2015). This archive contains intimate Black feminist ecological knowledge which are necessary for transformative education. Black (feminist) ecologies provide “a way of historicizing and analyzing the ongoing reality that Black communities…are most susceptible to the effects of climate change…it names the corpus of insurgent knowledge produced by these same communities, which…[should] have bearing on how we… historicize the current crisis and how we conceive of futures outside of destruction” (Roane and Hosbey, 2019).

Grounded in my experience processing the Black Feminist “I Dream a World” archival collection, this paper will make visible how Black women and communities have continuously navigated environmental catastrophes while using speculative methodologies to envision and gesture toward the necessary ethics, praxis, and curriculum for creating more desirable futures.
Speakers
AM

Alliyah Moore

PhD, Howard University
MR

Maya Revell

PhD, University of Oregon
Saturday March 22, 2025 9:00am - 10:15am EDT
Room 141 Stata Center, 32 Vassar Street, Cambridge, MA 02167

10:30am EDT

Holding Memory: Sites, Objects, & Autobiographies
Saturday March 22, 2025 10:30am - 11:45am EDT
Lincoln Hirn, "Waiting for the Call: Memory, Legacy, and the Immortal Liberation"
This paper argues that, for a generation of freedom fighters, activists, visionaries, and thinkers, the world ended just after the turn of the twentieth century. Figuratively, at least. Because, by 1900, the last Americans who could remember their own enslavement – and, by extension, their own liberation – were beginning to die. And while this was, perhaps, a fairly mundane, slow-moving sort of apocalypse, it was an apocalypse nonetheless. An entire group of people – people who, through their own ingenuity, bravery, sacrifice, and perseverance, had toppled the American slave regime and helped to create a free society from its ashes – was vanishing. And this, I contend, presented no small problem. In studying the published autobiographies of four formerly-enslaved women – Bethany Veney, Lucy Delaney, Kate Drumgoold, and Susie King Taylor – this essay finds that aging Black activists recognized the critical importance of their own liberatory histories, and worked hard to ensure that they were not forgotten by rising generations.

Moreover, this essay finds that we, as human beings facing our own Armageddon, can learn a lot from Veney, Delaney, Drumgoold, and Taylor. Their narratives, published between 1889 and 1902, provide a roadmap for preserving resistant histories in the face of extinction, and demonstrate how cross-generational solidarity enabled activists born after emancipation to build upon the work of their forebears. If we are to confront the crises facing our contemporary world, we must draw upon the liberatory resources provided by women like Veney, Delaney, Drumgoold, and Taylor while, at the same time, preserving a record of our own struggle for those who will, inevitably, succeed us. There is, this paper concludes, an immortal power hidden within the collective histories of liberation. Which is a fortunate thing. Because, if we want to succeed, we’re going to need it.

Anandi Kar, "Materiality of Memories in the Cultures of Northeast India"
The Northeastern regions of India are marked by a history of marginalization and volatility. With its complex ecosystems and diverse landscapes, the Indian Northeast, is home to many Indigenous communities who have suffered racial violence and displacement and in response, have organized resistance and environmental movements to protect their lands and cultural heritage. The region has also experienced continuous population movements due to geographical and cultural proximity to countries, such as, Bangladesh, Bhutan, China, and Myanmar. In fact, since the partition of India, there has been a persistent influx of immigrants into this area, making it essential to any discussion on postcolonial citizenship in context of India and South Asia.

My paper seeks to foreground a theory of material memory as seeming to have the potential of retaining the relational bearing of a substance loaded with mnemonic charge to its human and non-human environment which becomes especially important in case of the cultures in Northeast India. Material memories have important things to say about the lived cultures from this region by highlighting the eco-materiality of landscapes, the elementariness of the cultural practices and arts and crafts of the vulnerable communities on the verge of extinction to help them conserve and reclaim their ethnic identity more securely. Unlike oral histories, material memories extract cultural memory from the garb of matter where history and tradition are solidly condensed and evade escape. The postcolonial condition is characterized by various practices of memory that incorporate visions of resilience, justice and sustainable futures. My paper will argue that the ‘thingness’ of memory can be theorized as one such form of practice.

It will further investigate how the cultures of the peripheral communities contest or expand liberal justice theories and decolonize environmental knowledge by privileging their material mnemonic rites to re define ‘citizenship.’ To be more specific, it will aim to show how the radical possibilities generated by the entanglements of environmental justice and material memories can challenge the triumphant narratives of nation-building, predicated on the erasure of subaltern histories and the fetishization of capitalist development. For exploring the multidimensionality of material memory, my paper will use and go beyond the works of Pierre Nora, Jan Assmann and Aanchal Malhotra to explore memories contained not only in material objects but also in sites and symbols of religious and cultural practices. It will also use arguments from contemporary philosophical developments, such as, new-materialism and object-oriented ontology to probe the ‘thingness’ of memory without turning away from the ‘human.’ My paper will also ask related questions like: Is memory confined to past events, or does it encompass elements like soil, climate, flora, fauna, and spatial existence? How does material memory mediate the relationships between personal, 3 state and collective memory? What role does material memory play in the rehabilitation and settlement of displaced individuals in new environments? How does the affective dimension of material memory aid peripheral communities in reconciling with a traumatic past?

Lara Sabra, "Possibilities of Care and Survival in Lebanon’s Prisons"
In Lebanon, prisons are located in abandoned buildings, underground parking lots, police barracks, and other such structures. These carceral spaces are marked by brutality and neglect: mattresses are moldy and bug-infested, infections rampant, and drugs or sexual favors used as exchange currencies. Lebanon’s prisons, in short, are spaces where people live in utter depravity – a depravity purposefully orchestrated by powerful actors that epitomizes the state of precarity in which the world finds itself. How do people survive and live amidst these circumstances?

To answer this question, I employ creative ethnographic methodologies involving testimony, storytelling, and material artifacts. More specifically, my paper centers on the possibilities of life within Lebanon’s carceral network by drawing on the memories and keepsakes of one formerly incarcerated woman named Sana. Sana’s stories are supplemented by letters, notes, and drawings she preserved from her time in prison. I conceptualize these artifacts as “memory-objects,” a term that encapsulates how “persons, memories and objects are interconnected and mutually constitutive” (Frykman 2016).

By engaging with Sana's memory-objects, I learned about the bonds and solidarities that prisoners forged with one another. In my paper, I accordingly show how prisoners mobilized these bonds to subvert the suppression of intimacy and care that is endemic to prisons. In a context that is becoming exceedingly unlivable as a result of Lebanon’s ongoing range of catastrophes (e.g. socio-economic collapse, political violence, and war), these relationships function as livable collaborations or “workable living arrangements” (Tsing 2017). I argue that Sana's relationships point to cracks or openings within “seemingly all-consuming” carceral systems (Rhodes 2001): small spaces of alterity where prisoners care for and collaborate with one another to transform everyday life inside the prison. My paper, in sum, examines how practices of care and bonds of relatedness made life possible amidst carceral precarity.
Speakers
avatar for Anandi Kar

Anandi Kar

Masters, Jadavpur University
LS

Lara Sabra

PhD, University of Massachusetts Amherst
LH

Lincoln Hirn

PhD, University of Connecticut
Saturday March 22, 2025 10:30am - 11:45am EDT
Room 124 Stata Center, 32 Vassar Street, Cambridge, MA 02167

10:30am EDT

What Theater, Dance & Storytelling Teach Us: Agency, Disobedience, & Counter Hegemony
Saturday March 22, 2025 10:30am - 11:45am EDT
Nancy Blanco, "Flip It and Reverse It: Burlesque as a Liberatory Praxis of Pleasure and Sexual Education"
In an era where sexual expression is frequently censored and comprehensive sexual education remains contentious, burlesque emerges as a bold, liberatory praxis—reclaiming pleasure and redefining the boundaries of erotic art. Combining nursing expertise with the art of burlesque, this performance challenges restrictive narratives around sexuality and body autonomy, framing the body as a site of both knowledge and resistance. Through humor, storytelling, and dance, the performance confronts the crisis of repression that seeks to silence discussions of pleasure, particularly those historically marginalized.

Traditional sexual education often centers on purity culture and reproduction, limiting discussions of sexuality to a narrow, reproductive framework that upholds control over bodies and restricts expressions of desire. This performance directly counters these norms, emphasizing pleasure as a critical aspect of human autonomy and self-knowledge. By reimagining burlesque as a form of embodied sexual education, it challenges purity culture's lingering impact and opens up new pathways for understanding the body as a dynamic source of empowerment.

Liberatory practices, as expressed through this performance, extend beyond resistance, they transform sexual education into an inclusive, participatory experience that celebrates the body’s capacity for joy and agency. This reimagined approach to sexual education not only subverts repressive norms but also invites a broader dialogue about how pleasure and autonomy intersect as central elements of the human experience.

Sam Collier, "“So Many Good Stories Yet to Tell”: Ecodramaturgies of Entanglement for the Climate Crisis"
What role can theater play in the climate crisis? How can we put stories about climate change on stage? This paper will consider how theater artists, playwrights, and performers are creating a new kind of eco-theater. By working with the long timescales and global implications of climate change, bringing nonhuman characters and perspectives into the stories they tell, and upending dramaturgical conventions, playwrights are reimagining the narratives we tell about the climate crisis.

The scale of climate change is almost impossible to fathom. The threat we face is the culmination of centuries of carbon emissions, but also of millions of individual moments happening all over the world, right now. It will shape all of our lives in immediate, personal ways, but it will also unfold over thousands of years. In order to wrestle with climate change on our stages, the theater faces a challenge: how to speak to these multiple layers, while also telling a good story?

“There are so many good stories yet to tell […] and not just by human beings.”[i] So writes Donna Haraway in her book Staying with the Trouble: Making Kin in the Chthulucene. As theater artists and practitioners craft stories about the climate crisis, many of them are moving beyond the Aristotelian narrative structures that have long defined the standard dramatic form in the Western world. Instead, playwrights and performers are developing works that align more with Haraway’s call for relationality and entanglement. These stories employ new narrative forms, blur the edges of the individual protagonist, incorporate nonhuman perspectives, and draw connections across time and space. In this essay I will consider three recent plays— You Are Cordially Invited to the End of the World, by Keiko Green, The Breathing Hole, by Colleen Murphy, and Hurricane Diane by Madeleine George—and the ways they deviate from conventional dramaturgical practices in order to engage with climate change.

[i] Haraway, Donna. Staying with the Trouble: Making Kin in the Cthulucene, p. 49.

Khadija Islow, "Rituals of Resistance: Queer Black Performance in The Netherlands"
In late November 2023, over a thousand protesters gathered in Dam Square, Amsterdam, just two days after the far-right, anti-immigration Party for Freedom (PVV) secured a majority in the Dutch parliament. This electoral success highlights a troubling trend across Europe, where far-right parties have gained prominence in electoral politics and shifted their focus to combating the perceived "crisis" of the so-called Islamization of Europe, all while positioning themselves as defenders of values such as gender equality and LGBT rights (El-Tayeb, 2011). In response to this rising racism and xenophobia, a vibrant countermovement has emerged, particularly from the queer Black community in the Netherlands, aiming to disrupt these prevailing narratives. Drawing on four weeks of ethnographic fieldwork in Amsterdam, this paper employs Black performance theory (DeFrantz & Gonzalez, 2014) to analyze how these artists utilize ritual performances, writing, and dance as acts of resistance against exclusion and as means of fostering community. Grounded in themes of ancestry, belonging, colonial histories, and healing, their performances serve as powerful critiques of the racial oppression embedded in Dutch society and its migration management regime. This study explores how these embodied expressions and staged critiques challenge dominant narratives, revealing deeper insights into the intersections of race, migration, and identity in contemporary Europe. Ultimately, this paper highlights the resilience and creativity of marginalized communities while fostering critical dialogue around the urgent need for solidarity and intersectionality in the face of rising far-right ideologies.

Mohammad Karambeigi, "Performing Multitudinous: Underground Performance in the Downtown of Tehran"
On September 16th, 2022, an Iranian woman named Mahsa (Jina) Amini, after days of being in a hospital, died. Iranian citizens considered Iran’s government responsible for her death and started a nationwide horizontal protest against the Islamic Republic for about 4 months. During and after the “Woman, Life, Freedom” civic movement, theater/performance makers, performers, dramaturgs, and even scholars refused to stage their theater performances and theater/performance-driven lectures in state-centered venues and theater halls. Consequently, the so-called “Underground Theater Movement” started to emerge. It is worth mentioning that Iranian underground theater, music, and even visual arts are not limited to the period after the “Woman, Life, Freedom” movement, and there were a few theater/performance and music collectives that held their performances privately in unofficial venues. However, underground theater as a leading artistic and sociopolitical movement is uniquely limited to the period after 2022. Therefore, this presentation mainly focuses on this particular artistic and sociopolitical movement and aims to investigate it through the lens of political philosophy by opposing the concept of “post-hegemony practice” to post-Marxist theories on hegemonic politics. The former concept is tied to the idea of withdrawal, while the latter emphasizes the importance of articulation and seizing power. I would like to apply the concept of “post-hegemony practice” to Iranian underground theater to understand how Iranian theater/performance practitioners, instead of seizing power, de-territorialize and re-territorialize theater/performance and cultural context under an authoritarian regime. Furthermore, after the emergence of the underground theater movement, I believe theater/performance practitioners have foregrounded the ideas of “radical civil disobedience” and “exit” by practicing and offering alternative politics of space and time to Iranian citizens.
Speakers
KI

Khadija Islow

PhD, Brandeis University
NB

Nancy Blanco

PhD, University of Texas at Austin
SC

Sam Collier

PhD, University of Colorado Boulder
MK

Mohammad Karambeigi

PhD, University of Pittsburgh
Saturday March 22, 2025 10:30am - 11:45am EDT
Room 144 Stata Center, 32 Vassar Street, Cambridge, MA 02167

10:30am EDT

Do No Harm: Holding the Health Care System Accountable Against Intersectional Violence
Saturday March 22, 2025 10:30am - 11:45am EDT
Lara Alahdeff, “Contemporary Protest: The Enduring Women’s Health Movement”
The nineteenth-century introduction of germ theory, which posits that infectious diseases are caused by a single, observable pathogen, allowed for the extensive elucidation and treatment of diseases. However, this long history of western biomedicine remains incomplete because of its exclusion of women from biomedical and pharmaceutical testing. This has created substantial gaps in the understanding of women’s health and their bodies. The refusal to take seriously women’s health, veiled by the rhetoric of its confounding nature, was exposed by the 1960s- and 1970s-Women’s Health Movements (WHM), in which gatherings of groups of women across the United States of America protested centuries long medical misogyny. However, the twenty-first century epidemic of chronic illnesses which predominantly affect women, such as Fibromyalgia Syndrome (FMS), marks these illnesses as a contemporary crisis in biomedicine. This presentation argues that women’s narrative representations of chronic illnesses, such as FMS, stage an enduring crisis in women’s healthcare mirroring the political will of the WHM. I suggest that women’s FMS narratives depict the persistent figuring of women with conditions such as FMS as ‘hysterical’ within the discourses of western biomedicine, which remain vested in dated theories of the womb and psychological instability. In insisting on the legitimacy of their corporeal suffering in their narrative portrayals of FMS, women’s chronic illness narratives reflect, not just a practice of care, but also a powerful disruption of the medical gaze, to borrow from Michel Foucault’s The Birth of the Clinic. Accordingly, these texts offer women an opportunity to resist the dismissive and lasting stigma of hysteria in twenty-first century biomedicine.

Megan Guzman, “Radical Care and Direct Action: The Forgotten Women of ACT UP/Atlanta”
This project is motivated by the dearth of information around the AIDS advocacy organization ACT UP, particularly in the south, as well as contemporary interest in effective organizing strategies. Since the COVID-19 pandemic, scholars have increasingly focused on analyzing effective organizing strategies for radical social change, particularly in response to the continue growing crises around health, the environment, and failing governmental structures. In dealing with the COVID-19 pandemic, both scholars and activists looked to past pandemics for historical inspiration, finding ACT UP as one model of successful, anti-hierarchical community organizing during a time of crisis. Members of ACT UP used multiple, simultaneous organizing strategies to support the survival of people with AIDS and pushed the U.S. government to redefine AIDS symptoms, fast-track experimental drugs, and set up needle exchanges across the country, among other success. This project focuses on women’s involvement in ACT UP, specifically their integral work campaigning at the CDC to broaden the symptomology of AIDS. The women of ACT UP’s commitment to direct action and radical care to each other across racial, class, and carceral statuses illustrates one successful framework for responding to crisis. I use the work of Sarah Schulman, a former member of ACT UP/NY, as well as primary sources from the Lesbian History Project to argue that women’s involvement in southern factions of ACT UP was integral to the organization’s success, and that these women’s political strategies should inform contemporary activists groups committed to collective liberation. The collective, direct action and radical community care exemplified by the women of ACT UP provide frameworks for contemporary organizing.

Grace Osusky, “Life and Death in a Southern Town”
The Southern United States experienced a surge in racially motivated violence in the early 20th century. Political, economic, and social policies that aimed to improve the lives of Black people during Reconstruction (1863-1877) were met with backlash from White Southerners during what became known as the Jim Crow era (1865-1967). While it is recognized that the lived experience of Black and White Southerners was dramatically different, demographic analyses of the health and survival consequences of discrimination are lacking during this period. Consequently, I seek to explore how changing social and political landscapes affect survival outcomes for Black and White individuals both during and after segregation. For this research, I use data collected on 6,831 individuals from death certificates of residents who lived and died in a small southern town between 1915-2015. Results from my analyses clearly demonstrate a dramatic life expectancy gap during the Jim Crow period that then significantly narrows with the passage of the Civil Rights Act in 1964. During segregation, life expectancy was ~55 years for White residents and ~43 for Black residents. Post-segregation, life expectancy increased for both groups (71 and 65 respectively) and the life expectancy gap shrank in half. Ultimately, while the explicitly racist policies of the Jim Crow period were repealed, structural racism has remained embedded within our cultural institutions in ways that perpetuate cycles of poorer health outcomes for Black Americans. However, findings presented here emphasize the consequences of legislative change on survival and the effects of a paradigmatic shift in social conditions on reducing health inequalities. While a survival gap is still present at the end of the time period under study here, my results highlight the potential for the continued promotion of policies that dismantle racial disenfranchisement to further decrease disparities in life expectancies.
Speakers
avatar for Grace Osusky

Grace Osusky

MA Student, East Carolina University
I am an MA student with a focus on biocultural anthropology in the Department of Anthropology at East Carolina University. The main focus of my work lies in the realm of biodemography. My thesis research focuses on the embodiment of health due to social conditions across time. Specifically... Read More →
avatar for Lara Alhadeff

Lara Alhadeff

PhD, Stellenbosch University
avatar for Megan Guzman

Megan Guzman

Masters, University of North Carolina at Greensboro
Saturday March 22, 2025 10:30am - 11:45am EDT
Room 155 Stata Center, 32 Vassar Street, Cambridge, MA 02167

10:30am EDT

Trans Futures: Trans Care, Counter-Colonial & Non-Heteronormative Societies
Saturday March 22, 2025 10:30am - 11:45am EDT
Michael Barry, "Showtime: Queer Archival Formation and Sexual Labor in Sirena Selena (Vestida de Pena)"
Mayra Santos-Febres’s acclaimed contribution to the growing archive of trans Caribbean literature: Sirena Selena (Vestida de Pena), occupies a vexed position in literary criticism, while often being subsumed into arguments endemic to queer theory regarding the subversive potential of trans characters. This subsumption, exemplified by a critical preoccupation with the novel’s use of the terms “real woman” and “real lady,” not only results in an oversaturated, hegemonic strain of reading, but analyses that are fundamentally complicit in the (re)concretization of monolithic gender conceptions through a necessary investment in the fabrication of “real” genders. Furthermore, contentions that arise from these narrow, “tragic misreadings” routinely ignore the specific social contexts of Caribbean translocality, a critical absence that evokes Viviane Namaste’s critique of Judith Butler (published in 2000, the same year as Sirena Selena). As a consequence of this limited theorization, the narrative’s environment of constant crisis for trans subjects, characterized by state-sanctioned police violence, sexual exploitation, and class conflict, is frequently written about obliquely, or not at all. Attempts to wrest meaning from Santos-Febres’s trans characters, in pursuit of a uniform narrative of subversion, ultimately negate, then overwrite, how those characters narrate their survival within and against dominant social structures.

This paper reconceptualizes Sirena Selena’s drag performances, alongside moments of intercharacter gossip, as labors of queer archival formation, rather than individualized moments of supposedly verifiable subversion. Through this theoretical reorientation, off-stage dialogue and enacted performance work reciprocally to vocalize the resistant existence of distinctly Caribbean trans subjects, while also actively naming queer predecessors and a present queer translocality. In doing so, Santos-Febres’s novel explores the temporo-spatial potentialities of a queer archive without abandoning the lived realities of the characters’ present, violent crisis.

Caylee Weintraub, "Climate Change, Community, and Coral in Ada Patterson’s “Broken from the Colony”"
In an interview, Ada M. Patterson, a semifinalist in Grist’s “Imagine 2200” climate contest, described the driving premise of her short story, “Broken from the Colony”: “I’m trying to imagine what comes after the grief. Once the island is lost, then what?... I wanted to approach it in a way that honored the truth of what’s probably going to happen while thinking that there could still be life afterwards, even if it’s not human life.” Asked to envision the year 2200 through climate fiction, or “cli fi,” an emerging subgenre of work that seeks to envision new kinds of futures in the wake of anthropogenic climate change, “Broken from the Colony” envisions an alternate reality wherein the entirety of Barbados, Patterson’s home island, has been drowned by Hurricane Dorian. The only people who survive are Black trans girls who have taken estrogen, which enables them to breathe underwater. They emerge at the end of the story as a novel species of human-coral hybrids who will ultimately join together to form a coral reef and remake the drowned Barbados anew. Patterson’s use of the coral reef to represent a political imaginary is not entirely novel; it is grounded in a long legacy of writers—particularly Black writers—who have utilized the metaphorical capacities of coral communities to articulate progressive visions of community. I historicize Patterson, herself a Black trans woman, as part of a long literary history of Black writers who turn to coral as a way to envision new kinds communities that are forged through kin relationships and exist as alternatives to violent colonial, heteronormative societies. By engaging the material and metaphorical capacities of coral reefs, Patterson depicts a new kind of interspecies collective polity that is grounded in the idea of a dynamic, knotted unity that is continually in the process of becoming, and, therefore, always has the potential for transformation.
Speakers
avatar for Caylee Weintraub

Caylee Weintraub

PhD, University of Florida
I am a second-year Ph.D. student at University of Florida. My research interests are blue humanities, ecocriticism, critical animal studies, and new media studies. My personal interests include running, swimming, and houseplant care taking :)
avatar for Mike Barry

Mike Barry

PhD, Boston University
Mike (he/him) is a second-year PhD student in the English department at Boston University after having received his BA from the University of Massachusetts Amherst and his master’s degree from the University of Connecticut. His primary research interests are in postcolonial theory... Read More →
Saturday March 22, 2025 10:30am - 11:45am EDT
Room 141 Stata Center, 32 Vassar Street, Cambridge, MA 02167

12:00pm EDT

Lunch Break
Saturday March 22, 2025 12:00pm - 12:30pm EDT
TBA
Saturday March 22, 2025 12:00pm - 12:30pm EDT
TBA

12:30pm EDT

Plenary Panel
Saturday March 22, 2025 12:30pm - 2:30pm EDT
Join us on Saturday, March 22 for our plenary session! The panel features wonderful practitioners, artists, and scholars whose work spans speculative futures, care practices, and alternative methods of study. Our panelists are:

Dr. Nadia Alexis, Poet and Photographer: Her writing has appeared in Poets & Writers, The Global South, Shenandoah, Wild Imperfections: An Anthology of Womanist Poems, and numerous others. Her photography has been featured in Forgotten Lands, The Southern Register, Mfon: Women Photographers of the African Diaspora, and more. She has received several awards and honors, including a 2025 Literary Arts Fellowship and a 2024 Artist Mini-Grant from the Mississippi Arts Commission, a 2024 Mississippi STAR Teacher Award, a 2024 Vance Fellowship from the Natchez Literary and Cinema Celebration, the 2023 Poet of the Year Honoree of the Haitian Creatives Digital Awards, a semifinalist position in the 2020 92Y Discovery Poetry Contest, a nomination for the 2020 Mississippi Institute of Arts and Letters photography award, and an honorable mention prize in the 2019 Hurston/Wright College Writers Award for poetry.

Dr. Alexis’s photography has been exhibited in the U.S., Cuba, and virtually. As part of an Independent Scholars Fellowship for early-career artists and scholars of color, she exhibited at the 2019 Havana Biennial in a show titled The Spirit That Resides, with Carrie Mae Weems as her mentor. A fellow of the Callaloo Creative Writing Workshop, The Watering Hole, and the Poets & Writers Get the Word Out Publicity Incubator, she holds a PhD and an MFA in Creative Writing from the University of Mississippi. She currently resides in Mississippi, where she teaches creative writing to youth and adult writers.

Alison Kafer, University of Texas at Austin: Alison Kafer is Director of LGBTQ Studies, Embrey Associate Professor of Women's, Gender, and Sexuality Studies, and a member of the Crip Narratives Collective at the University of Texas at Austin. She is the author ofFeminist, Queer, Crip, and her work has appeared in a number of journals and anthologies, most recently, Crip Authorship and Fighting Mad: Resisting the End of Roe v. Wade. In collaboration with Mel Y. Chen, Eunjung Kim, and Julie Avril Minich, she co-edited Crip Genealogies. Her research is focused on disability and queer crip world-making in the contemporary United States, particularly as they intersect with movements and theories for reproductive, environmental, gender, and racial justice.

Dr. Shoniqua Roach, Brandeis University: Dr. Shoniqua Roach is a queer black feminist writer and Assistant Professor of African and African American Studies and Women’s, Gender, and Sexuality Studies at Brandeis University. Her peer-reviewed work appears in American Quarterly, boundary 2, differences, Feminist Theory, Signs, and The Black Scholar, among other venues. Her editorial work appears in differences, Signs, and The Black Scholar. Roach’s forthcoming book manuscript, Black Dwelling: Home-Making and Erotic Freedom, offers an intellectual and cultural history of black domestic spaces as tragic sites of state invasion and black feminist enactments of erotic freedom. Roach has been awarded a number of awards, fellowships, and grants, including those from the American Council of Learned Societies, the American Studies Association, and the Ford Foundation.

Sonya Soni, Writer-Activist and Prison Abolitionist: Sonya Soni (She, her, hers) is a Brooklyn-based writer-activist, community organizer, freedom dreamer, prison abolitionist, and the descendent of freedom fighters and caste abolitionists in India. From Kashmir to Nepal to South Los Angeles, she works alongside young people who have been incarcerated, unhoused, and/or in foster care to re-imagine public systems rooted in youth liberation.

With a passion for the arts as the vehicle for movement building and protest, Sonya designed and conducted “Policymaking through Poetry” workshops with youth organizers and aspiring policymakers in South Los Angeles. She co-led the Los Angeles County Youth Commission, the first youth-led government body in Southern California to center the voices of systems-impacted youth in policymaking. She helped co-create the movement to abolish youth prisons, camps, and detention centers across the state of California.

Sonya has worked for social justice organizations including Partners In Health, Boston University’s Center for Antiracist Research, PEN's Prison & Justice Writing Program, and Covenant House International. Sonya graduated from the University of Southern California and Harvard University, and was selected as a Harvard Women & Public Policy Fellow and Harvard Humanitarian Initiative Child Rights Fellow.

Sonya currently serves as a Kweli Literary Fellow, working on her forthcoming book “The Gorra, the Gringa, and the Muzungu.” She often writes about decolonized dreams, diasporic longing, and transborder solidarities. She is also a Bandung artist resident under the Museum of Contemporary African Diasporic Art and the Asian American Arts Alliance, documenting the community oral histories of shared Black-South Asian social movements.
Speakers
NA

Nadia Alexis

Poet and Photographer
AK

Alison Kafer

Director of LGBTQ Studies, Embrey Associate Professor of Women's, Gender, and Sexuality Studies, University of Texas at Austin
SR

Shoniqua Roach

Assistant Professor of African and African American Studies and Women’s, Gender, and Sexuality Studies, Brandeis University
Saturday March 22, 2025 12:30pm - 2:30pm EDT
Room 123 Stata Center, 32 Vassar Street, Cambridge, MA 02147

2:45pm EDT

Disability & Multiplicity of Capacity
Saturday March 22, 2025 2:45pm - 4:00pm EDT
Court(ney) Felle, ""Our Love Language of Unspokens": Contemporary Poets on Chronic Pain"
My proposal focuses on how contemporary poets communicate—and foreground the incommunability of—chronic pain using techniques of what I am calling “fragmentation.” Building off theories of pain that emphasize the gap between phenomenological experience and witness interpretation, I am interested in how poets with chronic pain negotiate this chasm to create their own poetic genre grounded in shared recognition and use of fragmentation. This speaks to larger questions of disabled and chronically ill community-building, including across space and time, especially as intensifying series of crises produce "fragmentation" in our own lives and self-narratives.

Within “fragmentation,” I include techniques such as hard enjambment, punctuation (especially em dashes and slashes), nonlinear phrases and pacing, and inconsistent punctuation and line design, all of which bring readers into the multifaceted and chaotic experience of pain itself. In using these techniques, contemporary poets draw fruitful textual attention to how pain is not fully communicable, shifting the terms of what they are trying to communicate from nondisabled-centric demands to “prove” pain to disabled-centric criticism of the very system that demands proof in the first place. Importantly, contemporary poets do not merely co-opt existing devices but create their own uses distinct from nondisabled poetic approaches. These forms speak toward fellow disabled readers, developing affinity and suggesting possible kinship models in line with recent scholarship. For chronically ill readers often isolated through time, physical space, and emotive and political space, these forms could also become a tool of identification for readers overcoming internalized ableism as well as a tool of radicalization into political chronically ill subjecthood.

Poets under consideration include Khadijah Queen, torrin a. greathouse, Aurora Levins Morales, Cyree Jarelle Johnson, Topaz Winters, Meg Day, Leah Lakshmi Piepzna-Samarasinha, and Jillian Weise. (The working title borrows from the poem “Sick4Sick” by torrin a. greathouse.)

Ayesha Khurshid, "Disability, Exclusion, and Systemic Crises: Liberating Learning as a Sustainable Solution for Resilient Communities"
This paper investigates the complex relationship between disability and inclusion and how it ties in with marginalization and systemic oppression. Disability, is oftentimes framed within social structures that institutionalizes exclusion of individuals from accessing equitable opportunities and reinforce social inequities for disabled experiences and realities. The ableist constitution of ideological and systemic marginalization is manifested in the policies and cultural praxis that creates a continuum to impact the agency via limiting access to education, health, employment, and social/civic participation. Alternatively, inclusive education, offers a transformative opportunity to challenge the exclusionary and inequitable practices. Inclusive education creates equal opportunities and builds collaborative spaces for learners with disabilities that are informed by values of social inclusion and accessibility. This approach reimagines learning-scapes as a site of liberation, one that values the right to self-determination, embraces diverse dis/abilities and a commitment to social justice for de-ideologizing oppressive systems and every day practices. Therefore, my research question is: How can inclusive education serve as a liberatory practice in addressing the systemic marginalization of individuals/learners with disabilities, particularly in the context of societal crises? Qualitative methodology will be used and data will be gathered through in-depth interviews from participants that belong to academia, public sector, and nonprofit sector in Boston, Massachusetts. In conclusion, by positioning inclusive education as catalytic for societal transformation, this paper unpacks the need for liberatory practices in (re)designing educational policies and pedagogy. Such a liberatory lens will not only mitigate crises but will critically interrogate the exclusionary oppressive structures and institutional practices that reinforce inequities and accelerate vulnerabilities during emergency and crises situations.

Ren Lovegood, "Breaking Bad Wages: An exploration of disability labor valuation and liberatory praxis"
This paper examines the historical and social contexts that have shaped disability inequality in the United States, focusing on the institutionalization of subminimum wage (SMW) practices. Prior to the rise of industrial capitalism, people with disabilities (PWD) were valued for individual contributions to their communities. Labor was not yet explicitly defined by wage exchange or individual productivity. The Industrial Revolution shifted the discourse in which efficiency and economic productivity were now considered connected to individual value. The discursive portrayal of PWD as inefficient placed them in direct opposition to the prevailing Protestant work ethic of the period, which framed self-sufficiency and hard work as ideal worker qualities. A contradiction emerged between disability and efficiency in which PWD are expected to work despite being constructed as inferior workers.

Discursive artifacts are powerful tools that have constructed disability through various strategies that reproduce realities in which a valuable worker is assumed to be able-bodied. This paper posits that the practice of SMW has been institutionalized through the discursive framing of the disabled as legitimately less valuable in the context of work. Disability inequality is thus embedded into organizational processes and justified through the myth of meritocracy. Utilizing an exploration of praxis and change, I suggest the contributions PWD make to society may currently lie outside our socially constructed definition of ‘labor’.

Drawing on Hochschild’s (2012) “second shift”, which examines women’s unpaid emotional and domestic labor, I explore the unrecognized and inherent human value of PWD. This research re-imagines how an application of pre-industrial conceptualizations of labor that values each person for their unique contributions to society might be applied in the context of modern social systems. Through theoretical exploration of the reproduction of ableist practices through discourse, I am to conceptualize a re-humanization of disability in the context of social constructions of labor.

Satwika Paramasatya, "Resisting Invisibility: The Crisis of Health Security and Human Rights among LGBTQ Community in Indonesia"
This paper examines the critical intersection between health security and LGBTQ rights in Indonesia, focusing on the structural and policy-level exclusion of LGBTQ communities from equitable healthcare access. Using Foucault’s concept of biopower and securitization theory, this analysis explores how Indonesian policies and societal norms perpetuate health insecurities among LGBTQ individuals, framing them as threats to national stability and public morality. LGBTQ individuals face systematic discrimination in healthcare, further compounded by structural violence at social and institutional levels. This study argues that Indonesian LGBTQ communities' health insecurity stems from a state-sponsored biopolitical agenda that defines public health through restrictive moral and ideological lenses. Drawing on conflict analysis, the paper highlights the urgent need for a rights-based approach to health security, emphasizing the role of inclusive policy reforms in mitigating structural violence. By critically assessing this conflict, the paper proposes pathways for policy reformation that foreground the health needs and human rights of LGBTQ communities as essential to societal resilience and ethical governance.
Speakers
AK

Ayesha Khurshid

PhD, University of Massachusetts Boston
CF

Court(ney) Felle

MA/PhD, The Ohio State University
SP

Satwika Paramasatya

PhD, University of Massachusetts Boston
avatar for Ren Lovegood

Ren Lovegood

PhD Student, University of Massachusetts, Boston
I am a legally blind and multiply disabled doctoral student at UMass Boston pursuing a PhD in Business Administration focused on Organizations and Social Change. My work focuses on the ethics of professions, the history of disability employment, and the evolving concept of "care... Read More →
Saturday March 22, 2025 2:45pm - 4:00pm EDT
Room 144 Stata Center, 32 Vassar Street, Cambridge, MA 02167

2:45pm EDT

Memoir: Complexifying Narratives & Ripples of Change
Saturday March 22, 2025 2:45pm - 4:00pm EDT
Tyrell Collins, "Voices of Defiance: Black Queer Memoirs as Resistance"
Amidst social, environmental, and political crises, LGBTQ-BIPOC memoirs offer transformative insights into resilience and liberation. By challenging dominant narratives and embodying acts of personal and communal resistance, LGBTQ-BIPOC memoirs contribute to "liberatory practices." Based on intersectionality and queer theory, this study examines LGBTQ-BIPOC memoirists who navigate intersecting oppressive systems while affirming their identities and asserting agency. Using Kimberlé Crenshaw's intersectionality and E. Partick Johnson's "quare" studies, I argue that these memoirs are acts of defiance, reflecting the LGBTQ-BIPOC experience as both a site of resistance and survival. Janet Mock and Saeed Jones' memoirs Redefining Realness and How We Fight For Our Lives are examples of core texts that establish a relationship between LGBTQ-BIPOC lived experiences and crisis understanding informed by resilience, resistance, and reimagined futures. The purpose of this paper is to contribute to the current discourse on the power of marginalized narratives to disrupt crisis-laden worldviews and foster transformative change.

Kohinur Khyum, "Storytelling as Liberatory Practice for Survivors of Forced Marriage"
This paper examines how forced marriage survivors from the South Asian diaspora community from the US and UK are breaking intergenerational cultural abuse by telling their stories. Forced marriage is prevalent and often hides under the guise of arranged marriage in the South Asian culture. However, there are different layers of honor-based violence against women within the diaspora community. This global human rights issue is often deemed a cultural practice ‘over there’ but not a problem in the countries in the global North. However, forced marriage is a concern among several immigrant communities including the South Asian diaspora community in several developed countries including Canada, the US, Britain, Australia, and others. Forced marriage in South Asian diaspora culture is a complex interplay of tradition, cultural abuse, honor violence, religious practice, and gender dynamics. In this paper, I will shed light on how these individuals are often silenced because they are not considered the ‘model victims’ because most of their perpetrators are from their minority communities in the global north. I argue that narrative liberation by breaking the systemic silence imposed on forced marriage survivors by their communities, families, social services, and a section of feminist activists became a major tool to foster advocacy efforts to prevent forced marriages within the South Asian diaspora community.
Speakers
KK

Kohinur Khyum

PhD, University of Massachusetts Boston
TC

Tyrell Collins

PhD, Georgia State University
Saturday March 22, 2025 2:45pm - 4:00pm EDT
Room 124 Stata Center, 32 Vassar Street, Cambridge, MA 02167

2:45pm EDT

Crafting and Creating A Revolution
Saturday March 22, 2025 2:45pm - 4:00pm EDT
Margarita Rivera Arrivillaga, "This is our land: Participatory mapping of forced displacement through collective embroidery"
Forced internal displacement has surged globally in recent decades, as exemplified in the Sierra Madre Occidental of Chihuahua, Mexico, where organized crime groups wield violence to exploit natural resources and control critical transit routes. These groups’ pervasive and violent presence has forced many mestizo, Rarámuri, and Ódami families to abandon their homes and lands. Entire communities have sought refuge in Chihuahua City, confronting severe disruption to their livelihoods and cultural practices. Among displaced individuals, women have turned to textile work for economic support. Beyond selling embroidered items such as napkins and bags, they have also transformed this craft into a powerful medium for sharing personal narratives of displacement and resilience. In one community, a multidisciplinary team comprising a journalist, a photojournalist, and myself, an anthropologist, has collaborated with a community’s internal initiative to share their experience through a series of four embroidered maps on blanket cloth. These visual narratives reflect the community’s pre- and post-displacement histories, articulating loss, survival, and resistance memories. Utilizing a participatory methodology, we facilitated spaces for dialogue, enabling workshops that provided tools for mapping and drawing. This community-based, art-centered project endeavors to connect a broader audience with the community’s displacement story, fostering empathy and advocacy. The completed maps illustrate a personal and collective narrative, engaging viewers in a dialogue on the human cost of displacement. The project aims to elevate these stories beyond the immediate community, contributing to a larger discourse on displacement and cultural resilience. In doing so, it offers a compelling example of how art can serve as a vehicle for advocacy, promoting a deeper understanding of the lived experiences of displaced populations.

Hatim Rachdi, "Oxidizing the Past"
This presentation explores Tamazgha, an unbounded vision of Indigenous North Africa, through a series of artworks that center queer and non-normative gender expressions within Amazigh culture. Using my ME-ThOD practice—an experimental, “oxidized” approach to archival reading—I engage with “other-archives”: fragments of poems, graffiti, songs, and images that challenge traditional archival limits, revealing Tamazgha as a relational space of kinship that transcends colonial frameworks. These pieces position Tamazgha as a space where gender and sexuality exist beyond the binaries imposed by state and colonial histories. My digital works like EfE-ture and Tassa capture unfiltered expressions of freedom and desire, envisioning Amazigh futures that fully embrace queer and liberated identities. Awal and Loubiya Al Ama challenge state control, reimagining authority through queer Amazigh resilience, while Oho rejects orientalist myths, reclaiming Moroccan queer narratives on local terms. By unsealing these layered archives, I offer Tamazgha as a dynamic, trans-sovereign identity where gender and sexual diversity are not deviations but central to a liberated, evolving Amazigh culture. This Tamazgha lives beyond borders, inviting a future grounded in radical belonging and ungovernable queer possibilities.

Maya Wadhwa, "Crafting Protest Posters: Embodied Art and Resistance in Post-Roe Era"
Through the lens of craftivism (the combination of the practices of craft and activism), I will examine a selection of protest posters made, held, and waived at protests after the release of the Dobbs v. Jackson Women’s Health Organization Supreme Court decision. In these posters, gathered from news sources published after June 24, 2022, themes of guns and snakes are drawn, painted, and printed. Each thematic representation and accompanying words indicate the sociopolitical and cultural perspective of the protester, and subsequently, how they are positioning themselves vis-a-vis abortion.

I answer the questions: How does craftivism help protesters address cultural and reproductive fear and anger? What symbols, motifs, and rhetoric are protesters using to situate themselves in relation to other protesters and the broader Reproductive Justice movement?

By close-reading posters containing snakes and guns imagery and rhetoric, I reveal that protesters are using a rights-based approach to frame their claims to reproductive and bodily autonomy. In addition, I argue that protesters draw from ideas of agency and embodiment to make their claims legible to other protesters. I find that the diversity of representation captured in the snakes and guns motif reveals the protester’s unique positions and understandings of abortion rights.

This research will add to a growing body of scholarship that combines, feminism, craft, and activism. I posit the value of crafting as a meaningful and powerful way to channel fear, anger, and hopelessness about reproductive futures. Importantly, I read handmade posters as Art and a site of cultural knowledge production, a perspective that is absent from poster studies.
Speakers
HR

Hatim Rachdi

PhD, Yale University
avatar for Margarita Rivera Arrivillaga

Margarita Rivera Arrivillaga

PhD, University of Kansas
Ella / She / HerBorn and raised in Guatemala, currently based in Kansas, USA.Margarita has a B.A. degree in Anthropology (UVG), a M.A. degree in Demography (El COLMEX) and diplomas in Anthropology of Art (LATIR-CIESAS) and Anthropology of the Cities (URL-CIESAS). She is currently... Read More →
avatar for Maya Wadhwa

Maya Wadhwa

Masters, The Ohio State University
Saturday March 22, 2025 2:45pm - 4:00pm EDT
Room 155 Stata Center, 32 Vassar Street, Cambridge, MA 02167

2:45pm EDT

Love, Hope & All That Sustains Us
Saturday March 22, 2025 2:45pm - 4:00pm EDT
Daphne Fietz, "Decentering modern hope: Hope as virtue in the climate crisis"
Hope is generally regarded as a critical motivation for individuals to pursue change, while the 'decline of hope' and the concept of 'utopia' are identified as significant social problems. Although these themes are not new, the catastrophic consequences of climate change have intensified hope as a problem.

Drawing on interviews and ethnographic observations with climate activists from Germany and Britain, this presentation explores how hope is cultivated among those confronting the climate crisis in the Global North. I will argue that hope manifests in various forms, each reflecting distinct relationships with the future.

‘Modern hope’, a hope that is tied to the outcomes of one’s action and directed towards the broader future, becomes problematic but retains a hold on activists’ imaginary. Hope in this sense does not emerge as a key motivation but as a source of despair. In contrast, hope as virtue shifts the possibility of change into capacities of human beings and resistance itself. Because virtue is tied to the temporality of the self and to praxis, the catastrophic future loses its paralyzing effect.

I propose a more nuanced theory of hope that considers its various modalities, enabling us to comprehend both its demotivating and motivating aspects. In the modern temporal landscape, humans are seen to have the agency to transform the sociopolitical structures through praxis to approximate a better future. However, with the advent of the Anthropocene and the irreversible damage to the planet—foundational to any action—this model has become problematic, yet many narratives of hope continue to rely on it. I would like to use this presentation to instigate a discussion on the various modalities of hope, their temporal structures, and their historicity.

Asher Firestone, "The Hermeneutics of Love in Mizrahi Diaspora"
This paper will investigate the often-overlooked racial dynamic of Arab Jews’ (Mizrahi) presence in Palestine, to envision the concretized call for decolonization of Palestine. To invite Mizrahi Jews into an anti-Zionist diaspora outside of the state of Israel, we must use the praxis stage of the hermeneutics of love to investigate how we confront decolonizing worlds, when marginalized subgroups replicate the violence initially used against them.

Using the scholarship of Ella Shohat, I will unpack the violent history of Ashkenazi Jews baiting Arab Jews from SWANA to immigrate to 1950’s “Israel” and creating a secondary class of citizens who would serve as cheap labor for the newly established state. Zionism necessitates a deep dissociation with Arabness to produce a pure Israeli identity, and yet Israel has relied on Mizrahi people’s Arabness precisely to delineate a settling buffer between elite Israelis and Palestinians fighting to return to their land. As Israeli society subsumed Mizrahi history in propagandized hyper-memory of the Holocaust, the space to remember and mourn their Arab nations of origin withered. Frantz Fanon’s theory of double consciousness will reveal this to be a peak cognitive dissonance, where Israeli refusal of Arabness has constructed Mizrahi self-hatred and racism towards Palestinians.

Love is the only thing that can break through this dissociation, as Chela Sandoval’s work reveals. But it will not likely be the morally implored love towards Palestinians, that so many peace processes have attempted (and failed) to negotiate. Instead, love must be part of a larger abolitionist project-- one where, as Daniel Boyarin articulates, a global Jewry turns back to 2000 years of diasporic tradition. Jewish communities must reengage Mizrahi leadership to call for Israelis to mournfully and lovingly leave the homes that were stolen from Palestinians, and join a liberatory Jewish diaspora.

Nourhane Kazak, "Grievability and Resistance: Feminist Witnessing in Fatima Joumaa’s Photography of South Lebanon"
"What is the space between collective grief and love?"
— Sarah Ihmoud

Through obfuscation of history, linguistic gymnastics, regurgitation of Orientalist tropes, and appealing to a selective white morality, Empire works hard to render Lebanese lives, especially those from the South, "ungrievable." This research explores "feminist witnessing" as a method of resistance through visual documentation, focusing on Lebanese photographer Fatima Joumaa's portrayal of the lives and losses in South Lebanon amidst ongoing Israeli aggression. The term "feminist witnessing" is underexplored in the literature, and this study seeks to address this gap by examining Joumaa's documentation of funerals and commemorations of martyrs, particularly highlighting women's participation in these public ceremonies. Joumaa's work makes visible the grievability of Southern lives that traditional media often marginalizes, erases, or even demonizes. Drawing on Judith Butler's theories of ungrievability, Marianne Hirsch's feminist cultural memory, and Sarah Ihmoud's concept of "decolonial love," I argue that Joumaa's images serve as a form of feminist witnessing. Through her photographs and videos shared on social media, Joumaa documents collective grief and solidarity, challenging Empire's convoluted framing of war and violence. This study examines how visual storytelling from South Lebanon constructs an archive of resilience and resistance akin to Ihmoud's decolonial letters. By synthesizing these frameworks, I seek to think through what feminist witnessing could look like, examining how it confronts the disposability of lives deemed ungrievable and asserts their intrinsic value and purpose in the greater struggle for liberation from imperialistic occupation and injustice.
Speakers
AF

Asher Firestone

PhD, University of Colorado Boulder
DF

Daphne Fietz

PhD, Yale University
NK

Nourhane Kazak

Master's, Georgetown University
Saturday March 22, 2025 2:45pm - 4:00pm EDT
Room 141 Stata Center, 32 Vassar Street, Cambridge, MA 02167

4:15pm EDT

Black Radical Thought in Action
Saturday March 22, 2025 4:15pm - 5:30pm EDT
James Chiyoki Ikeda, "“The Intimate Face of Universal Struggle”: June Jordan’s Search for a Shared Liberatory Project in a Time of Apocalyptic Crisis"
My paper traces the development of poet and educator June Jordan’s conceptualization of a shared, global liberatory project blending antiracism with anti-imperialism—her vision, that is, of universal liberation—between the mid-1960s and the mid-1990s. During this period, Jordan frequently used the word apocalyptic to describe conditions both within the United States and globally, and her vision of universal liberation was shaped fundamentally by her perception of this apocalyptic context and the overlapping crises that constituted it.

I argue that Jordan’s understanding of crisis and the liberatory vision arrayed against it led her to embrace a binary conception of global political struggle and a coalitional politics which enabled her to think expansively about solidarity across many different categories of difference. She ultimately came to see a shared global ‘enemy’ in imperial white male supremacy and a shared end-goal of self-respect and self-determination for the racialized, imperialized global majority, expanding her application of the idioms of American race politics to the so-called Third World.

At the same time, this group-based coalitional thinking was undermined by Jordan’s need to reconcile the utter uniqueness of the individual with politically meaningful groupings like race, gender, nation, and sexual orientation, especially in a world marked by imperial hierarchy. Thus, at the root of her political thinking was a desire to ground collective political identities in something substantive and politically operable without subsuming the individual, whose full existence always cuts across those identities in untidy way. This was the political task Jordan faced as she worked through how to respond to what she saw as an apocalyptic crisis.

My paper will provide direction for people today who are grappling with the strategic question of how to advance collective political struggle against crisis conditions without eliding the individual who is never reducible to their political group identities.

Ki'Amber Thompson, "Emerging Abolitionist Infrastructures of Feeling In and Beyond Times of Crisis"
What do abolition geographies feel like? What are the affective states, or feelings, that maintain carceral geographies? What affective states do we need to attune to in order to make abolition geographies? How can we emerge abolitionist infrastructures of feeling in and beyond times of crisis? This paper explores how we might attune to potentially liberatory affective states that emerge in times of crisis and beyond times of crisis. The COVID-19 pandemic put the state in crisis, and this crisis exposed vulnerabilities of the state, leading people to call for change. The experience of the pandemic and the affective states it created (loss, rage, uncertainty, fear, stillness, clarity, suffocation, etc.) created an opening, an opportunity for liberatory transformation to occur. The COVID-19 pandemic was/is a crisis that came together with the ongoing crisis of police killings of Black people, emerging an abolitionist structure of feeling, where abolition became more thinkable for a broader population and thus more possible. This paper draws upon a queer Black feminist affect theory to inquire beyond the limits of our visual imaginations in making abolition geographies. This paper moves beyond the prioritization of the visual over other ways of knowing and takes us through a sensuous exploration of our capacities to feel with all of our senses to exceed the limits of our imagination that prioritize the visual field. Thinking with the affect theory concept of infrastructure of feeling, this paper examines ordinary or everyday affective energies toward growing our capacities to imagine and practice abolition geographies in and beyond times of crisis.

Jessica Wright, "Bending Toward Gender Equality: Women’s Evolving Roles in the Black Panther Party, 1968-1971"
This paper examines women’s complex roles in the Black Panther Party (BPP). While the BPP’s ideology was egalitarian because of its socialist leanings, female Panthers experienced gender discrimination. Between 1968 and 1971, the Black Panther Party (BPP) struggled to resolve the gender discrimination that female Panthers experienced. Through party policies, actions, and ideology, male and female Panthers both perpetuated the BPP’s male-centered environment and enacted reform. This paper argues Panthers Linda Greene and Kathleen Cleaver’s descriptions of women’s roles in the BPP demonstrated the party’s changing stance on gender equality.

First, I examine Greene’s 1968 article, “The Black Revolutionary Woman,” in The Black Panther newspaper. Greene’s definition of Black gender roles against U.S. societal expectations exemplified the complexity of the nascent BPP’s views of Black women. Although Greene depicted the ideal Black woman as a self-sacrificing assistant and a sexual object, Greene also reflected the BPP’s egalitarian, socialist ideology. Greene described Black women with masculine adjectives and their equal capacity to be revolutionaries.

By 1971, the BPP began coalition efforts with the women’s liberation movement, renounced the Black nationalist argument for reclaiming masculinity, and implemented internal reforms. I discuss how Kathleen Cleaver’s 1971 interview with The Black Scholar demonstrated the extent of the BPP’s reformative policies and actions on the issue of female party roles. Cleaver articulated the BPP’s motivations for enacting gender equality reform, the party’s rejection of Black women’s subservience, and the discrimination female Panthers faced. By detailing inequalities and stressing women’s roles as mothers, Cleaver showed that the BPP did not fully eradicate sexism by 1971.

Despite the BPP’s shortcomings, Greene and Cleaver emphasized female Panthers’ po
Speakers
JW

Jessica Wright

Masters, Simmons University
Hi, everyone. I'm in my second year of the Archives Management and History Dual Degree Program at Simmons University. I anticipate graduating in the fall of 2026. My research interests include World War I in Europe and women's involvement in the Black power movement in the United... Read More →
JC

James Chiyoki Ikeda

PhD, Northeastern University
KT

Ki'Amber Thompson

PhD Candidate, University of California, Santa Cruz
Saturday March 22, 2025 4:15pm - 5:30pm EDT
Room 124 Stata Center, 32 Vassar Street, Cambridge, MA 02167

4:15pm EDT

maomao: becoming ancestral mud (a performance ritual)
Saturday March 22, 2025 4:15pm - 5:30pm EDT
maomao: becoming ancestral mud is a solo performance that weaves in family oral histories, creation myths, folk songs, and Buddhist/Taoist rituals to rekindle ancestral spirits, queer lineage, and ecological entanglements. The piece offers a biomythographical retelling of my ancestral and diasporic migration, from rural Shaanxi to the US, mapped onto my coming-of-age story of place-making. More than twelve generations of my ancestors had resided in northern Shaanxi while I am the first generation in my family who was born and raised outside of the region. “Mao mao,” literally meaning feathers, is a nickname of mine given by my grandmother for endearment. I name the piece “maomao” to both honor grandma’s rural wisdom and articulate a grammar for femme/queerness within ancestral lineage.

I’m indebted to critical ethnic studies and queer/trans studies’ approach to fabulation as a speculative knowledge practice. Saidiya Hartman (2008) responds to the limit of colonial archives of transatlantic slavery from “critical fabulation,” a writing practice that asks what could have been, what might have happened, akin to what Lisa Lowe’s (2014) “past conditional temporality.” Queer of color writers engage with fabulation as a literary device to merge myths, biographies, fictions, and fantasies together as alternative narratives of the self, from Audre Lorde’s (1982) “biomythography” in Zami: A New Spelling of My Name to Kai Cheng Thom’s (2016) “confabulous memoir” in Fierce Femmes and Notorious Liars. I depart from these generative theorizations of fabulation as a literary and historical method by articulating “ancestral fabulation” an embodied ritual practice. By mythologizing one's diasporic ancestry interwoven with femme, queer intimacies, it situates one’s lineage entangled with legacies of relational colonial modernities while simultaneously imagining otherwise. Doing this performance is a process of becoming and unbecoming, to remember and dream alternative ways of knowing and being different from the extractive systems of the present.
Saturday March 22, 2025 4:15pm - 5:30pm EDT
Room 155 Stata Center, 32 Vassar Street, Cambridge, MA 02167

4:15pm EDT

Revised, Revisited, & Reshaping Communal Knowledge
Saturday March 22, 2025 4:15pm - 5:30pm EDT
Adrian Godboldt, "Filling the Dead Air: How Local Radio Amplifies Community Voices in Times of Crisis"
Amidst the initial wave of the COVID-19 crisis, Kentucky Governor Andy Beshear provided daily press briefings on the rapidly unfolding situation—but only in English. This left non-English speaking communities across the state without vital information. In response, a local community radio station in the city of Lexington, called RADIOLEX, translated Beshear’s press conferences into multiple languages, addressing the needs of a city with over 185 languages spoken. However, to avoid this information gap in future crises, the station decided to develop its own communication infrastructure. Collaborating with RADIOLEX, I developed an onboarding training guide to integrate diverse community journalists into the radio station, filling in for the dead air left by the state. Guided by feminist theory, this training guide served as a miniature ethnographic toolkit, aimed at resisting exclusionary practices and fostering spaces of inclusion through radio waves—amplifying voices often overlooked by the state. This presentation will explore how a feminist ethnographic framework can empower community members to reflect on their own positionalities, build relations, and produce knowledge that resonates throughout their community.

Taylor Harmon, "Made by Madre: the Mexican-American Kitchen as a site of kinship and knowledge reproduction"
Open any Latin-American cookbook and the introduction will emphasize the strong ties that food has to culture. Speak to any Mexican-American family and you will hear about the significance of the conversations held around abuela’s kitchen table. These stories hold the key to conversations that have plagued scholars for decades: about kinship, about nation and identity, cultural knowledge, and the role women play in all of it- we just need to listen to who is telling them. Questions of domestic spaces and gendered labor have been an area of focus within the field of feminist studies, including scholars such as Shoniqua Roach (2022) who presents the Black Living Room as a space of Black becoming, and Rhacel Salazar Parrenas (2000) who focuses on migrant Filipina domestic workers as reproductive laborers. Nira Yuval-Davis (1996) argues women as “biological reproducers of the nation” and writes about the ways in which national and ethnic processes affect and are affected by women. Indigenous cultures have also long revered women as reproducers and keepers of cultural knowledge (Cutcha Risling-Baldy, 2018; Carol Schaefer, 2006), but epistemological biases have largely prevented these wisdoms from being considered valid sources of knowledge production that are worthy of citation in academic work. Additionally, gendered domestic labor in the kitchen, specifically among Mexican immigrant women and their postgenerations, has not been credited as the capacious space for cultural knowledge reproduction and kinship ties that it is. As such, my paper aims to challenge citation politics by holding scholarly work, indigenous knowledge, and knowledge produced through art- specifically live theater (Christin Eve-Cato, 2024)- to present a feminist reading of The Mexican-American Kitchen as a site of cultural knowledge reproduction, kinship, and identity, that is facilitated by immigrant women and their successors.

Elisabeth Lucien, "Who is there to save the hero? A Generational Perspective of the Socialization of Strength among African American Women"
The concept of strength has been foundational to the identity of many Black American women, shaping how they are perceived and how they perceive themselves. Over time, this strength has become more than just a characteristic; it has evolved into a prescriptive social discourse upheld by societal expectations and cultural narratives. This has led to the perpetuation of the "strong Black woman" trope. This stereotype paints Black women as unyielding, resilient figures, often likened to superheroes capable of enduring immense mental, emotional, and physical challenges. While the physical and emotional consequences of this trope have been well-documented by scholars, there remains a significant gap in the literature: how Black American women across generations perceive and engage with this trope. This study seeks to address this gap by examining the attitudes and perceptions of Black American women toward the socialization of strength across four distinct generational cohorts—Baby Boomers, Generation X, Millennials, and Generation Z. Through interviews with women from each generation, the research aims to uncover both the commonalities and divergences in how the "strong Black woman" trope is understood and internalized over time. Employing a qualitative phenomenological approach, this feasibility study serves as a pilot and lays the groundwork for more expansive future research. Data was collected via four cross-sectional focus groups, each comprising 5-7 participants, recruited primarily from Sacramento, California. The study's findings are expected to deepen theoretical understandings of the gendered racial socialization processes that shape Black women's lives. By amplifying Black women's voices and lived experiences, this research will offer a more nuanced and generational perspective on the enduring and evolving legacy of the "strong Black woman" trope and its impact on identity formation across time.
Speakers
avatar for Elisabeth Lucien

Elisabeth Lucien

PhD, Howard University
TH

Taylor Harmon

Masters, Brandeis University
avatar for Adrian Godboldt

Adrian Godboldt

PhD, University of Massachusetts Amherst
I'm currently a PhD student in Anthropology, with a focus on culture, at the University of Massachusetts Amherst. My research interest looks at the intersection of digital technology, human relations, and geopolitics. I'm looking to explore the infrastructure that gives life to our... Read More →
Saturday March 22, 2025 4:15pm - 5:30pm EDT
Room 144 Stata Center, 32 Vassar Street, Cambridge, MA 02167

4:15pm EDT

Transformative Connections: Solidarity, Mutual Aid, Community Care & Collective Justice
Saturday March 22, 2025 4:15pm - 5:30pm EDT
Casey Grippo, "The Solidary Requirement of Solidarity"
Contemporary life is plagued by the atomization of political subjects. To overcome this, thinkers often speak of the importance of community-level care. In this essay, I explicate two forms of community-level care: solidarity and allyship. Contrary to thinkers who see allyship as a form or type of solidarity, I argue that solidarity and allyship focus on different objects and should thus be classified as divergent phenomena. While solidarity and allyship both serve the similar function of bonding people together, they do so by wholly different means. In solidarity, people are united by their focus on shared concern or ideological commitment(s), and the solidary group is often denoted by first-person plural pronouns (e.g., “we are in solidarity”). When people are in solidarity with one another, the object of one’s care is not the other but the shared concern or ideological vision they hold together. On the other hand, allyship unites people by focusing on the one in need, and allyship is often denoted by the use of third-person pronouns (e.g., “I am an ally to them”). When one engages in allyship, they exhibit care for the other rather than the concerns or commitments of the other. In this way, allyship fails to produce a much-needed community-level care, substituting interpersonal care in its place. Therefore, solidarity is a more powerful tool for liberation because it enables people to overcome the hyper-individualistic commitments forced upon us in a way that allyship is unable to. Only by sharing the concerns of the other and engaging in shared commitments with each other are we able to provide one another with the community-level care so desperately needed. Moreover, by understanding this distinction between solidarity and allyship, we can better understand how elite capture effects the way we even conceive of liberation itself.

Morgan Gimblet, "Community Care, Radical Reimaginings, and Decolonial Feminist Resistance: Testimonios from a Texas Reproductive Justice Mutual Aid Collective"
This project expands on my previous research exploring the case study of my volunteer ran, queer, sex worker, and POC-lead Texas-based reproductive justice mutual aid group. I draw connections about how the organization utilizes decolonial praxes of community building, radical reimaginings, and collective care in creating survival programs for liberation and continuing the Chicana feminist tradition of mutualistas (mutual aid societies) as queer forms of resistance. Through testimonios, autohistoria, and anti-colonial methodologies, this project provides insight into contemporary decolonial queer feminist coalition-building efforts centering community care and pedagogies of social transformation that emerge out of crisis. In centering the lived experiences of the Texas organizers, the study underscores the significance of collective storytelling as a form of solidarity and a powerful tool for liberation and decolonial resistance. Specifically, I historicize the praxis of the non-hierarchal grassroots collective, emphasizing our advocacy for bodily autonomy, promoting community care through mutual aid fundraising, sharing accessible resources, and resisting the non-profit industrial complex. By foregrounding the perspectives of the collective, this research provides insight into radical possibilities for transformative decolonial feminist movements for liberation.

The purpose of this project is to explore how queer Texas organizers utilize decolonial feminist theories and praxis in our grassroots organizing through building solidarities, creating transformative connections, and providing community-created solutions despite the restrictions that limit our bodily autonomy (Spade, 2020; Luna & Luker, 2013). Grounded in reproductive justice, mutual aid, transnational, decolonial queer, and Chicana feminist theories, I provide an intersectional critique of the nonprofit industrial complex by centering mutual aid organizing as a liberatory practice in our communities (Ross & Solinger, 2017; Spade, 2020; Galván, 2014; Tambe & Thayer, 2021; Mohanty, 2003; Gomes Pereira, 2019; Morgan-Montoya, 2020). Further, incorporating testimonios from my fellow organizers and using autohistoria, these decolonial praxes are essential in solidarity movements towards collective liberation and contribute to decolonial feminist epistemologies and transformative pedagogies in the fields of Gender, Chicanx, and Ethnic Studies (Delgado Bernal et al., 2012; Hamzeh & Flores Carmona, 2019).

Joy Chrysyl Llido, "Resisting Displacement in a Climate Crisis: The Dumagat-Remondato’s Fight to Live Free"
This project analyzes the grassroots organizing efforts of the Dumagat-Remontado People’s fight against displacement through a climate justice framework. In the Philippines, the primary source of fresh water for the National Capital Region has fallen below critical levels exacerbated by severe drought conditions attributed to human-caused climate change. The Kaliwa Dam Project aims to double the region's freshwater production and alleviate the on-going crisis. The Anti-Kaliwa Dam Campaign is an Indigenous Right’s struggle in opposition to the construction of the Kaliwa Dam on the Dumagat-Remontado’s ancestral lands in the Philippines.
The paper highlights the disproportionate impact of climate change on Indigenous Peoples and their enduring quest for climate justice. This research posits that using a climate justice framework as an analytical tool and a political strategy will enable the Anti-Kaliwa Dam Campaign to navigate its socio-cultural battle against the Philippine government and waterworks providers more effectively. This framework elevates the campaign’s fight from an Indigenous and Land Rights issue in the Philippines and connects it to a global social movement. Within this framework, the community's opposition to the dam construction project becomes not only a defense of their land, but also a broader struggle against global systemic oppression.
The findings aim to contribute to the discourse on climate social justice movements, highlighting the interconnectedness of indigenous rights, environmental justice, and the larger climate justice movement. The study involves a qualitative analysis of the campaign's social media presence, particularly posts from the Stop Kaliwa Dam Facebook page, to examine how a climate justice framework fits in the campaign’s organizing strategy. The findings will underscore the expression of PeoplePower from a grassroots movement that has a real stake in a complex global problem.
Speakers
avatar for Casey Grippo

Casey Grippo

PhD, Boston University
Casey Grippo primarily works in the realm of social ontology, focusing on the relationship between social forces, social groupings, and individual identity formation. Their dissertation, a prescriptive project arguing for a politics of solidarity, concentrates on solidarity as one... Read More →
JC

Joy C. L. Solon

PhD, University of Massachusetts Boston
avatar for Morgan Gimblet (she/they)

Morgan Gimblet (she/they)

PhD, University of Colorado Boulder
Morgan Gimblet (she/they) is a doctoral student, teaching assistant, and Colorado Diversity Initiative Fellow in the Department of Communication pursuing an Ethnic Studies Graduate Certificate at the University of Colorado Boulder. Their research areas include reproductive justice... Read More →
Saturday March 22, 2025 4:15pm - 5:30pm EDT
Room 141 Stata Center, 32 Vassar Street, Cambridge, MA 02167
 
Sunday, March 23
 

9:00am EDT

Dynamic Methodologies: How is the Work Done? Digital Storymaps, Data and Research Science, & Ephemeral Methods
Sunday March 23, 2025 9:00am - 10:15am EDT
Taylor Marie Doherty, "Grounded Ephemerality: The Liberatory Potential of the Queer Feminist Archive/s"
This paper employs transdisciplinary queer, feminist, and trans, Black feminist, decolonial, critical, and assemblage theories to rework methodological assumptions that pose social movements as empirically discrete objects anchored in space and time. develop “grounded ephemerality” as an archival reading praxis that reads and reassembles materials from the archive, alongside the liveness of protest and what is left behind in its wake in the present. This paper draws on my ethnographic research at the New York City Women’s Strike and is grounded in my participation in a performance of “Un violador en tu camino” alongside queer feminist Latin American artist colectivas. I examine how fleeting traces of protest, like street art, posters, glitter, and pañuelos verdes stick to our bodies and spaces inviting ephemera as an embrace of disorderly space and a refusal of the normativity of permanence (Muñoz 1996; Bey 2022). This protest ephemera as it travels can transform into an invitation that prefigures feminist futures.

This project examines the relationship between archive/s and protest. I develop the term the archive/s to refer to the archive—as deployed in critical theory—and actual archives—as understood in archival science—as always becoming and co-constitutive. I attend to space, practice, and theory to make ephemera and fleeting, fugitive timescapes valuable to archive/s and protest. This reshapes how political science understands protest and how archival science understands records with the explicit aim of moving towards liberatory futures. I develop grounded ephemerality as an (auto)ethnographic method that reads archival materials alongside embodied experiences and tethers ephemera to community. This method offers ways of reading, feeling, sensing, and listening to the archive that foster more livable futures.

Liyang Dong, "Against the Narrative Crisis of Censorship: From Closed Hearings to Congressional Testimonies"
The grounding of the ship Golden Venture carrying 286 Chinese refugees in New York on June 6, 1993 brought undocumented immigration from China to national attention. Driven by national fear of the “Asian horde,” the ancient Orientalist rhetoric of the “yellow peril,” the Clinton Administration orchestrated dispersed mass detention and a sweeping denial of asylum of the Golden Venture asylees through inappropriate political interference and ex parte communication with the judicial agencies. Such abrupt administrative changes in asylum statute catalyzed by the Golden Venture asylees eventually prompted the enactment of the 1996 IIRIRA which normatized mass detention and expedited deportation of undocumented immigrants we are witnessing today.

This paper is a chapter of my digital dissertation using ArcGIS StoryMaps as a digital arm to present different forms of the detainees’ narratives in multimodal media genres. Drawing on legal case archives preserved by pro bono lawyers representing the Golden Venture detainees and neglected for three decades, this paper will illuminate how the U.S. government orchestrated a narrative crisis of censoring the testimonies of the detained Chinese asylum seekers, will foreground the collective fight of the female and male detainees alongside their attorneys and advocates against government agencies and engagement with the media, and center the “subaltern” Chinese detainees’ testimonies. The liberatory practices of their solidarity across national, racial, class, and religious overturned sweeping denial of asylum in closed hearings to publicly testifying in Congress, and offers us an alternative way to resist symbolic annihilation and racialization, against official Orientalist narrative, and a marvelous miracle of community building.

Daria "Dasha" Anikina Ogle, "Identifying Gendered Racial Spectacle in Scientific Research"
Racial spectacles are tools used to control the portrayal of race while deviating attention away from the systems of oppression. Scientific research can operate as a racial spectacle when we pathologize race, gender, and other intersecting identities that deviate from the norms put in place according to the white supremacy model. Often, comparative research reinforces presumptions about superior race (white), gender (male), and heteronormative sexual behavior, strategically placing those that do not subscribe to stated social constructs in the periphery. To assume that the notion of racial spectacle operates within and through racially charged research is to hypothesize that the intersectionality of race and gender in research will potentially operate in concurrence with gendered racial spectacle. To explore further, I look at two articles that conduct research by utilizing constructs of race, gender, and sexual behavior. I then identify the narrative created around women of color regarding drug use, promiscuity, and the risk of STIs. I point out statistical inconsistencies and research biases in these articles and reflect on the authors' failures to question the root cause of social disparities or address the structural obstacles inherent in systems of oppression. I situate gendered racial spectacles by evaluating the background assumptions of the noted articles. I explore the connections between the methods and frameworks used to interpret the findings. I present the ideologies and structures of power that help reinforce specific forms of knowledge. I expose the damaging nature of inserting data into gendered and racial formations. Finally, I propose a direction for future scientific inquiry to amend these problems.
Speakers
LD

Liyang Dong

PhD, Binghamton University
avatar for Daria

Daria "Dasha" Anikina Ogle

PhD Student, University of Tennessee, Knoxville
avatar for Taylor Marie Doherty

Taylor Marie Doherty

PhD Candidate, University of Arizona
Sunday March 23, 2025 9:00am - 10:15am EDT
Room 124 Stata Center, 32 Vassar Street, Cambridge, MA 02167

9:00am EDT

Networks of Care: Collective Action Against Oppressive Structures
Sunday March 23, 2025 9:00am - 10:15am EDT
Dyala Kasim, "(Un)Sanctioned: Community Building and Intrusion in the Contemporary Arab American Novel"
In my paper, I explore Arab American community building and non-Arab American community breaking practices within the post-9/11 United States — a place of "crisis" for Arab Americans facing anti-Arab sentiment, Islamophobia and the effects of pervasive neo-Orientalism, or the “new Orientalism” that emerged post-9/11 to subjugate Arab American individuals. I study this duality through the lens of “intrusion,” which I identify as invasive acts done without seeking permission from the individual(s) receiving them, splitting the concept into the subcategories of “sanctioned” and “unsanctioned.” Sanctioned intrusion is the socially-accepted allowance for Arab Americans to encroach upon each others’ spaces, homes and lives, and manifests in different social/cultural customs, cues and behaviors. Though it can feel invasive, sanctioned intrusion is always coming from a place of love and care for Arab Americans; thus, it is an internal practice that builds connection between people. Unsanctioned intrusion is an unauthorized encroachment tactic practiced by non-Arab Americans upon Arab American spaces, homes and lives. It is an explicit exertion of neo-Orientalist power and dominance, making it an external practice that destroys connection. Through the examination of seven key contemporary Arab American novels — Diana Abu Jaber’s Crescent, Mohja Kahf’s The Girl in the Tangerine Scarf, Laila Halaby’s Once in a Promised Land, Rabih Alameddine’s The Hakawati, Laila Lalami’s The Moor’s Account, Sahar Mustafah’s The Beauty of Your Face and Zaina Arafat’s You Exist Too Much — I argue that community building through sanctioned intrusion makes Arab Americans feel like U.S. insiders, while community breaking through unsanctioned intrusion makes Arab Americans feel like U.S. outsiders. Ultimately, intrusion becomes the channel through which these individuals humanize and liberate themselves by telling their own stories about their lives and experiences in their own words.

Moloud Soleimani, "Networks of Care: Exploring the Interconnection of Women and Children in the Woman, Life, Freedom Movement"
In 2022, the death of Mahsa Amini, who was in the custody of Iran’s morality police for “improper” clothing, sparked the Woman, Life, Freedom movement, which, despite not achieving regime change, is widely regarded as a social revolution. To sustain the spirit of this revolution, women and girls engage in daily acts of resistance against the morality police, and those who choose to wear what they love embody hope, signaling that the struggle is far from over.

In this paper, I explore how women and children together form an intertwined network of care that keeps the revolution alive. I am investigating the potential for dialogue between childhood studies and women’s studies by examining the interconnected roles of care within the context of the Zhina revolution.

While much of the discourse centers on “saving” children or on parental discussions about current events, children have frequently played an essential role in the caregiving network, supporting their mothers while sometimes requiring their mothers to take on additional responsibilities to manage their own anxieties. This dynamic includes not only women who resist the mandatory hijab by choosing not to wear it in public but also those who believe in the hijab and wear it outside of the government’s ideology. Children may encourage their mothers to wear what they love, reassure them not to worry, and even choose to stay home to allow their parents to participate in demonstrations. In some cases, children have actively joined these demonstrations, facing grave consequences, including the loss of life.

İlayda Üstel, "Emerging from Crisis: Vulnerability and Reimagining the Present"
In this paper, I explore the alternative worlds and ways of being together that emerge during moments of collective political action. Taking recent acts of resistance by women and LGBTQI+ communities in Turkey—and the interviews I conducted with activists—as my point of departure, I focus on the fleeting moments of protest and the vulnerability of protesters. Through these interviews, I examine the new relations of care that form during protests and re-conceptualize vulnerability, not only in connection to violence but as an opening to potential social relationalities and care. Drawing on Judith Butler’s ideas on vulnerability and precarity, I argue that this vulnerability can become a generative force during collective action, transforming individual precarity into collective strength. I further extend this idea by considering vulnerability not just as a condition to be minimized, but as an opportunity for new forms of relationality, where protesters’ shared openness to one another fosters deeper networks of care and solidarity. The moments of interruption where the dominant order is interrupted that collective action leads to embody the potential to reorder the world, allowing us to glimpse and enact alternative ways of being together. In moments of crisis, when vulnerability is heightened and temporality is reordered, the present becomes the only temporality in which we can maneuver. By centering the present as a site of transformation and vulnerability as essential to building relationalities between bodies, I suggest that collective action offers liberatory practices that disrupt oppressive structures and create new forms of relationality and care.

Xuyi Zhao, "The Crisis is Coming: Time and Togetherness in China’s Pandemic Community Building"
In this paper, I take the organization of universal COVID testing as a point of departure for understanding the lived experiences of China’s zero-COVID policy and look at “the Community” (shequ) as a dynamic interface between the state and urban residents during the liminal time of a global pandemic. From early 2020 to the end of 2022, China enacted its stringent “zero-COVID” strategy to eliminate local virus transmission through frequent lockdowns, testing, contact tracing, massive quarantine, and control over travel. To urban residents across the country, this top-down initiative passed through the urban bureaucratic system to be experienced on the ground as an unquestionable state of emergency, both collectively and repetitively. In particular, the “urgency” of forestalling a crisis was built into the temporal governance of the pandemic, working to justify the blurring of public/private boundaries, excessive overtime, and mandatory orders regulating the time and space of everyday life.

The primary goal of this paper is twofold. Empirically, I seek to present an ethnographic account of how shequ was caught in between paradoxical rationalities of social cohesion and political control as a result of both aggressive pandemic state-building and the irreplaceable role of shequ organizations in providing and coordinating essential care work. Theoretically, I draw on Rebecca Bryant and Daniel M. Knight’s notion of “vernacular timespace” (2019)—the collective sense of living within a period that has a particular temporality—to analyze the timespace of zero-COVID as a state-regulated future orientation interwoven with collective anticipation of crisis, bureaucratic temporal governance, and contestations over time as a form of agency in everyday life. Instead of assuming a unitary form of present-future relationship that was homogeneous and unchallenged, I argue that the collective anticipation of a public health crisis was constantly shaped, managed, and contested throughout the processes of pandemic community building.
Speakers
avatar for Dyala Kasim

Dyala Kasim

PhD, University of Massachusetts Amherst
Dyala Kasim earned her BA in English and Communication from Villanova University and MA in American Studies from Columbia University. She is currently a doctoral candidate in the English Department at the University of Massachusetts Amherst and a teaching assistant in the American... Read More →
IU

İlayda Üstel

PhD, Ohio State University
MS

Moloud Soleimani

PhD, Rutgers University
avatar for Xuyi Zhao

Xuyi Zhao

PhD, Boston University
Xuyi Zhao is an urban anthropologist broadly interested in gender, (im)mobility, temporality, and placemaking. Her current research investigates the making of a brand-new urban area in Southwest China and various local efforts of community building, as the latter is often informed... Read More →
Sunday March 23, 2025 9:00am - 10:15am EDT
Room 144 Stata Center, 32 Vassar Street, Cambridge, MA 02167

9:00am EDT

Identity Making & Displacing the Dominant Didactic
Sunday March 23, 2025 9:00am - 10:15am EDT
Brianna Doe, "Black on Purpose: Studying Tragedy From an Africana Epistemology Toward a Black Cosmology Tragedy"
By chronologizing and captioning our family photos, this emergent and experimental archive is a continuation of quotidian praxis initiated by my research interlocutors, the women in my own family whose shared experiences form a genealogy of routinized violence. This work suggests that a queer of color critique intimates the ways that Black matriarchs make and keep life amidst the material constraints of antiblack violence. It is a working complement to my dissertation research, where I examine how Black women (re)produce black subjectivity in the thrust of modernity. In the wake of enslavement and its many afterlives (Sharpe 2016), and in a time-space where the plantation is the conceptual terrain of the inner-city (McKittrich 2013), some theorists argue that African-American culture-bearers operate "...in the absence of the rights of man or the assurances of the self-possessed individual [...]" (Hartman 2010:66), and are thus still enslaved. As a result of antiblackness in the modern world, places of origin, lines of descent, chronicles of cosmology and ritual practice are markedly ephemeral. My art is a sought articulation of something and somewhere else, an alternative metric or horizon through and upon which to tell the story of a family where men do and do not exist, where the worst has already happened, is happening, and is bound to happen again unless they stay anticipatory. For these women, family is counter-historical and alternatively made in the purposeful excommunication of men rather than despite them.

Elio Harlan, "Embracing the Queer Monstrous Body as an Act of Survival and Self-Love"
How is it possible to find joy, let alone live, in a society that desires conformation or cremation as your only path of existence? It is constantly demanded of queer people to somehow prove our own humanness and worth, yet measures of this are held to an entirely arbitrary standard that is infeasible short of self extermination. We are made demon, imp, mutant, and monster: the very borders of our bodies legislated by those willfully ignorant of our own experiences and humanity. But what happens when we embrace this image of monstrosity forced upon us rather than appeal to the humanity of those who choose not recognize us as human? we take the claws and fangs given to us and use them to finally bite back? How does the reclaiming of these narrative devices give us the means to survive and learn to not only accept, but love oneself in our entirety? Through this I want to look at queer monstrous bodies created or imagined in the works of Andrew Joseph White, bodies that are deemed broken and ill by an outside force, ones that are left marked by their own survival, that defy or otherwise confront a conformed society. In combining the creative work of Andrew Joseph White with the theoretical works of Jeffrey Jerome Cohen, Margrit Shildrick, and several additional scholars, I aim to construct a framework for embodying queer monstrosity as a source of empowerment and reenforce the notion of a queer monstrous—and especially current or post-transitioning—body as a healed body deserving of existence and love above all.

Jeiselynn N. Ríos Rivera, "When Existence is Denied: Identifying Crisis in the Bi+ Community"
How do we know when we are in a crisis?

As a group that has been relegated to the realm of non-existence, Bi+ people are disproportionately likely to suffer from chronic illness, mood disorders, and loneliness. Further, they experience a double constraint from both hetero- and homonormative understandings of sexuality, exposing them to inordinate amounts of violence from both groups. Within academia, this also becomes prevalent as research on Bi+ populations must still continuously justify the uniqueness of this group despite having scholarship since early 1900’s that may very well situate bisexuality studies as a distinct subfield of its very own. Activism faces a similar pitfall, where Bi+ activists are rarely mentioned despite being foundational in the development of the broader LGBTQ movement. How can Bi+ people know we are facing a crisis when there is still an open refusal to acknowledge our existence—never mind recognize the importance of Bi+ specific scholarship?

I argue that both academic and activist approaches must be deployed in order to understand what makes bi+ experiences unique. Through autoethnographic reflection, I examine the practical effects theoretical understandings of oppression can have, especially when articulated in highly accessible and sustainable ways. By grounding myself in a theoretically informed activist project Bisexual Killjoy Podcast, I reveal exactly what can be gained from articulating highly abstract concepts in relatable ways.

For this subjugated population faced by allied political interests in their oppression, theory can emerge as a liberatory practice. It is by asking what theory can do for this group of people that we can begin to understand how we know when we are in crisis – and what steps we can take to liberate ourselves from it.

Tiffany Thompson, "Women and 'the Troubles': Navigating Crisis and Displacement during the Northern Ireland Conflict, 1969--1979"
When studying Northern Ireland’s Troubles, scholars have largely focused on paramilitary violence, militant republicans and their imprisonment, and the peace process, all of which were not only male-dominated spheres, but also subsequently narrated in ways that obscured women’s involvement. My research investigates volatile moments in the first decade of the conflict with consideration to the intersectional, transnational, and post-colonial contexts of the Troubles in order to reflect a broader range of experiences, particularly in terms of working-class women on both sides of the sectarian divide. Burnt-out homes and barricaded neighborhoods were familiar sights in Belfast in the 1970s as the violence of the Troubles left entire families displaced, but it was overwhelmingly women, usually with children in tow, who fled the North. As such this paper will explore the relationship between the British state’s often heavy-handed attempts to manage the armed conflict and the crises that ensued. It also considers the role of institutions in Northern Ireland, Great Britain and the Republic of Ireland that responded in these moments of acute crisis. However, in doing so, my research recenters women and their place in this story, interrogating their particular experiences of violence at the hands of predominantly male crowds, police, and paramilitaries; asking about their experiences of displacement and life in refugee camps; and examining their decisions to accept or reject support offered by various states when navigating the conflict. Through a feminist analysis of Northern Irish women’s experiences of violence and displacement, I ultimately seek to highlight their agency, resiliency, and struggle to protect and care for their families and communities.
Speakers
BD

Brianna Doe

PhD, University of Virginia
JN

Jeiselynn N. Ríos Rivera

PhD, Boston University
EH

Elio Harlan

Masters, Northeastern University
TT

Tiffany Thompson

PhD, Boston College
Sunday March 23, 2025 9:00am - 10:15am EDT
Room 141 Stata Center, 32 Vassar Street, Cambridge, MA 02167

9:00am EDT

Resounding Resilience: Sound Based Activist Practices
Sunday March 23, 2025 9:00am - 10:15am EDT
Jeffrey Ng, "Resonant Resistance: The Role of Sound and Song in Hong Kong's Recent Liberatory Movements"
In times of crisis, artistic expressions often emerge as powerful tools of resistance and liberation. This paper examines the pivotal role of sound and song in Hong Kong's political movements from the late 20th century to the present, highlighting how music has served as a site of resistance and a catalyst for solidarity both locally and within the diaspora. Beginning with the 1967 Leftist riots, moving through the emotional aftermath of the 1989 Tiananmen Square protests epitomized by the band Beyond, and culminating in the recent Umbrella Movement of 2014 and the 2019 protests featuring the banned, pseudo-anthem "Glory to Hong Kong," this study traces the sonic landscape of dissent in a region perpetually navigating crisis.

By analyzing these key historical moments, the paper argues that music and sound function as liberatory practices that transcend linguistic and cultural barriers, fostering a shared identity and collective memory among Hong Kongers. The chants, songs, and melodies not only mobilize protestors on the ground but also resonate with the Hong Kong diaspora, reinforcing ties of remembrance, solidarity, and a reaffirmation of core values amidst geopolitical upheaval.
Furthermore, the enduring impact of these sonic expressions extends beyond temporal and spatial confines, influencing intercultural dialogues and pan-Asian solidarity movements. This paper explores how the echoes of Hong Kong's protest music contribute to a larger narrative of resistance in the global context.
This paper underscores the necessity of acknowledging and studying non-traditional forms of resistance. It invites a reevaluation of how sound and song not only reflect societal tensions but also actively participate in the construction of new worlds and communities. Through this exploration, we aim to illuminate the transformative power of music as both a response to and a means of enduring crises, ultimately contributing to more caring and collaborative practices in scholarship and activism.

Hayley Qin, "Composing with Nature: How Can Music Respond to and Reimagine Data and Environmental Research"
I want to use the music examples from two ongoing projects - collaboration with forest researchers in New Hampshire to translate data of the forests into musical compositions and collaboration with Marine scientists in Massachusetts to compose music from field recordings of the ocean. The two projects go through drastically different approaches to how to integrate scientific data, technology, and environmental knowledge with music and sound art: one is based on data collected over years, where music reveals the patterns of climate change or potential threats to the forest systems and takes liberty of how to uses harmonies and pitches to display different layers of the issues. The other project builds acoustic and emotional experiences based on research and field recordings that still leave huge gaps of understanding the sounds and the narratives behind.
Sharing the process of accessing, studying, curating, composing, and reimagining scientific data and environmental research for a general audience as a composer is a way to deconstruct professional and social barriers of accessing environmental science and data, and advocate for environmental education and awareness. It is also a process of breaking the boundaries between arts and science and aiming for emotional and sensory experiences that will lead to an audience’s deeper, personal connections with science and nature.

Questions that I have been asking include: How can music express environmental changes, fluctuations, and crises over time? How can our senses, ears, hearts tell us beyond what our eyes and mind can read and think about? How can music evoke advocacy and activism differently than science does? What will future collaborations between arts and science look like and what does it mean for composers, for scientists, for the audience? How could these projects shape people’s connection with nature in the future?

Chao Tian, "Unheard Sounds: Exploring Immigrant Identities Through Sound in a Multicultural Context"
Unheard Sounds explores immigrant artists' identities and self-expression through musical improvisation in a multicultural context, presenting their experiences of "cultural drifting" within a host culture. As cultural drifters, immigrant artists continuously reshape their identities, navigating between their native culture and new surroundings. These drifting highlights both the fluidity of identity and the challenges of preserving personal and cultural memory during times of change. Through improvisation, Unheard Sounds invites audiences to sense the immigrant artist's movement between tradition, integration, and individual expression, exploring the balance of these interconnected facets.

There and Here, proposed as part of Unheard Sounds, combines the cultural heritage of the Chinese dulcimer with innovative techniques and a prepared setup. By placing objects on the instrument’s strings, I explore the boundary between musical tone and noise, expanding its expression between tradition and experimentation. Here, sound moves beyond melody to embody layers of culture and emotion. Notes and altered sounds interweave, creating a distinctive soundscape that blends historical depth with a modern edge. This sonic terrain invites audiences to experience both the beauty of musical tones and the nuanced, transformed sounds carrying personal and cultural memories.

Improvisation in this context becomes a liberating practice, allowing exploration between musical heritage and modern sound, carving a distinctive space for self-expression. Through this presentation, audiences gain insight into how immigrant artists achieve self-renewal while preserving cultural roots, transcending simple transmission or assimilation to form unique, marginal roles within a multicultural
Through Unheard Sounds, music becomes a ritual of self-narration, giving immigrant artists adaptive means of identity expression. This musical drifting lets audiences experience cultural continuity and transformation, revealing the resilience and regenerative potential of identity under multicultural influences.

Valentina Gabriel San Juan-Villamizar, "Ancestral Voices, Emancipatory Rhythms: Bullerengue as a Feminist and Decolonial Practice Against Crisis"
This paper examines Bullerengue, a traditional musical genre from the Caribbean Colombian Coast and UNESCO-recognized Intangible Cultural Heritage of Humanity, through the lens of Latin American Afro-feminist theology, as articulated by thinkers like Maricel Mena Lo pez, and the Transforming Historical Harms approach developed by Amy Potter Czajkowski and David Anderson Hooker. Latin American Afro-feminist theology centers on the interconnected struggles against racism, sexism, colonialism, and classism, emphasizing that theological reflection must respond to the lived realities of oppressed women. These lenses allow us to understand Bullerengue as more than just a cultural expression; it is a resilient practice that embodies both spiritual and social liberation. Additionally, the Transforming Historical Harms framework informs this analysis by providing a structure for addressing the legacies of violence and marginalization through Facing History, Making Connections, Healing Wounds, and Taking Action. These elements are embedded in Bullerengue, where ancestral wisdom is orally passed down as a tool of healing, community cohesion, and resistance.

This paper argues that Bullerengue is not only a repository of the lived experiences and resilient identity of San Basilio de Palenque’s descendants—the first liberated Black pueblo in the Americas—but also a practice of resistance that has persisted despite the threats posed by armed conflict, and systemic violence. Central to this resilience are Afro-Colombian women, who play a crucial ro
Speakers
VG

Valentina Gabriel San Juan-Villamizar

Masters, Boston University
CT

Chao Tian

PhD, Boston University
JN

Jeffrey Ng

Masters, Harvard Divinity School
avatar for Hayley Qin

Hayley Qin

Masters, New England Conservatory of Music
Sunday March 23, 2025 9:00am - 10:15am EDT
Room 155 Stata Center, 32 Vassar Street, Cambridge, MA 02167

10:30am EDT

New Technological Tools: From Autonomy to Community
Sunday March 23, 2025 10:30am - 11:45am EDT
Michel Madanat, "Media Control and Palestinian Censorship: How American Media Manufactures Public Consent for Genocide"
Throughout the past year, the Israeli state has been systematically committing a genocide against the indigenous Palestinian population of Gaza as an extension of its settler colonial project. The last year has also seen an unprecedented paradigm shift in which public support for Zionism has diminished considerably, with protests held in major U.S. cities demanding an arms embargo on Israel and student encampments demanding that universities divest from the Israeli apartheid state and the corporations affiliated with it. However, this shift has rarely been recognized by major American news outlets and social media platforms, and the voices of Palestinians have been silenced and replaced with misinformation.

Relying on Edward Said’s Orientalism (1978) as a theoretical lens, this paper will examine how American media has taken control over the narrative of the Palestinian genocide. I argue that this has been executed on two dimensions, that of the perpetrator and that of the victim. I will first assert that American media outlets have consistently erased the perpetrator in the Palestinian genocide, using language and images that frame the massacres committed by Israel as humanitarian crises where the aggressor is absent. I will then demonstrate how Palestinian voices have largely been missing from American reporting or blatantly silenced if present. These two dimensions together alleviate the perpetrator of any accountability for war crimes and human rights violations and erase the voices of Palestinian journalists and activists calling for justice. Renowned newspapers such as The New York Times and The Washington Post manufacture a false narrative embedded within a censorship system that pacifies the American public and enables their consent for a US-sponsored genocide against the indigenous population of Palestine.

Finally, I will conclude by discussing forms of resistance that have been adopted by Arab academics and activists as liberatory practice. These forms of resistance include bypassing social media algorithms which attempt to silence their messages and establishing independent platforms outside of social media.

Soodeh Mansouri, "Iranian Women's Online Resistance for Bodily Autonomy"
“Neither East, Nor West” is the main slogan of the Islamic Revolution of 1979 in Iran. According to this slogan, the Islamic Republic of Iran has chosen various domains to demonstrate its anti-capitalistic and anti-imperialistic stance during its four decades of governance. One of these domains is the female body. The Iranian woman’s body, as a symbol to represent the Islamic government's values and its anti-imperialistic and anti-capitalistic position, has been a significant sphere through which socio-political issues are conveyed to the world. The enforcement of veiling (Hijab), the covering of the entire body with the chador, and the avoidance of colorful clothing are some of the key markers the Islamic government uses to project its values through the regulation of women’s bodies.

However, women’s resistance against the ideological commodification of their bodies by the Islamist regime has persisted over the last four decades. There have been numerous activities, such as street protests and civil resistance against compulsory veiling or restrictions on clothing choices. The latest protest against discriminatory rules toward women escalated into a social movement in Iran in 2022, known as “Woman, Life, Freedom.” While the “Woman, Life, Freedom” movement is often described as a failed movement, I believe that the resistance against the ideological use of women’s bodies is stronger today and continues with more intensity. In this paper, I will focus on the ongoing resistance by women for their right to control their bodies in the post-movement era in 2024, specifically on online platforms, with a focus on X (formerly Twitter). I will analyze the trending resistance tweets related to women’s bodily autonomy. My methodology involves content analysis of the tweet texts, and data collection will be based on the snowball sampling method by following tweets participating in this genre.

Kate Yuan, "Psychological Wage of Misogyny: An Existentialist Lens on Deepfake"
This paper examines the crisis of gender-based digital violence through the phenomenon of deepfake pornography and its use as a tool for mass humiliation within misogynistic communities like incel groups. Central to this crisis are “humiliation rooms”—digital spaces dedicated to sharing deepfake pornography targeting specific women, including mothers, sisters, and acquaintances. Here, sexual humiliation is weaponized to assert dominance, revealing a new dimension of technologically enabled gender violence that exploits anonymity and scale. Although humiliation is central to understanding digital gender violence, it remains under-explored. This paper addresses this gap by examining how deepfake technology amplifies large-scale, anonymous humiliation and misogyny, making these discussions urgent and timely.

To analyze this crisis, I draw on W.E.B. Du Bois’s concept of the “psychological wage of whiteness” to introduce a “psychological wage of masculinity,” wherein men derive compensatory value from subjugating women in the digital realm. Jean-Paul Sartre’s existentialist framework, particularly his concepts of “the look” and “bad faith,” illuminates the desire to reduce women to objects, reflecting existential anxiety over women’s autonomy. Simone de Beauvoir’s gendered parallel between racial and gendered oppression further reveals how patriarchal societies render women as the “Other,” positioning their bodies as sites of control and shame.

Through this existential lens, I propose solutions focused on dismantling objectifying structures and reinforcing subjectivity for both genders. Sartre’s concept of the “third person” suggests disrupting collective objectification through external accountability, advocating for legislative measures that enable third-party monitoring of digital spaces. Meanwhile, Beauvoir’s emphasis on self-assertion highlights the importance of cultivating digital and public realms where women can reclaim autonomy and resist objectification. These strategies contribute to a necessary rethinking of human dignity and autonomy in our technologically mediated world, bridging enduring human values with the pressing ethical challenges of our digital age.
Speakers
KY

Kate Yuan

PhD, Yale University
avatar for Michel Madanat

Michel Madanat

Masters, Simmons University
My academic research explores power and identity, post-colonial theory, and gender and sexuality in the Arab world. I am interested in understanding how to conduct research in a way that does not reproduce settler colonial structures.
avatar for Soodeh Mansouri

Soodeh Mansouri

PhD, University of Illinois, Urbana-Champaign
Sunday March 23, 2025 10:30am - 11:45am EDT
Room 124 Stata Center, 32 Vassar Street, Cambridge, MA 02167

10:30am EDT

Speculative Futures: Reclaiming the Future & Reimagining Thriving
Sunday March 23, 2025 10:30am - 11:45am EDT
Amorette Lyngwa, "Across Worlds: Transculturality, resistance and the making of Khasi identity in the 19th and 20th century"
For the Indigenous/tribal people of the Khasi Hills in Northeast India, the world did not end when colonialism and mass conversions to Christianity took over the community during the 19th century; it transformed. It was a period when new worlds, and new identities were built – some that were aligned with the new Christian religion and others that leaned more towards rebuilding native cultures and traditions. The ‘Khasi Renaissance’, as scholars have termed this period, was a watershed in this history that created the identity of the Modern Khasi. It involved the establishment of the Seng Khasi, a cultural and later religious organization that revived and strengthened Khasi heritage to resist colonial cultural destruction. It also kickstarted written literature for the previously unlettered tribe, creating new possibilities for the community.

My presentation explores this period of transformation through a closer look at the transcultural social life of Jeebon Roy, one of the founders of the Seng Khasi and the foremost leaders of the Khasi Renaissance of the 19th and 20th centuries. Through a close reading of a selection of early Khasi writing by Roy and his associates, published by his printing press, I argue that Khasi ‘worldmaking’ in the 19th and 20th century is an amalgamation of past heritage and the many transcultural experiences that leaders and ‘worldmakers’ of the century were exposed to during this time period. Further, this transculturality and transformation became a form of resistance that allowed the Khasi community to transition into the modern world. At a time when the tribe’s cultural heritage was at stake, I ask, what does it mean for a community to survive crisis and their world’s transformation through embracing new worlds and transcultural identities? What are the implications when this transcultural worldmaking becomes a core feature of Khasi identity in the century that followed?

Benvolio Nichols, "“Like Dying and Like Being Born”: The Portal, the Door, and the Closet in Mohsin Hamid’s Exit West"
Exit West by Mohsin Hamid is a novel of global, community, and interior crisis. The scholarship surrounding Exit West—concerningly little of which has emerged since its publication in 2017—has focused on the novel's fabulist conventions and speculative content as a commentary on xenophobia and colonialism. Using noted texts in queer theory including Sedgwick's Epistemology of the Closet, this paper draws further connections between Hamid's portal plot and the experience of coming out. Hamid’s central worldbuilding conceit—magical “doors” which allow passage all over the world, regardless of borders—compellingly troubles cultural narratives about refugees, while serving also as a concrete extension of the metaphorical closet door with which queer people must live. I center the intersectionality of migration and coming out to demonstrate that for characters like Nadia, a refugee and a bisexual woman, these experiences must overlap. Through close reading, I propose that the novel’s short and spare conclusion engages with global crisis on two levels: by showing us a city after violent upheaval, and by showing us the aftermath of a relationship shaped by displacement. In this last scene, set decades after their romantic relationship has ended, the novel’s dual perspective characters Nadia and Saeed finally come to an understanding of each other’s worldviews—particularly, Nadia’s view of intimacy as a queer woman. The conversation around the novel remains incomplete without an analysis of queer experience. Exit West reveals a multilayered perspective of the ways in which queer people and migrants—identities which Western media and culture assume, too often, must exist in opposition to each other—survive and rebuild through crisis.

Madeleine Stone, "Queer Temporalities and Crisis: Reimagining Survival Beyond Normative Time"
This paper explores how queer and trans theories of temporality offer alternative understandings of crisis and survival. By rejecting linear, normative conceptions of time, queer temporalities reframe the experience of crisis as non-catastrophic and open possibilities for non-normative survival strategies. Through the lens of queer studies, the paper examines how crises—environmental, political, and interpersonal—are often framed through dominant, future-oriented narratives that prioritize continuity and progress. Instead, this paper investigates how queer resistance and existence in the present challenge these frameworks, proposing radical reimaginings of living, thriving, and surviving in crisis-laden worlds. The study also considers how embracing queer temporalities allows us to cultivate new care practices and collaborative modes of being in community.
Speakers
AL

Amorette Lyngwa

PhD, Cornell University
BN

Benvolio Nichols

MFA, Cleveland State University
Benvolio Nichols is a first-year graduate student in the Northeast Ohio Master of Fine Arts creative writing program through Cleveland State University. He is a fiction writer with research interests in media studies and bisexual literature. He holds a B.A. in English and Gender Studies... Read More →
MS

Madeleine Stone

Masters, Boston College
Sunday March 23, 2025 10:30am - 11:45am EDT
Room 144 Stata Center, 32 Vassar Street, Cambridge, MA 02167

10:30am EDT

Liberated Testimonies: Praxis in words, theater, and narratives
Sunday March 23, 2025 10:30am - 11:45am EDT
Elizabeth Dell, "Young Women’s Diagnostic Experiences in an RVU-Driven Healthcare Market: Using Narrative Medicine to Illuminate the Unseen Girls of the Healthcare Crisis"
In the cacophony of the American healthcare crisis, who falls through the cracks of policy debate? Needing to trade anecdote for answers, the care of young women struggling to be heard in doctor’s offices often hinges on storytelling. While 46% of American teenagers live with chronic illness, their stories have gone largely unstudied. This project tells the stories left behind after the clinical encounter of the young women missing school, work, and extracurricular sports as their life is overtaken by chronic illness.

This project uses an academic theory and clinical modality known as narrative medicine to document chronically-ill young women’s experiences seeking diagnosis and explores relative value units (RVU), a healthcare policy, as a contextual factor in these healthcare experiences. This research asks: What is the timeline of diagnosis for a young woman with a chronic condition, how does this diagnostic process not only impact a patient’s understanding of their illness and treatment plan but also their identity and self-efficacy, and what are the constraints on this diagnostic process that may impede timely, effective care? This research uses three methods: narrative case studies on chronically-ill young women, a literature review of physician experiences related to healthcare payment policy, and an interview with a clinician and educator in pediatric and adolescent medicine. The findings indicated that while seeking care, participants experienced disjointed diagnostic timelines which persistently damaged identity formation and self-efficacy through invalidation, scarce information, and lapses in care. The crisis in care depicted concurrently across patient case studies and physician testimony is attributed to systemic barriers in the current healthcare system. This project employs narrative medicine as a modality of study and means of action to combat the inefficiency and erasure present in the practice and study of medical care for chronically-ill young women.

Fedra Cabrera Solano, "Looking Coatlicue in the eyes: Anzaldúa on writing and emancipation"
In Borderlands/La Frontera (1987), Chicana philosopher and activist Gloria Anzaldúa characterizes the process whereby members of oppressed groups acquire knowledge of the structures of dominance that marginalize them from society, and where they fit within those structures. She calls this process the ‘Coatlicue state’, referencing the Nahuatl name for a goddess representing ambiguity in the Aztec canon. At times she describes this state as paralyzing, and at others as divine and profound – as something that must be undergone in order to survive. In this presentation, I sketch an aesthetic reading of the Coatlicue state. In my view, this state should be understood as a crucial first step in the process of forming coalitional networks of insurrect action. This is because it can provide the basis for the creative act of writing, which Anzaldúa describes as crucial in making the experiences of marginalized individuals meaningful and shareable. Importantly for Anzaldúa, the task of writing requires us to rest in the paralysis brought about by the Coatlicue state. Once the agent allows themselves to process this paralysis, they can give it words, which then allows them to render their experience intelligible with the aim of finding allies and dismantling oppressive tropes and stereotypes.
Speakers
avatar for Elizabeth Dell

Elizabeth Dell

MA, Boston College
avatar for Fedra Cabrera Solano

Fedra Cabrera Solano

PhD student, Harvard University
Sunday March 23, 2025 10:30am - 11:45am EDT
Room 141 Stata Center, 32 Vassar Street, Cambridge, MA 02167

10:30am EDT

“Palestine Will Be Free”: Visual, Spatial, Digital Resistance in Public
Sunday March 23, 2025 10:30am - 11:45am EDT
Marybelle Issa, "Artistic Interventions in Times of Struggle: Resistance and (Re)Imagination Within the Palestinian Context"
Art has historically been at the center of resistance and has been studied as forms of protest (Lorde, 1988; Scott, 1986, 1990; Rich, 1993; Peteet, 1996; Vinthagen & Johansson, 2013, 2019; Awad, et al., 2017, among many others). In the Palestinian context for example, a call to freedom united artists across diverse creative fields during the First Intifada (1989), resulting in influential works merging symbolism and realism in the aesthetic articulation of Palestinian experiences (example: New Visions group). More recently, as Palestinians face unprecedented violence at the hands of the Israeli state, art serves as a major force in the expression of experiences across the diaspora. Beyond providing an aesthetic and intellectual dimension to processes of recovery and rebuilding in times of devastation, art serves “as a medium through which relationships with power and authority are formed” (Darkhabani, 2025). As such, art can be a generative way of thinking about liberation and can serve as a lens through which resistance is fostered. In writing on the necessity of art in post-Assad Syria, Syrian architect Ahmad Darkhabani defends that “only through art’s fragility and elasticity can we make sense of the incomprehensible conditions and insanity we have endured”. If art can serve as an expression of personal and collective views on a world in crisis, then what role does it play in resisting these conditions? 
From a linguistic anthropological lens, this early-stage project proposal explores art as a cultural artifact and a potential communicative tool. It explores artistic interventions across the Palestinian diaspora as forms of (re)narrativization and (re)inscription of the self in times of erasure. Using a semiotic approach to better understand the political and symbolic meaning that art can generate in the world, this project addresses the following central question: what does art narrate and can it serve to imagine new ways of living, being and thinking about identity, life, and liberation beyond the constraints of catastrophe? 

Mikaila Rummage, ""I Am Still Alive:" Bisan's Journalism as Livingness"
Since 7 October 2023, Palestinians in Gaza have experienced a rapid intensification of violence by the occupying Israeli forces, but their persisting, steadfast existence informs us, as observers to this crisis, of alternative modes of resistance. Through an analysis of Bisan Owda’s citizen journalism and her tireless work to document the genocide of her people, I demonstrate a genealogy of multimodal forms of resistance to erasure that are emblematic of the Palestinian ethic of sumud (steadfastness) and provide an example of McKittrick’s theorizing on livingness (2021). Further, Owda’s self-representation subverts narrow Western constructions of what Palestinian womanhood should look and sound like. Despite algorithms of oppression (Noble 2018) on social media that aid in both the censorship of Palestinian voices and the maintenance of a violent world order, I highlight how Bisan’s daily-to-weekly return to social media to inform the world that she is, indeed, still alive is indicative of liberatory Palestinian speculative futures; despite ongoing crises, displacements, and the weight of apartheid, Palestinians maintain the hope of emancipation, to return to the whole of their homeland. As Bisan boldly speaks truth to power, I contend that Bisan’s livingness and method of dissent is nested in her voicing, even as the threats of the war machine loom large over journalists in the Gaza Strip. Bisan’s online documentation that will forever showcase both the atrocities experienced by Palestinians and their relational care for human and non-human life under bombardment is made monument to the struggle for liberation.

Minh Hyunh Vu, "“there is less and less living room”: On the shifting shapes of crisis and the politics of refurbishment"
Writing amidst the 1982 Lebanon War and the ongoing Palestinian struggle for life and liberation, June Jordan observes how “there is less and less living room” due to the colonial encroachments of “bulldozer[s],” “observation posts,” and “soldiers.” The “living room” Jordan mentions, though, does not refer to a delineated space of the domicile/domesticity. It is not an actual living room; it is just living room: an amorphous shape diffusing across borders—of the nation, of the Human—and bringing relations of uneven life/death to close proximity, despite the sundering and siloing logics of colonial violence.

This paper is a meditation on the vital methods of living that emerge amidst and against the unlivable conditions of crisis manufactured by empire. I intend to move through a series of case studies on the everyday politics of refurbishment: the makeshift couches made by incarcerated Japanese American internees who were given “nothing but a big room”; the rearrangements around the Kitchen Table Series by Carrie Mae Weems; the bookcases and supply centers of student encampments across universities; and the blueprints for liberation by Palestinian martyrs and fighters. These ongoing acts of refurbishment—at the cusp of refuse and refusal—constitute what Christina Sharpe calls “beauty as a method,” which is “a way of creating possibility in the space of enclosure, a radical act of subsistence, an embrace of our terribleness.” Altogether, these acts of refurbishment orient us toward other geographies and geometries of care despite the “less and less living room” of the present world.

In her notebook, Jordan asks herself: “How to design tables and chairs for a really new life?” Altogether, this paper gathers its texts and theories as a series of overlapping blueprints that can inform us not just how to “imagine” otherwise, but how to inhabit otherwise, right here and now. These are some "designs of Revolution" (Jordan) that force us to reorient ourselves and "see in discrete angles, planes, plots" (Sharpe).
Speakers
avatar for Marybelle Issa

Marybelle Issa

PhD, University of Massachusetts Amherst
Marybelle is a Lebanese-Canadian PhD student in Linguistic Anthropology at the University of Massachusetts Amherst. Her research finds itself at the intersections between language, art, and resistance, with a particular interest in semiotic landscapes, protest rhetoric, poetics, and... Read More →
avatar for Mikaila Rummage

Mikaila Rummage

M.A., University of North Carolina at Chapel Hill
MH

Minh Huynh Vu

PhD, Yale University
Sunday March 23, 2025 10:30am - 11:45am EDT
Room 155 Stata Center, 32 Vassar Street, Cambridge, MA 02167

12:00pm EDT

Lunch Break
Sunday March 23, 2025 12:00pm - 1:00pm EDT
TBA
Sunday March 23, 2025 12:00pm - 1:00pm EDT
TBA

1:15pm EDT

Fandom as method: Bringing imagination to reality & solidarity within a digital space
Sunday March 23, 2025 1:15pm - 2:30pm EDT
Eleanor Carver, "The “Final Fantasy:” Magic, Climate Disaster, and a Survivable Future"
What does the end of Final Fantasy XVI (hereafter: FFXVI) imply about surviving apocalyptic climate disaster, and how can we use FFXVI as a model for using video games to understand the current world environmental crisis? FFXVI is the sixteenth video game title in the Final Fantasy anthology media franchise. This 2023 title explores what happens when anthropomorphous, anthropogenic magic-use wreaks havoc on nature and how ecoterrorism and bonds of kinship can create hope for a survivable future. The world in the beginning of the game teeters on the precipice of apocalyptic climate disaster reminiscent of the world in which we live currently, while the world after the end of the game demonstrates how active resistance is a path towards a better future. In this essay, I focus on the crystals, the Blight, and the end of the game as representative models for real-world climate change. I also look at how the medium (video game) affects the narrative scope and consequence for players of FFXVI. Roleplaying games (RPGs) place the player in the role of the main character; I explore the sense of agency this structure naturally implies for players. FFXVI has players inhabit the character Clive Rosfield, the leader of a magic-wielding group called the Cursebreakers fighting to save the world. I also think about what optional side quests do (or don’t do) to enhance the considerations of the worlds in crisis both in- and out-of-game. I also consider the implications of the platforms the game is available on (PS5 and PC). Ultimately, I argue that FFXVI makes players think about climate change and, in so doing, encourages them to begin to act against climate change, much like Clive and his Cursebreakers.

Kate Rose, "Affirmational Communities and Transformational Objects: utilizing non-literary fan creation in times of crisis"
Whether it’s rewatching a favorite show, repeating an inspirational quote from a comfort character, or listening to familiar music as a means to affect mood, fans regularly turn to their fandoms in times of emotional distress. Yet fandom can be used for more than escapism. Past fanstudies scholarship has explored the ways authors and readers utilize fanfiction, and especially slashfic (fanfiction depicting a relationship between two or more same-sex characters), to explore difficult or taboo topics in low risk, safe, and familiar environments. However, a narrow scholarly focus on fanfiction has resulted in limited research being conducted on the benefits of other (non-literary) forms of fan creation, especially in terms of fandom’s relationship to crisis. Past scholarship has shown the ways fanfiction works to help authors and readers name, define, and process various crises and traumas, yet these same benefits are being gained by fans through the utilization of non-literary forms of fan creation, including art, crafting, and collections, and through the creation and maintenance of fan communities. Furthermore, the physicality of engaging in tangible tasks serve as care practices for fans living in crisis, while the creation and maintenance of fan communities provides care networks and support systems. These fan communities, which are often online, are especially useful to fans who are members of marginalized populations and, as such, may struggle to find meaningful connections locally. Using interviews with individuals engaged in fan creation, as well as the analysis of fanworks submitted to Affirmation/Transformation: Fandom Created, a museum exhibition of fanworks inspired by fine art, this paper looks at the ways fans use their non-literary creations to name and process a variety of traumas and crises, as well as the ways creation of these works become part of a fan’s self-care practices.

Xiaoya Yang, "Digital Refugees: Queer Resistance and Care in Sinophone Fandom Communities"
Confronting the mass commercialization of fandom culture in mainland, China and intensifying censorship on queer-related topics, this paper provides an ethnographic exploration of how small Sinophone fandom community operates as a site of queer resistance and mutual care, particularly among young queer participants. Building on my previous research, which examined the impact of Queer imaginary media on identity construction among gen-z Sinophone readers, I found that readers and creators increasingly organize themselves within small, private group chats on social media rather than in larger, public digital spaces. Participants expressed concerns about capitalized fandom creation labor and intensified online censorship targeting public discussions of LGBTQ+ topics—common themes in fandom works. Describing themselves as “digital refugees,” they emphasized how this shift to small groups enables free writing environment and closer communication with care among each other.

Expanding on these findings, this paper takes a theoretical focus on queer theory, digital ethnography, and cultural anthropology. Drawing on Jack Halberstam’s concept of “queer alternatives,” I explore how small fandom communities serve as subversive spaces that resist exploitation on fandom economy, hetero-patriarchal norms, and digital censorship while simultaneously fostering solidarity (2). Besides in-depth interviews and digital ethnography methods, I integrate participants' fandom into ethnography as both a method of study and a practice of care. This approach contributes to discussions on alternative ethnographic methodologies, while critiquing academic orientalism and underscoring the activist dimensions of participant-researcher relationships.

By situating my research at the intersection of queer theory, Sinophone studies, and cultural anthropology, I aim to contribute this research in the knowledge of Sinophone queer culture. Providing a nuanced understanding of how small digital communities foster both solidarity and resistance, I also intend to study queer as a collaborative practice rather than a culture under gaze.

Reference
Halberstam, Jack. The Queer Art of Failure. A John Hope Franklin Center Book. Durham, NC: Duke University Press, 2011.
Speakers
EC

Eleanor Carver

PhD, University of Delaware
KR

Kate Rose

PhD, Marquette University
avatar for Xiaoya Yang

Xiaoya Yang

Masters, Brandeis University
Sunday March 23, 2025 1:15pm - 2:30pm EDT
Room 124 Stata Center, 32 Vassar Street, Cambridge, MA 02167

1:15pm EDT

Resistance & Activist Practices in Indigenous Liberation
Sunday March 23, 2025 1:15pm - 2:30pm EDT
Mackenzie Butson, "Pa'u Riding: A Parade of Horsemanship, Hawaiian Culture, and Colonial Resistance"
Pa’u riding, an equine riding discipline with roots in Hawaiian culture, is a popular feature in Hawaiian parades, as the riders personify the Hawaiian Islands. Wearing kepola tops and pa’u bottoms held up with kukui nuts, lei-adorned pa’u riders carry their island's color of flowers on their body, as they ride their horses in Hawaiian cultural parades, like the King Kamehameha Celebration Floral Parade.

Beyond the pageantry of this performative parade unit, pa’u riding carries a complex history regarding Hawaiian culture, sovereignty, and the continued work of colonial resistance. This presentation discusses the 20th century evolution of pa’u parade riding, the importance of Hawaiian cultural preservation amid colonialism, and how the continued practice of pa’u riding brings forth cultural education for tourists while evoking a heightened sense of cultural community among Hawaiian people.

Through the lens of performance and ritual literature, the research compiled in this presentation covers how this equestrian tradition dates back to the 19th century after the introduction of horses to the Hawaiian Islands, how Hawaiian women chose to ride astride, contradictory to European influence, and colonial resistances amid the United States annexation of Hawaii in 1898 and later United States statehood in 1959.

Utilizing both imperative primary and contextual secondary resources, this presentation will also cover how this equestrian dicipline has evolved throughout the 20th and 21st century as a way to honor Hawaiian culture, such as the memorialization of Hawaii’s Queen Lilikuolani, and how pa’u riding withstands the test of time as both an opportunity to learn about the complexities of Hawaiian culture, and the resistance to a colonially-induced cultural crisis.

Kyle Cook, "Land back futurities: A reflection on community-led land rematriation in Hawai’i"
What is the connection, or lack thereof, between collapse and Indigenous Land Back? What are the world building possibilities that can arise from moments of economic and environmental collapse? What opportunities and frictions arise from building futures amongst moments of collapse? What does engaging pono (ethically) with Land Back as a visitor to Indigenous territories look like in practice?

Often referred to as the last Hawaiian island, Moloka’i is a sacred space for many Kānaka ‘Ōiwi (Native Hawaiians). With the introduction of off-island extractive corporations, tourism, and the State, this has left ‘āina (land, that which feeds) out of the hands of the Indigenous peoples of Hawai’i. In this content, many Kānaka ‘Ōiwi are joining Indigenous peoples internationally demanding for the return of Indigenous lands to Indigenous hands, often referred to as Land Back (Schneider, 2022).

In this paper, the author will examine the experiences of engaging in a year-long research project in a multigenerational community-led land back initiative on the island of Moloka’i. Through Tuck and Yang's (2012) framework of rematriation - the restoration of land and relationships to Indigenous peoples to advance Indigenous futures - this paper provides insight through the engagement with community leaders, kupuna (elders), and youth through interviews, sharing mo’olelo (stories), and mālama ‘āina (caring for the land) the opportunities, limitations, tensions, and love experienced through a multigenerational Indigenous-led land rematriation project.

Research findings include the embodiment of visitors understanding their kuleana (responsibilities) to the communities they serve, visitors embodying aloha 'āina (love for the land) in praxis, and the Indigenous futures built upon off-island owned economic collapse. The opportunities and tensions experienced by multigeneration projects such as the affiliation with the Western academy, mediating urgent disasters caused by climate change, and the interconnected need and desire for cultural survival are recurring themes featured throughout the paper.

Adriana Juárez, "Revolution Soundtrack: Indigenous Latin American Resistance Movements and the Use of Music as a Political Tool (1960s-1980s)"
The 1960s-1980s was a politically tumultuous period that impacted the world, characterized by the Cold War, the Civil Rights Movement, and anti-Communism. A largely ignored area within literature is the experiences in Latin American, which saw the rise of right- wing governments that violently targeted those who opposed these oppressive regimes. Mexico, Chile, and El Salvador, specifically, were three countries within Latin America who were impacted deeply during this time and had both similar and different experiences with state organized political violence, despite residing on different continents. More specifically, Indigenous peoples were those who experienced a vast majority of this organized state violence. Despite this unrest, activists were organizing, resisting, and surviving. One unique mode of resistance was the use of music. which created a strong sense of community, resilience and most importantly, supported identity and well-being of those directly and indirectly participating in resistance movements. This music spoke on the history of Indigenous peoples within Latin America, as well as the everyday experience of those living through wars, massacres, and other forms of political violence. Music was expressed through various forms of media, such as live street performances, guerrilla radio shows, guerilla camp performances, and during protests. Drawing on literature on the Cold War, global and cross-cultural social movements, political resistance, concepts of well-being, Indigenous music, political media, as well as interviews with those who experienced direct political violence (and were subsequently involved in various resistance movements and music), this paper explores the role of Indigenous resistance music in political movements within Mexico, Chile, and El Salvador, and what this meant individually and collectively. It is vital to understand how Latin American Indigenous resistance music contributed to individual and collective well-being historically, and how it encouraged people to continue to resist in creative ways during times of state-sanctioned violence.

Asia Parker, "Visual Politics, Human Rights, and Aboriginal Artwork"
Contemporary Aboriginal art challenges legacies of colonial violence that still persist in Australia. Art in this sense holds an interesting paradox to critically examine as Aboriginal people remain marginalized in Australia. They have minimal political self-representation and make up only 3% of the national population. This marginalization persists, evidenced by reconciliation programming to “close the gap” between Indigenous and non-Indigenous people in Australia. On the other hand, Aboriginal art has been co-opted and embraced as “authentic” Australian mainstream identity and culture. Paradoxically while Aboriginal art is celebrated decoratively and culturally, it often contains overt, radical political messages. Aboriginal art is often used as a tool to communicate different human rights issues such as self-determination, rights to land, rights to reparations, and critiques legacies of colonialism. Reverence of Aboriginal art which is wholeheartedly embraced by the nation, and generates billions of dollars in revenue for the state yet this starkly contrasts how Indigenous people are treated in Australia (Butler and Bleiker 2017).

Art becomes political by determining what is seen, what is said, and what is remembered collectively as a nation. Aboriginal art holds deep historical and cultural significance as the first art of the nation. Aboriginal culture, dream time stories, and oral histories have been communicated through rock art, dot paintings and other visual arts forms for thousands of years, however there is scant work on how minorities articulate their understandings of ri
Speakers
avatar for Adriana Juárez

Adriana Juárez

Masters, University of Saskatchewan
AP

Asia Parker

PhD, The University of Georgia
avatar for Kyle Cook

Kyle Cook

Master of Arts in Indigenous Governance, University of Victoria
MB

Mackenzi Butson

Masters, Northern Illinois University
Sunday March 23, 2025 1:15pm - 2:30pm EDT
Room 144 Stata Center, 32 Vassar Street, Cambridge, MA 02167

1:15pm EDT

Conceptions and Contexts of Decolonization
Sunday March 23, 2025 1:15pm - 2:30pm EDT
Sukanya Bhattacharya, "An Exploratory Attempt to Contextualize Dominant/Western Abolitionist Thought in India"
During the independence struggle against British colonial rule, India saw countless political prisoners locked in jails and prisons. Many of the same colonial rules under which freedom fighters were imprisoned, however, still exist and have been widely used by the central government since 2014 (and before) to arrest dissenters, while the police have continued to serve as a loyal arm of the state by carrying out arrests, oppressing minorities, and beating up protestors. In this context, abolition of the prison and the oppressive state become a dream and a goal. However, even though abolition continues to be a liberatory thought and practice, there are unique challenges in applying it freely as it is built around and by North American academics and activists. Hence, to read and engage with dominant streams of abolitionist thought that has emerged in the Global North is also to reckon with how different the Indian context is. This paper is an exploratory effort to think through and engage with those differences based on my own experience in a summer school facilitated by the Feminist Autonomous Center (FAC) on ‘Abolitionist Care Practices’. The summer school and its participants dealt with questions of care practices but also found a tension in the relationship between scholarship (especially one that uses English language and mostly academic terms) and practice in India. The key questions that emerge are - Is abolitionist thought restricted to the academic class with access to social, cultural, and economic capital? How do we then attempt to de-westernize and contextualize abolitionist thought to address different socio-cultural contexts and roadways to abolition?

Işıl Karacan, "Decolonizing Turkish-rule Kurdistan: A History of Settler Colonialism and Resistance"
The self is reflexive, historical, and contextual. I grew up listening to my grandmother (dayikê) lament in a language that the majority of the society I live in does not understand. I watched her mourn for every soul and soil she lost. In the following generations, I witnessed the exile of my father, uncles, and aunts. I was surrounded by generations of people weeping for a place, for a dream. It was a place that could not be described without mentioning the name of Turkey, where it was forbidden even to utter its name, a place only associated with backwardness and terrorism: “Eastern” Turkey, Kurdistan, or Bakur. As I grew up, I realized that people around me were traumatized by years of humiliation, assimilation policies, and state repression. When I got a little older, I noticed that trauma is not always disempowering. My family and relatives were, in fact, prominent Kurdish political activists in the struggle for equality and democracy.

Walter Benjamin argues, “The tradition of the oppressed teaches us that the ‘state of emergency’ in which we live is not the exception but the rule.” This approach to unveiling the “tradition of the oppressed” addresses the fact that there are alternative and often drastically different narratives circulating in the geographies of both the colonized and the colonizer. However, a subaltern-focused mode of history writing is less common for the Kurds who live under Turkish rule. Therefore, my paper aims to adopt an analytical lens—settler colonialism—to contextualize the northern part of Kurdistan within a longer history of, and intersection with, military occupation.

Settler colonialism does not have to be bound by certain presumptions derived solely from the New World contexts, which are reductive of the peculiar nationalist dimensions for the Middle East cases. Recent approaches have initiated a research dialogue that connects the histories of various settler colonialisms, aiming for a globally integrated model. My project emerges in response to this academic inquiry. Although recent studies linking the Ottoman Empire to global history and imperialism challenge former trends, only a few accounts explore the Turkish state from a broader perspective in relation to the colonial legacy. This paper seeks to situate the Kurdish experience within the global context and contribute to understanding distinct settler colonialism patterns in the Middle East.

Francesco Liucci, "Decolonizing a "postcolonial" world: A critical response to "Decolonization is Not a Metaphor""
This essay seeks to respond to and problematize Tuck and Yang’s article, “Decolonization is Not a Metaphor,” a seminal contribution to decolonial literature that has received surprisingly few direct responses despite being cited over 8,000 times since publication. For the authors, true decolonization demands a total land return to Indigenous peoples.

I agree with Tuck and Yang’s critique of performative uses of decolonization; genuine justice for Indigenous peoples requires foundational societal restructuring, including significant (not symbolic) land reclamation. Nonetheless, their rigid view of modern colonial violence may undermine broader efforts toward justice and transformation. In the first part of this essay, I argue that their notion of Indigenous struggles as separate from other liberatory movements represents a simplistic characterization of colonial-capitalist oppressions while depriving us of the mass organizing mechanisms necessary for substantive decolonial aims. I also discuss how their interpretation of decolonization on exclusively material grounds is insufficiently unimaginative and detached from broader human concerns in ways that may condemn decolonial projects to irrelevance. I hold that decolonization should be a holistic process that permeates every aspect of life. This project should attempt to respond to the all-consuming nature of colonialist violence with all-encompassing solutions, following the totality of various Indigenous cosmologies and the interrelated continuum of biological life.

In the second section, I make a case for a decolonial project defined by a myriad of transdisciplinary solutions – developed in deep dialogue and horizontal collaboration with and by Indigenous people – by exploring a diverse landscape of decolonial projects being implemented globally. Such an expansive interpretation of decolonization is strengthened by its mutually reinforcing pursuits, making decolonization more politically possible and impactful for humanity. Moreover, I contend that non-land-centric projects – focused primarily on ontological, epistemic, sociopolitical, and personal consequences of colonialism – are just as valid and urgent forms of decolonization.
Speakers
FL

Francesco Liucci

PhD, University of Wisconsin-Madison
IK

Işıl Karacan

PhD, Rutgers University
SB

Sukanya Bhattacharya

PhD, University of Tennessee-Knoxville
Sunday March 23, 2025 1:15pm - 2:30pm EDT
Room 155 Stata Center, 32 Vassar Street, Cambridge, MA 02167

1:15pm EDT

Re-Foresting & Sowing Seeds with Eco-Literature: Entanglements, Climate Joy & Annihilation
Sunday March 23, 2025 1:15pm - 2:30pm EDT
June Bumgardner, "To Love a Breaking World: Mediating Climate Crisis, Compassion, and Grief in Contemporary Literatures"
As the climate crisis creeps forward we experience many gradual losses: the passenger pigeon, the slowdeaths of reefs and rainforests, of communities, of stable weather patterns, and of the senses of place they inform. As things deteriorate, their old forms and the processes of their decay are recorded, modeled, thus used to (re)mediate our senses of loss, informing our imaginations of climate change/crisis. As part of a wider scholarly project of building affective, present-situated paradigm for understanding the creeping climate crisis indebted to theorists like Donna Haraway (Staying with The Trouble), Lauren Berlant, Deepesh Chakrabarty, Glenn Albrecht, and Terry Harpold, this critical-creative paper focuses on the feelings evoked by images of environmental decay and loss, asking how mediations aestheticize our temporalities of climate change/crisis and how we can improve those crisis mediations to engender climate joy and compassion in a changing world.

I begin by thinking about temporalities of crisis, moving towards a speculative, queering temporality wherein the present is caught up in a grief-laden, soon-to-be-always-already approaching future incident-horizon. I then explore how mediations of changing ecologies work within our temporalities, using specific examples of documentation (the passenger pigeon, Eastern Australian temperate forests, and Gauley mountain). Finally, I examine how those mediations are registered through three works of climate resilience literature: a speculative fiction video game Kentucky Route Zero, Ann Pancake’s watershed novel about disaster in rural West Virginia Strange As This Weather Has Been, and a speculative essay by Trans Caribbean writer Gabrielle Bellot “Starshift.” In my analyses, I ask how we can love a world as it fractures, and how to best mediate, record, and enable that love, working towards an imagination that liberates our crisis vision from the guilt, confusion, and anxiety about crises, and can instead focus on caring through them.

Kelsie Crough, "Abjection in Area X: An Eco-Psychoanalysis of Annihilation by Jeff Vandermeer"
Jeff Vandermeer’s 2014 eco-fiction and sci-fi horror novel, Annihilation, works to reshape the public understanding of the environmental crisis as an external, material that humanity must physically solve and shifting that understanding to include the crisis psychological, nearly existential impact it has on humans. Vandermeer achieves this shift in perspective on the crisis through the horrifying and unsettling setting of Area X in which his adventuring party of characters enter, try to understand, fail to understand, and come out changed—if they come out at all. Characters who survive Area X returned changed, not physically, but mentally, and readers see this mental change in the narrator as the story goes on and she increasingly encounters more and more of Area X’s creatures and landscape. This change occurs because the characters are facing something, in this case Area X as a living setting, known as the abject.

According to Julia Kristeva’s essay “Approaching Abjection,” the abject is a psychological phenomenon that people encounter that is not part of themselves, yet not part of the other or an object outside of themselves, but something entirely different that stands opposite of the person and upsets everything that person understands as true. This is true of Area X for the adventurers in Annihilation, in which characters question their own motivations, capabilities and even language through encounters with different parts of Area X.

Vandermeer uses Area X as a manifestation of the abject and, by having his characters encounter it, hands the reader uncomfortable questions about the environmental crisis, human life, and what it means for the environment to affect humans in the same detrimental ways humans affect the environment.

Lauren Rudewicz, "S/care Tactics: Tending to Entanglements Haunting Environmental Literature”
As the writers of Haunted Nature, ed. Sladja Blazan, have shown, entanglements haunt environmental literature. Narratives of entanglement in environmental literature are intended to inspire action in response to crisis, underscoring an urgent need to mitigate humans’ planet-sized capacity for harm (and being harmed) in the Anthropocene. These narratives, however, leverage feelings of fear, shame, and overwhelm that are ultimately contrary to action. Entanglement thus becomes itself a crisis in and for environmental literature, often more horrifying than it is inspiring. Building on the case Blazan makes in Haunted Nature for viewing environmental crisis through the lens of horror and the “Ecogothic,” I compare narratives of entanglement in environmental literature with the trope of the porous and multiple self of psychological horror. Although the nature of the fears here are similar, the meta-narrative concerning where these fears come from and what kinds of responses they inspire are importantly different. Environmental literature focusing on entanglement tends to take for granted the connection between the fear it generates and the action it encourages. Theorizing this gap between fear and action, I consider the “failed readers” environmental literature projects – ones who fail to be moved to action because they must not be scared enough, or ashamed enough, or simply don’t care enough. How might the narrative structures of psychological horror reframe this supposed failure?

While I approach this question in part through literary analysis, my paper is also interwoven with personal narrative, in acknowledgement and exploration of the fact that my analysis of the environment through psychological horror has been intimately shaped by my encounters with real-life psychology and experience with Internal Family Systems (IFS) therapy during graduate school. I consider how IFS might further frame a liberatory reading practice which challenges and re-interprets received narratives of entanglement and the environment.
Speakers
avatar for June Bumgardner

June Bumgardner

Graduate Student, University of Michigan
Right now, I'm interested in talking about time, togetherness, media, and affect. I am generally interested in transness, remediations, experimental writing, and studies of craft.
avatar for Kelsie Crough

Kelsie Crough

MA, Rhode Island College
Hello! My name is Kelsie Crough and I am a graduate student at Rhode Island College studying English and Creative Writing. My academic research pertains to 21st century speculative literature with a special interest in psychoanalytical and eco-critical approaches. My creative work... Read More →
avatar for Lauren Rudewicz

Lauren Rudewicz

PhD, University of Michigan, Ann Arbor
I am a PhD Candidate in English Language & Literature at the University of Michigan, Ann Arbor. I study contemporary American science fiction and fantasy through the lenses of queer theory and queer ecologies, affect theory, and genre studies. 
Sunday March 23, 2025 1:15pm - 2:30pm EDT
Room 141 Stata Center, 32 Vassar Street, Cambridge, MA 02167

2:30pm EDT

Tea Break / Social Time / Networking Break
Sunday March 23, 2025 2:30pm - 3:15pm EDT
TBA
Sunday March 23, 2025 2:30pm - 3:15pm EDT
TBA

3:15pm EDT

The (Eco)immunity: Navigating Community Care & Survival in Climate Crisis
Sunday March 23, 2025 3:15pm - 4:30pm EDT
Jemima Duru, "Gendered Experiences of Climate Change-Induced Displacement: Exploring Inequality, Agency, and Resilience among Displaced Women in Nigeria"
The Intergovernmental Panel For Climate Change 2022 report states that with the rising sea level induced by climate change, Lagos will be among the urban centres at risk of submersion by 2050. This can already be seen in the annual displacement of twenty percent of the population in the region, fifty-five percent of whom are women. While men and women face displacement, women are disproportionately affected due to existing gender norms and socio-cultural practices. This study will explore the nuanced dynamics of gendered experiences of climate change-induced displacement, focusing on the agency and resilience of women, amidst displacement. Through a case study of internally displaced women in Lagos, Nigeria, the research aims to unravel the intricate interplay between climate change, displacement, and gender inequality. It will investigate how gender inequality manifests in Internally Displaced People’s (IDP) camps. The study aims to contribute to a deeper understanding of the nexus between climate change, displacement, and gender inequality while offering insights into developing inclusive, equitable, and gender-sensitive policies and interventions. To inform broader strategies that advocate for gender-responsive approaches to climate change adaptation and disaster risk reduction. Through its comprehensive analysis and actionable recommendations, the study aims to foster dialogue, catalyse policy change, and pave the way for a more sustainable and equitable future in the face of climate change-induced displacement.

Taylor Gilliam, "Imagined Alternatives to Chronic Crisis in Appalachia"
This paper will consider the discursive production of the Appalachian region as a product of “crisis talk.” It is informed by the anthropological theorizations of crisis, chronicity, and anti-crisis developed by Janet Roitman and Henrik Vigh, and it will argue that Appalachia’s legibility as a region has virtually always been tied to a call for immediate intervention. This call has been sourced in media representations, federal organizations, and academic publications since the end of the 19th century. An analysis of these mobile “crises” makes plain that their definitions as such have presupposed a civilizationist narrative of modernity that both relies on and reifies settler-colonial logics and white supremacy. This has meant that techniques of intervention that might address the structural violence immanent to this naturalized narrative are foreclosed, and the material consequences of this are writ large on land and bodies. With this in mind, the paper will attend to ways the source-material for crisis narratives in Appalachia and the material consequences of crisis intervention are taken up, reformulated, or left behind by those who live in the region as they negotiate regional identity and transformation. In this way, the paper seeks to work against what Kyle Powys Whyte calls a “crisis epistemology” while attending to the potential for subversion and rearticulation it might leave in its wake. Particularly, it considers temporal and spatial production of a region as in a perpetually reoccurring state of rupture; I suggest that such a production offers a generative site for imagining, theorizing, and practicing alternative space-times that work against civilizationist narratives. Appalachian poetry and folklore are hypothesized as privileged mediums for this and are treated as primary objects of analysis.

Ashley McGraw, "Building Webs of Communicative Care in Western North Carolina after Hurricane Helene"
Housing insecurity, and the lack of resources available to food and housing insecure people in Appalachia, and the world more broadly, have been exacerbated by the rise of neoliberal approaches to social services as well as finance market systems. Pursuing my interest in how communication about resources is a form of care in unhoused communities, I have worked and volunteered at a homeless shelter called Hospitality House pre-Hurricane. I have seen how gendered ideas of care, the non-profit industrial complex or NPIC (INCITE! 2007), and the shift towards “clientization” (Gubrium & Järvinen 2015) were affecting how residents and staff interact with each other about resources. However, in the wake of Hurricane Helene, these conversations have shifted. Housing crises have increased in the area, as well as lack of access to basic necessities as communities recover from the impacts of disastrous flooding as well as evictions due to disaster capitalism (Citizen Times 2024; Klein 2007). Although the hurricane wreaked havoc and revealed existing weaknesses in institutional systems of care, communities have responded with consideration, empathy, and generosity. Investigating what new systems and landscapes of care emerge or are shed light on through this situation is imperative. How are communities and institutions engaging with landscapes ravaged by flooding in order to produce and enact care? How has the conversation about housing shifted, now that the unhoused community has grown in the area? In order to fully understand how communication acts as a form of care in the recent past (pre-Hurricane) and as a response to urgent effects of climate crisis, I use feminist and linguistic anthropological perspectives on care and landscapes of care to analyze the webs of organization and care across different communities in Western North Carolina, and discuss what futures of collective care can look like across reimagined therapeutic landscapes.

Lauren L. Taylor, "Intersecting resilience: a model of Disaster Racism, Intersectionality and Social Capital"
This paper presents the development of a theoretical model that integrates disaster racism, intersectionality, and social capital to enhance understanding of resilience and recovery following wildfires, with a specific focus on Lahaina, HI. As wildfires increasingly threaten communities, particularly BIPOC and NBPOC populations, it is essential to examine how these intersecting frameworks inform disaster preparedness and recovery outcomes. By synthesizing insights from existing literature and preliminary observations, this study explores the dynamics of how social identities and capital influence vulnerability and resilience in disaster contexts. The model posits that disaster racism exacerbates the challenges faced by marginalized communities, while intersectionality reveals the complexity of identities that shape individual and collective responses to disasters. Social capital is examined as a potential resource for recovery, illustrating how community networks can either mitigate or amplify disparities. Through this theoretical framework, the paper seeks to provide a nuanced perspective on community dynamics in disaster scenarios, emphasizing the necessity for equitable policy interventions tailored to the unique needs of vulnerable populations. This exploration aims to inform scholars and practitioners, highlighting the importance of an inclusive approach in disaster management and resilience planning.
Speakers
AM

Ashley McGraw

PhD, University of Massachusetts Amherst
JD

Jemima Duru

PhD, University of Northern British Columbia (UNBC)
avatar for Taylor Gilliam

Taylor Gilliam

PhD, University of Virginia
LL

Lauren L. Taylor

PhD, Howard University
Sunday March 23, 2025 3:15pm - 4:30pm EDT
Room 124 Stata Center, 32 Vassar Street, Cambridge, MA 02167

3:15pm EDT

Build Your Own Economy: An Interactive Storytelling Experience (Workshop)
Sunday March 23, 2025 3:15pm - 4:30pm EDT
Build Your Own Economy is an hour-long interactive storytelling experience that uses fictive micro-stories and poetry based on real-life happenings, to discuss transformative communal economies, which can be defined as group-based economics. The storytelling delves into global histories and logistics of collectives, exploring the ways they have allowed Indigenous and other diasporan people to survive (and sometimes thrive) throughout time, e.g. before money was invented; amid forced displacement; during enslavement, post-emancipation, and colonialism; in times of inflation; through financial meltdowns; or within war-torn areas.

The workshop will be an immersive experience where participants engage in collaborative decision-making to address specific financial scenarios the facilitator provides. The activity will showcase ways attendees can be economic agents of change and perhaps consider starting economic projects in their families and/or communities. The communal economy stories will weave in Indigenous knowledge around grassroots approaches to develop imaginative economic possibilities that foster collective responsibility and solidarity for families and communities.

As a scholar whose work is grounded in African ways of knowing and community economies, I designed the workshop format to embody the way that African Indigenous people have always shared knowledge, that is via stories. The workshop is committed to keeping the art of African oral histories and storytelling culture alive in an increasingly digital world. In the Build Your Own Economy experience, I will share African Indigenous Knowledge nuggets that will demonstrate the value and importance of ancestral wisdom, and show its relevance, even in modern times. My goal is to illustrate African ways of knowing, which are amenable, agile, and flexibly responsive to the needs of their localities, and reflect on how such knowledge might be adapted to attendees’ contemporary lives and spaces.
Speakers
SS

Sonya Squires-Caesar

PhD, University of Maryland - Baltimore County
Sunday March 23, 2025 3:15pm - 4:30pm EDT
Room 144 Stata Center, 32 Vassar Street, Cambridge, MA 02167

3:15pm EDT

Celebrating the Possible: Joy, Pleasure & Abundance
Sunday March 23, 2025 3:15pm - 4:30pm EDT
Aiman Rahman, "The Mycelium of Liberatory Delights: Ross Gay’s Exploration of Black Joy"
Despite the impression rendered by popular stereotypes, the Black experience is much more capacious and abundant than trauma narratives. In this paper, I shall be exploring how Black joy operates as a radical act of self-preservation and defiance, tapping into the phenomena of pleasure activism, nonconsumptive delight, counter-narratives of representation, and the surge of reformative hope through the lens of Ross Gay’s The Book of Delights. Gay challenges the idea of conflating pain with the Black experience by proclaiming his book as evidence of a Black creative’s potential to identify and produce beauty liberated from the entangled suffering enforced by white oppressors. My research will be backed up by Kleaver Cruz’s The Black Joy Project wherein he discovers the ‘double-bind’ nature of joy and grief, and Adrienne Brown’s Pleasure Activism wherein she examines the politics of healing and joy within social structures. I shall be probing how Black joy serves as a retaliatory mechanism for reclaiming Black Humanity in a world geared toward reducing Black communities to victims and overlooking their potential as agents of change. Consequently, these ‘delight-garnering rituals’ serve as methods of resistance in the face of anti-Blackness. I shall explicate how an alter order of compassion and tenderness can be laid down through the framework of Gay’s poetic amendments while also analyzing the way he goes against the grain of capitalism by advocating for an introspective, percolating pause. This paper hopes to unveil the ways Black people reimagine and re-envision their place in the world by radically and wholeheartedly embracing joy. I will examine how pleasure is not a signature of vanity or frivolity; it is freedom, especially for historically undermined groups for whom it was always inaccessible.

Avik Sarkar, "Possibility beyond the Present: Keioui Keijaun Thomas’s Black Trans Futures"
Anti-trans violence is nothing less than a global crisis. Tragically, it is well documented that Black trans women continue to be disproportionately targeted by fatal violence. In both the popular imagination and scholarly discourse, the Black trans woman is either located squarely in the past, where she has already passed (Marsha P. Johnson, for instance) or precariously in the present, where she is barely surviving. In other words, she is represented as a figure with no future, always dead or on the verge of death. As Dora Silva Santana reminds us, “there is a risk that… Black trans women are discussed only as a corpse” (215).

How might Black trans aesthetic practices reckon with this ongoing crisis? In my presentation, I will discuss visual and performance artist Keioui Keijaun Thomas’s project Come Hell or High Femmes: The Journey of the Dolls, which envisions a postapocalyptic world where only “the dolls”—Black trans women—remain. In her own words, Thomas investigates “camouflage and metamorphosis as modes of survival and transcendence,” strategies that allow the dolls to reproduce themselves from day to day. This speculative work challenges us to conceive of futures in which Black trans women can not only live but indeed flourish, beyond the persistent threat of premature death.

I will argue that Come Hell or High Femmes responds to José Esteban Muñoz’s call for “the rejection of a here and now and an insistence on potentiality or concrete possibility for another world” (1). In the spirit of Muñoz’s reflections on utopia, Thomas refuses the precarity and violence that marks the present, transporting us instead to a space of abundance and pleasure, where Black trans femininity represents possibility as opposed to negation. She invites us not to ignore the current crisis but to consider what could—and should—come next.

Works Cited:
“Keioui Keijaun Thomas.” Wexner Center for the Arts, June 2022. https://wexarts.org/exhibitions/keioui-keijaun-thomas.
Muñoz, José Esteban. Cruising Utopia: The Then and There of Queer Futurity. New York, NY: New York University Press, 2009.
Santana, Dora Silva. “Mais Viva!: Reassembling Transness, Blackness, and Feminism.” TSQ: Transgender Studies Quarterly 6, no. 2 (May 1, 2019): 210–22.

August Wei, "Queer Joy as Resistance: Reframing Transgender and Nonbinary Narratives"
Background: As the sociopolitical climate becomes increasingly hostile toward transgender and non-binary (TNB) individuals, celebration is an act of resistance. When research and media on TNB individuals is heavily focused on struggle and hardship, reframing TNB narratives to include joy is a necessary shift that demonstrates the complexities of the lived experiences of TNB people. In this proposed paper, we highlight the hope born out of crises and emphasize what is possible for TNB-centered research beyond documenting damage.

Aim: We aim to better understand how TNB individuals conceptualize the term and experiences of “queer joy”, including the contexts in which they experience queer joy. A secondary aim is to examine the impact of a queer joy brief expressive writing exercise on TNB individuals’ positive affect.

Method: We propose conducting a thematic analysis of written responses to prompts that assess understanding of and experiences with queer joy (e.g., “Think of a time when you experienced strong positive emotions (e.g., joy, happiness, euphoria) related to your sense of self as an LGBTQIA+ person.”; “Please define the term queer joy.”) A paired samples t-test will be used to compare positive affect prior to and after a queer joy brief expressive writing exercise. Data are from a TNB subsample of the International Queer Joy Survey (2023-2024), including 311 TNB participants residing in the United States and New Zealand (ages 16-71).

Discussion: This evidence of trans joy reflects a paradigm shift away from deficit-based TNB narratives and toward a growing literature base that accentuates the joyous resistance experienced by TNB individuals. In a period of anti-trans rhetoric, these results can radically inform how researchers, educators, and practitioners view and discuss TNB communities and their needs.
Speakers
avatar for Aiman Rahman

Aiman Rahman

Masters, James Madison University
Aiman, also known as the 'Youngest Novelist of Pakistan,' is an English graduate student and teaching GA at James Madison University. She is a former gold medalist from the Lahore University of Management Sciences. Aiman is a published literature aficionado who has written for The... Read More →
AW

August Wei

PhD, University of Delaware
avatar for avik sarkar

avik sarkar

Masters, University of Oxford
Sunday March 23, 2025 3:15pm - 4:30pm EDT
Room 155 Stata Center, 32 Vassar Street, Cambridge, MA 02167

3:15pm EDT

Transforming Family Formations: Protecting Queer Individuals & Reforming its Socio-Political Structures
Sunday March 23, 2025 3:15pm - 4:30pm EDT
Kamazhay Bermagambetova, “Liberatory Practices as Oppression: Why Parents Are Obsessed with the Queer Community in Kazakhstan”
In many countries, same-sex marriage remains illegal, yet queer communities continue to exist and fight for their basic rights, including the right to safety and visibility. In Kazakhstan, queer discourse was relatively present from the country’s independence through the early 2000s. However, in recent years, discussions of queerness have become increasingly taboo. Although there is no law explicitly criminalizing queer identities, anti-queer sentiment has intensified, driven in part by organized parent groups who claim that queerness is a “Western phenomenon.” These groups have systematically targeted and threatened queer individuals, framing queerness as a danger to Kazakh children and society.
Under the pretext of "protecting children from perversion," these parent groups have aggressively opposed new legislation aimed at addressing domestic violence, claiming that the law will undermine traditional family structures and leave children without parental guidance. This opposition reveals a paradox: while advocating for the "protection" of children from queer influence, these groups simultaneously defend forms of domestic violence, which have historically been normalized in Soviet and post-Soviet contexts. The conflict highlights a troubling contradiction in Kazakh society's stance on child welfare—a clash between an alleged moral imperative to shield children from queerness and an enduring tolerance for family violence.
This paper examines how these so-called “protective” practices mask an underlying resistance to progressive change and seek to scapegoat the queer community as a means of preserving authoritarian family structures. This analysis questions the true motives of ‘protecting the family’ and explores how the queer community in Kazakhstan has become a scapegoat in debates around children’s rights and domestic violence.

Miranda Dotson, “Gender Heritage: The Organization of Labor in Nonbinary Households”
At a time when diverse expression and identity configurations gain visibility and acceptance, little is understood about the influence of such gender configurations on social interactions within interpersonal relationships. To explore this question, my ethnography focuses on the organization of domestic labor and care work in households where at least one romantic partner identifies as non-binary. This paper combines data from in-depth interviews and field notes from non-participant observation from at least twenty diversely-configured households (n=45) across the United States to understand how nonbinary identity does (or does not) affect the organization of household labor. Preliminary findings suggest that it is the gender heritage of all partners that exerts the greatest influence on the distribution of household and care labor. Specifically, partners assigned female in relationships with partners assigned male (who are not transfeminine) are more likely to take on the cognitive labor in the maintenance of their household and relationship. This finding challenges the assumption that non-binary identities pave a clear path toward interactions wherein one's experience is not shaped by assigned gender. Rather, it is the confluence of binary heritage and identity that best predicts the distribution of historically gendered burdens. Households where all partners have a relationship to feminization, either by way of assigned heritage or trans-femininity, are most likely to report evenly distributed experiences with cognitive labor. This research addresses the persistence of gender-binary inequity, the extent that it is undermined by non-binary identities, and speaks to the broader question of how we get free.

Trung M. Nguyen, “Queering the Home & Care as Tactics for Environmental Crisis in Vietnam”
Lower-middle-class housing in Ho Chi Minh City is not the ideal accommodation for queer individuals in Vietnam, especially with the lack of personal space between family members due to the rising living cost in a post-colonial state. Utilizing the critical lens of autoethnography, the paper explores the author’s own journey of queer escapism to find hope to return to a house that is no longer the same: different boundaries yet wreaked with deterioration under the effect of the climate crisis. Constant and severe floods have led to inaccessibility to the toilet and hygiene-practicing space. Wielding concepts and theories from eco-feminist writers such as Dina Gilio-Whitaker and Jessica Hernandez, the author dissects the queer structure of their own “nuclear” family formation, troubling the easy contemporary understanding of the standard heterosexual Vietnamese family of two children, while facing such constant environmental threats of uninhabitable living space. At the center of critiques, the mother figure stands out as a survivor of various crises, family, gendered, and environmental, who keeps strategizing and reconstructing the family. Tapping in Patti Duncan’s work on motherhood in East/Southeast Asia, the paper maps out practices of hope and perseverance against the debilitating ecology of the Vietnamese governed state under the transnational context of the hierarchical global economy in relationship to consumerism and waste management. Lastly, there is a call for communal solutions where, in reality, it is the neighborhood that usually offers help, which complicates the issue of personal homes and undergirds the notion of collective hope in moments of crisis. Through that, the paper addresses how to center queer mode of families as praxis of care in the Global South communities where exacerbating climate crises threaten their livelihood & futures.
Speakers
avatar for Kamazhay Bermagambetova

Kamazhay Bermagambetova

MA in Women's Studies, The University of Alabama
avatar for Miranda Dotson

Miranda Dotson

PhD, Northeastern University
avatar for Trung M. Nguyen

Trung M. Nguyen

PhD Candidate, Oregon State University
Sunday March 23, 2025 3:15pm - 4:30pm EDT
Room 141 Stata Center, 32 Vassar Street, Cambridge, MA 02167
 
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Liberatory Practices for Worlds in Crisis: 2025 GCWS Grad Student Conference
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