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Saturday, March 22
 

9:00am EDT

Ambiguities, Dualities, & Subversive Intents: Queering Art
Saturday March 22, 2025 9:00am - 10:15am EDT
Jess Easter, "Shifting Ontology: Ballroom Culture as Means for Creating Spaces of Security for LGBTQIA+ People of Color"
How and why did drag as it is today, as a widespread cultural practice among many queer persons, develop? To answer these questions, we must first look at the places in which this culture was created. Drag ballrooms have a longstanding existence in large metropolitan areas, like New York City, Newark, and Philadelphia. Current drag culture also has deep roots in a history of queerphobia and racism in the United States, indeed why the practice was so prevalent in cities; these were places not only where marginalized people were left in the race to suburbia later on, but also where people could remain under the radar. Drag balls originally developed in the late 1800s, in large part due to the influence of William Dorsey Swann, a Black man who was born into slavery pre-civil war, in defiance to laws passed outlawing cross-dressing. He organized parties most commonly with other men who were formerly enslaved where they would crossdress and hold competitions. Although Black people had a huge part in the origin of drag and the creation of this safe(r) space for queer persons, the organized circuits themselves were racist in that though POC were allowed to participate, judges were always all White and POC never won any of the prizes. In response, Black and Latinx people formed their own balls, leading to the ballroom culture we see to this day, which offer safe(r) spaces to queer people, particularly queer people of color, beyond competition, through the creation of “houses” and “families.” By examining the places in which ballroom culture has emerged and evolved, we can ascertain that they have been formed in response to the political and socio-cultural imperatives in these locations, widespread racism and queerphobia, in ways so as to create physical spaces of safety, spirituality, and resistance.

Gabby Mahabeer, "Fluxy like Mango: Visualizing Gender and Sexual Fluidity in the Caribbean"
The term “queer” carries gendered, racialized, classed, and geographic privileges specifically rooted in white, middle and upper class citizens of the Global North. Because of its close association with whiteness and the economically privileged, Black scholars such as Audre Lorde, Rod Ferguson, and Angelique Nixon have called out Queer Studies for its inability to discuss queerness alongside an intersectional approach acknowledging oppressions and privileges based on race, gender, class, and religion. Furthermore, “queerness” traditionally functions as a notion of open identity— “coming out” and/or proudly sharing pronouns, wearing pins, or displaying flags. For these reasons and more, the term “queer” and notions of “queerness” do not always encompass the realities of working-class Afro-Caribbeans whose lives are marked by criminality; colonialisms; and changing economics, geographies, and sovereignties. In sum, “queerness” does not encompass relationalities and shifting sexual practices occurring in the Caribbean such as sex tourism, polygamy, and cohabitation.

Considering such limitations of queer theory, I develop a framework of fluxiness to encompass how spiritual and creative Afro-Caribbean practitioners use visual, sonic, embodied, and felt practices to reshape gender and sexuality as boundless, fluid, and experimental, illustrating how gender and sexuality in the Caribbean can be rearranged and/or recalibrated instantly and/or based on specific situations. Specifically, this presentation forms a visual and sonic archive of fluxiness drawing on visual arts and moments from dancehall music videos. I argue that fluxiness, or the state of being fluxy, is an embodied, affective, and spiritual way of challenging gender and sexual norms. In explicitly challenging heteronormativity, being fluxy teaches us how to imagine and create alternate possibilities and worlds amidst climate change, Indigenous erasure, land (dis)possession and other forms of domination.

Shannon Peifer, "Imagination and Play as Liberatory Resistance in Feminist Art"
Within feminist art, an ironic imagination allows for multiple, seemingly oppositional conceptions to be held simultaneously and introduces a playfulness that leaves space for joyful experimentation. In “A Cyborg Manifesto,” Donna Haraway pushes against conceptual boundaries and dualisms to dream of a “blasphemy” that allows for a more politically productive space, admitting contradictory ideas without integrating them into a unified whole. In the same way, we can consider absurdity and ironic imagination in feminist art as resistance worth taking seriously.

This practice of blasphemy or ironic imagination allows for multiple, contradictory truths to exist and for more possibilities of the future to be considered. Can the works of feminist artists help us understand the necessity, effectiveness, and possible limitations of these practices as liberatory resistance?
I argue feminist artists who play on this tension and experiment with the boundaries of dualities are able to collapse normative structures and move beyond prescribed social truths. For example, Lorna Simpson’s “For the Sake of the Viewer” plays with the power structures of a gendered gaze through a fragmented performance of gender in Bio (1992) and She (1992). As Simpson commented on her early work in a recent New York Times interview, “It’s a question mark, rather than complete compliance” (Baquet 2024). Suzan Lori-Parks also plays with words and allows for absurdity in her work. By not allowing the audience to respectfully, politely observe with “a kind of amnesia toward the here and now of performance,” Parks’ “Venus” disrupts performance structures to force the audience into a physical participation of history in the present (Harrower 273). In both cases, ironic imagination acts as a resistance to completeness or simplification and offers a path through crisis that disrupts, rewrites, and reconfigures boundaries.

Baquet, Dean. “Lorna Simpson Is America’s Great Archivist.” The New York Times, 17 Oct. 2024. NYTimes.com, https://www.nytimes.com/interactive/2024/10/17/t-magazine/lorna-simpson-ebony-magazine-race-gender.html.

Haraway, Donna J. “A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century.” Manifestly Haraway, edited by Donna J. Haraway and Cary Wolfe, University of Minnesota Press, 2016, p. 0. Silverchair, https://doi.org/10.5749/minnesota/9780816650477.003.0001.

Harrower, Natalie. “Staging Resistance: Essays on Political Theatre Ed. by Jeanne Colleran and Jenny S. Spencer (Review).” Modern Drama, vol. 41, no. 4, 1998, pp. 661–62.

Parks, Suzan-Lori. Venus. Dramatists Play Service Inc, 1998.

Wright, Beryl J., and Saidiya V. Hartman. Lorna Simpson: For the Sake of the Viewer. First Edition, Universe Pub, 1992.
Speakers
avatar for Gabby Mahabeer

Gabby Mahabeer

Masters, Emory University
avatar for Jess Easter

Jess Easter

Masters, Boston University
Jess Easter (She/Her) is a second year graduate student at Boston University's School of Theology earning a Master of Divinity in the Religion and the Academy track. She holds a Bachelor of Science in Biology and a Bachelor of Arts in Religion from California Lutheran University... Read More →
avatar for Shannon Peifer

Shannon Peifer

Masters, Northeastern University
Saturday March 22, 2025 9:00am - 10:15am EDT
Room 144 Stata Center, 32 Vassar Street, Cambridge, MA 02167

9:00am EDT

Attachment, Adaptations, Agency: Reslience Through Crisis
Saturday March 22, 2025 9:00am - 10:15am EDT
Anvi Nagpal, “Beyond Victimhood: A Pluralistic Examination of Rohingya Women’s Acts of Resilience and Agency in Kutupalong Refugee Camp, Bangladesh”
Mainstream Western feminist frameworks are often critiqued for interpreting gender-based oppression through a Western-centric lens, creating a hegemonic view of gender injustice that risks portraying women globally as powerless. Such perspectives frequently overlook nuanced forms of agency and resilience evident in non-Western contexts. In response, this paper presents a counter-narrative grounded in a pluralistic paradigm, building on current scholarly discourse and my position as a South Asian graduate scholar. It aims to enrich the transnational feminist dialogue by challenging reductive frameworks and highlighting diverse expressions of resilience.

Focusing on the experiences of Rohingya women within Bangladesh's Kutupalong Refugee Camp, this study examines their daily practices of reclaiming agency amidst ethnic persecution, displacement, and gender-based violence within a patriarchal social structure. It addresses the objectification of Rohingya women’s bodies as instruments of control within the political aims of ethnic cleansing, documenting patterns of sexual violence perpetrated by the Myanmar military to diminish reproductive capacity and intensify oppression.

The research also explores how various forms of inequality are embedded spatially within the camp, revealing how the camp’s physical layout reflects and reinforces social hierarchies. Architectural drawings serve as valuable instruments in this analysis, enabling a visual examination of the camp’s socio-spatial politics and an overview of its current physical conditions. Despite these challenges, Rohingya women display resilience through acts of agency, such as income generation through small-scale vocational work, participation in camp politics, and asserting autonomy within the camp’s social structure.

This study reframes Rohingya women as active agents, moving beyond portrayals of passive victimhood to emphasise their self-devised strategies of resistance. It argues that transnational feminist truths are inherently nuanced and contextually grounded, contrasting with the broad, often oversimplified claims of dominant Western narratives. By highlighting diverse lived experiences rather than imposing a singular, universal perspective, these truths are made more robust and tangible. Ultimately, this paper underscores the importance of recognizing and amplifying the emancipatory actions of marginalised women, thereby advancing a more inclusive and representative understanding of global gender justice.

Zainab Najeeb, “بحران پخېر راغلې (Welcome Crisis) – Engendering Displacement in Northwestern Pakistan”
This research investigates the changing social and political landscapes experienced by displaced Pashtun women from Pakistan’s Federally Administered Tribal Areas (FATA) to Peshawar following the 2014 military Operation Zarb-e-Azb. In the absence of male family members due to the Taliban insurgency, these women navigate a complex interplay of colonial-era laws like the Frontier Crimes Regulation (FCR), traditional tribal councils (Jirgas) under the cultural code of conduct Pashtunwali, and the postcolonial state's limited recognition of their citizenship rights. This study aims to examine how forced displacement disrupts entrenched gender norms, particularly by probing the growing tensions between cultural identity and legal status, while reconceptualizing crisis as an ongoing lived experience rather than a temporary rupture (Roitman 2014, Masco 2017).

Through ethnographic research at the University of Peshawar, this project focuses on how Pashtun female internally displaced persons (IDPs) are actively reshaping their social worlds by (a) choosing to remain in Peshawar rather than repatriate to FATA, (b) pursuing higher education at the university, and (c) engaging in political activism on ground and via social media. This research highlights how Pashtun women, often framed as passive victims (Mohanty 1988), are utilizing their education and political engagement to assert agency and challenge state narratives of crisis in the frontier. By focusing on Pashtun women’s practices of forming “newer modes of attachment” (Khan 2010) after becoming displaced, this study problematizes the role of the state in framing the frontier as the site of “chronic crisis.” This research aims to broaden understandings of how women navigate displacement, revealing that their responses are not merely reactive but strategic, as they engage in both survival and resistance within a state-controlled framework of crisis.

Krishna Payeng, “Crisis and Redemption: Unveiling Healing and Resilience Amidst Emasculation in Kashmiri Pandit Narratives”
Crisis(es) profoundly affects human lives, destabilizing individuals and communities socially, economically, politically, and culturally. This paper examines the gendered responses of the Kashmiri Pandit community following the 1990s forced displacement, focusing on the theme of emasculation. The forced migration stripped men of their conventional rights, control, authority, and agency, disrupting their roles within familial and social structures and eroding their sense of belonging tied to their homeland.

In the narratives analyzed, this loss of masculinity is encapsulated in the concept of “emasculation in motion,” meaning men attempting to escape their painful reality through constant movement. This dynamic exemplifies how the theme of emasculation becomes pervasive in their lived experiences. Conversely, women emerge as protectors and caregivers motivated by historical, religious, and cultural factors. They extend their support beyond the confines of family, ensuring both emotional and physical security for their community in times of crisis(es). I argue that post-displacement, Kashmiri Pandit women rely on a reciprocal duality of “caregiving” and “healing.” By connecting with their community through story-telling and decision-making, women, in the meantime, process their trauma and attain self-healing. This interplay highlights the integration of individual and communal healing, fostering hope and resilience in crisis(es). In contrast, men exhibit a duality of “withdrawal” and “adaptation,” often finding themselves conflicted as they navigate their internalized emasculation.

Through writing about their past experiences, the Kashmiri Pandit community seeks social justice and envisions a future that deepens understanding of displacement. This evolving narrative highlights the fluidity of identity, redefined stories, and strengthened solidarity amidst crisis(es). By exploring these gendered responses, this paper enhances our understanding of how marginalized voices navigate crisis(es), envision alternative futures, and create spaces for resilience and healing within their communities.
Speakers
avatar for Anvi Nagpal

Anvi Nagpal

Master of Architecture, University of Toronto
Anvi is a second-year Master of Architecture candidate at the John H. Daniels Faculty of Architecture, Landscape, and Design at the University of Toronto, where she also completed her undergraduate degree in Architectural Design, graduating with the Academic Merit Award in 2022. Her... Read More →
avatar for Zainab Najeeb

Zainab Najeeb

PhD, Rutgers State University of New jersey
Zainab is a PhD candidate at the Department of Anthropology at Rutgers University. She was previously a Teaching Fellow at the Lahore University of Management and Sciences (LUMS) after completing her double Masters in Gender and Development from the London School of Economics and... Read More →
avatar for Krishna Payeng

Krishna Payeng

PhD, Indian Institute of Technology Madras
Saturday March 22, 2025 9:00am - 10:15am EDT
Room 124 Stata Center, 32 Vassar Street, Cambridge, MA 02167

10:30am EDT

Holding Memory: Sites, Objects, & Autobiographies
Saturday March 22, 2025 10:30am - 11:45am EDT
Lincoln Hirn, "Waiting for the Call: Memory, Legacy, and the Immortal Liberation"
This paper argues that, for a generation of freedom fighters, activists, visionaries, and thinkers, the world ended just after the turn of the twentieth century. Figuratively, at least. Because, by 1900, the last Americans who could remember their own enslavement – and, by extension, their own liberation – were beginning to die. And while this was, perhaps, a fairly mundane, slow-moving sort of apocalypse, it was an apocalypse nonetheless. An entire group of people – people who, through their own ingenuity, bravery, sacrifice, and perseverance, had toppled the American slave regime and helped to create a free society from its ashes – was vanishing. And this, I contend, presented no small problem. In studying the published autobiographies of four formerly-enslaved women – Bethany Veney, Lucy Delaney, Kate Drumgoold, and Susie King Taylor – this essay finds that aging Black activists recognized the critical importance of their own liberatory histories, and worked hard to ensure that they were not forgotten by rising generations.

Moreover, this essay finds that we, as human beings facing our own Armageddon, can learn a lot from Veney, Delaney, Drumgoold, and Taylor. Their narratives, published between 1889 and 1902, provide a roadmap for preserving resistant histories in the face of extinction, and demonstrate how cross-generational solidarity enabled activists born after emancipation to build upon the work of their forebears. If we are to confront the crises facing our contemporary world, we must draw upon the liberatory resources provided by women like Veney, Delaney, Drumgoold, and Taylor while, at the same time, preserving a record of our own struggle for those who will, inevitably, succeed us. There is, this paper concludes, an immortal power hidden within the collective histories of liberation. Which is a fortunate thing. Because, if we want to succeed, we’re going to need it.

Anandi Kar, "Materiality of Memories in the Cultures of Northeast India"
The Northeastern regions of India are marked by a history of marginalization and volatility. With its complex ecosystems and diverse landscapes, the Indian Northeast, is home to many Indigenous communities who have suffered racial violence and displacement and in response, have organized resistance and environmental movements to protect their lands and cultural heritage. The region has also experienced continuous population movements due to geographical and cultural proximity to countries, such as, Bangladesh, Bhutan, China, and Myanmar. In fact, since the partition of India, there has been a persistent influx of immigrants into this area, making it essential to any discussion on postcolonial citizenship in context of India and South Asia.

My paper seeks to foreground a theory of material memory as seeming to have the potential of retaining the relational bearing of a substance loaded with mnemonic charge to its human and non-human environment which becomes especially important in case of the cultures in Northeast India. Material memories have important things to say about the lived cultures from this region by highlighting the eco-materiality of landscapes, the elementariness of the cultural practices and arts and crafts of the vulnerable communities on the verge of extinction to help them conserve and reclaim their ethnic identity more securely. Unlike oral histories, material memories extract cultural memory from the garb of matter where history and tradition are solidly condensed and evade escape. The postcolonial condition is characterized by various practices of memory that incorporate visions of resilience, justice and sustainable futures. My paper will argue that the ‘thingness’ of memory can be theorized as one such form of practice.

It will further investigate how the cultures of the peripheral communities contest or expand liberal justice theories and decolonize environmental knowledge by privileging their material mnemonic rites to re define ‘citizenship.’ To be more specific, it will aim to show how the radical possibilities generated by the entanglements of environmental justice and material memories can challenge the triumphant narratives of nation-building, predicated on the erasure of subaltern histories and the fetishization of capitalist development. For exploring the multidimensionality of material memory, my paper will use and go beyond the works of Pierre Nora, Jan Assmann and Aanchal Malhotra to explore memories contained not only in material objects but also in sites and symbols of religious and cultural practices. It will also use arguments from contemporary philosophical developments, such as, new-materialism and object-oriented ontology to probe the ‘thingness’ of memory without turning away from the ‘human.’ My paper will also ask related questions like: Is memory confined to past events, or does it encompass elements like soil, climate, flora, fauna, and spatial existence? How does material memory mediate the relationships between personal, 3 state and collective memory? What role does material memory play in the rehabilitation and settlement of displaced individuals in new environments? How does the affective dimension of material memory aid peripheral communities in reconciling with a traumatic past?

Lara Sabra, "Possibilities of Care and Survival in Lebanon’s Prisons"
In Lebanon, prisons are located in abandoned buildings, underground parking lots, police barracks, and other such structures. These carceral spaces are marked by brutality and neglect: mattresses are moldy and bug-infested, infections rampant, and drugs or sexual favors used as exchange currencies. Lebanon’s prisons, in short, are spaces where people live in utter depravity – a depravity purposefully orchestrated by powerful actors that epitomizes the state of precarity in which the world finds itself. How do people survive and live amidst these circumstances?

To answer this question, I employ creative ethnographic methodologies involving testimony, storytelling, and material artifacts. More specifically, my paper centers on the possibilities of life within Lebanon’s carceral network by drawing on the memories and keepsakes of one formerly incarcerated woman named Sana. Sana’s stories are supplemented by letters, notes, and drawings she preserved from her time in prison. I conceptualize these artifacts as “memory-objects,” a term that encapsulates how “persons, memories and objects are interconnected and mutually constitutive” (Frykman 2016).

By engaging with Sana's memory-objects, I learned about the bonds and solidarities that prisoners forged with one another. In my paper, I accordingly show how prisoners mobilized these bonds to subvert the suppression of intimacy and care that is endemic to prisons. In a context that is becoming exceedingly unlivable as a result of Lebanon’s ongoing range of catastrophes (e.g. socio-economic collapse, political violence, and war), these relationships function as livable collaborations or “workable living arrangements” (Tsing 2017). I argue that Sana's relationships point to cracks or openings within “seemingly all-consuming” carceral systems (Rhodes 2001): small spaces of alterity where prisoners care for and collaborate with one another to transform everyday life inside the prison. My paper, in sum, examines how practices of care and bonds of relatedness made life possible amidst carceral precarity.
Speakers
avatar for Anandi Kar

Anandi Kar

Masters, Jadavpur University
LS

Lara Sabra

PhD, University of Massachusetts Amherst
LH

Lincoln Hirn

PhD, University of Connecticut
Saturday March 22, 2025 10:30am - 11:45am EDT
Room 124 Stata Center, 32 Vassar Street, Cambridge, MA 02167

10:30am EDT

What Theater, Dance & Storytelling Teach Us: Agency, Disobedience, & Counter Hegemony
Saturday March 22, 2025 10:30am - 11:45am EDT
Nancy Blanco, "Flip It and Reverse It: Burlesque as a Liberatory Praxis of Pleasure and Sexual Education"
In an era where sexual expression is frequently censored and comprehensive sexual education remains contentious, burlesque emerges as a bold, liberatory praxis—reclaiming pleasure and redefining the boundaries of erotic art. Combining nursing expertise with the art of burlesque, this performance challenges restrictive narratives around sexuality and body autonomy, framing the body as a site of both knowledge and resistance. Through humor, storytelling, and dance, the performance confronts the crisis of repression that seeks to silence discussions of pleasure, particularly those historically marginalized.

Traditional sexual education often centers on purity culture and reproduction, limiting discussions of sexuality to a narrow, reproductive framework that upholds control over bodies and restricts expressions of desire. This performance directly counters these norms, emphasizing pleasure as a critical aspect of human autonomy and self-knowledge. By reimagining burlesque as a form of embodied sexual education, it challenges purity culture's lingering impact and opens up new pathways for understanding the body as a dynamic source of empowerment.

Liberatory practices, as expressed through this performance, extend beyond resistance, they transform sexual education into an inclusive, participatory experience that celebrates the body’s capacity for joy and agency. This reimagined approach to sexual education not only subverts repressive norms but also invites a broader dialogue about how pleasure and autonomy intersect as central elements of the human experience.

Sam Collier, "“So Many Good Stories Yet to Tell”: Ecodramaturgies of Entanglement for the Climate Crisis"
What role can theater play in the climate crisis? How can we put stories about climate change on stage? This paper will consider how theater artists, playwrights, and performers are creating a new kind of eco-theater. By working with the long timescales and global implications of climate change, bringing nonhuman characters and perspectives into the stories they tell, and upending dramaturgical conventions, playwrights are reimagining the narratives we tell about the climate crisis.

The scale of climate change is almost impossible to fathom. The threat we face is the culmination of centuries of carbon emissions, but also of millions of individual moments happening all over the world, right now. It will shape all of our lives in immediate, personal ways, but it will also unfold over thousands of years. In order to wrestle with climate change on our stages, the theater faces a challenge: how to speak to these multiple layers, while also telling a good story?

“There are so many good stories yet to tell […] and not just by human beings.”[i] So writes Donna Haraway in her book Staying with the Trouble: Making Kin in the Chthulucene. As theater artists and practitioners craft stories about the climate crisis, many of them are moving beyond the Aristotelian narrative structures that have long defined the standard dramatic form in the Western world. Instead, playwrights and performers are developing works that align more with Haraway’s call for relationality and entanglement. These stories employ new narrative forms, blur the edges of the individual protagonist, incorporate nonhuman perspectives, and draw connections across time and space. In this essay I will consider three recent plays— You Are Cordially Invited to the End of the World, by Keiko Green, The Breathing Hole, by Colleen Murphy, and Hurricane Diane by Madeleine George—and the ways they deviate from conventional dramaturgical practices in order to engage with climate change.

[i] Haraway, Donna. Staying with the Trouble: Making Kin in the Cthulucene, p. 49.

Khadija Islow, "Rituals of Resistance: Queer Black Performance in The Netherlands"
In late November 2023, over a thousand protesters gathered in Dam Square, Amsterdam, just two days after the far-right, anti-immigration Party for Freedom (PVV) secured a majority in the Dutch parliament. This electoral success highlights a troubling trend across Europe, where far-right parties have gained prominence in electoral politics and shifted their focus to combating the perceived "crisis" of the so-called Islamization of Europe, all while positioning themselves as defenders of values such as gender equality and LGBT rights (El-Tayeb, 2011). In response to this rising racism and xenophobia, a vibrant countermovement has emerged, particularly from the queer Black community in the Netherlands, aiming to disrupt these prevailing narratives. Drawing on four weeks of ethnographic fieldwork in Amsterdam, this paper employs Black performance theory (DeFrantz & Gonzalez, 2014) to analyze how these artists utilize ritual performances, writing, and dance as acts of resistance against exclusion and as means of fostering community. Grounded in themes of ancestry, belonging, colonial histories, and healing, their performances serve as powerful critiques of the racial oppression embedded in Dutch society and its migration management regime. This study explores how these embodied expressions and staged critiques challenge dominant narratives, revealing deeper insights into the intersections of race, migration, and identity in contemporary Europe. Ultimately, this paper highlights the resilience and creativity of marginalized communities while fostering critical dialogue around the urgent need for solidarity and intersectionality in the face of rising far-right ideologies.

Mohammad Karambeigi, "Performing Multitudinous: Underground Performance in the Downtown of Tehran"
On September 16th, 2022, an Iranian woman named Mahsa (Jina) Amini, after days of being in a hospital, died. Iranian citizens considered Iran’s government responsible for her death and started a nationwide horizontal protest against the Islamic Republic for about 4 months. During and after the “Woman, Life, Freedom” civic movement, theater/performance makers, performers, dramaturgs, and even scholars refused to stage their theater performances and theater/performance-driven lectures in state-centered venues and theater halls. Consequently, the so-called “Underground Theater Movement” started to emerge. It is worth mentioning that Iranian underground theater, music, and even visual arts are not limited to the period after the “Woman, Life, Freedom” movement, and there were a few theater/performance and music collectives that held their performances privately in unofficial venues. However, underground theater as a leading artistic and sociopolitical movement is uniquely limited to the period after 2022. Therefore, this presentation mainly focuses on this particular artistic and sociopolitical movement and aims to investigate it through the lens of political philosophy by opposing the concept of “post-hegemony practice” to post-Marxist theories on hegemonic politics. The former concept is tied to the idea of withdrawal, while the latter emphasizes the importance of articulation and seizing power. I would like to apply the concept of “post-hegemony practice” to Iranian underground theater to understand how Iranian theater/performance practitioners, instead of seizing power, de-territorialize and re-territorialize theater/performance and cultural context under an authoritarian regime. Furthermore, after the emergence of the underground theater movement, I believe theater/performance practitioners have foregrounded the ideas of “radical civil disobedience” and “exit” by practicing and offering alternative politics of space and time to Iranian citizens.
Speakers
KI

Khadija Islow

PhD, Brandeis University
NB

Nancy Blanco

PhD, University of Texas at Austin
avatar for Sam Collier

Sam Collier

PhD, University of Colorado Boulder
Sam Collier is a PhD candidate in Theatre & Performance Studies at the University of Colorado Boulder, focusing her research on multispecies performance and theater about climate change. She holds an MFA in playwriting from the University of Iowa Playwrights Workshop.
MK

Mohammad Karambeigi

PhD, University of Pittsburgh
Saturday March 22, 2025 10:30am - 11:45am EDT
Room 144 Stata Center, 32 Vassar Street, Cambridge, MA 02167

2:45pm EDT

Disability & Multiplicity of Capacity
Saturday March 22, 2025 2:45pm - 4:00pm EDT
Court(ney) Felle, ""Our Love Language of Unspokens": Contemporary Poets on Chronic Pain"
My proposal focuses on how contemporary poets communicate—and foreground the incommunability of—chronic pain using techniques of what I am calling “fragmentation.” Building off theories of pain that emphasize the gap between phenomenological experience and witness interpretation, I am interested in how poets with chronic pain negotiate this chasm to create their own poetic genre grounded in shared recognition and use of fragmentation. This speaks to larger questions of disabled and chronically ill community-building, including across space and time, especially as intensifying series of crises produce "fragmentation" in our own lives and self-narratives.

Within “fragmentation,” I include techniques such as hard enjambment, punctuation (especially em dashes and slashes), nonlinear phrases and pacing, and inconsistent punctuation and line design, all of which bring readers into the multifaceted and chaotic experience of pain itself. In using these techniques, contemporary poets draw fruitful textual attention to how pain is not fully communicable, shifting the terms of what they are trying to communicate from nondisabled-centric demands to “prove” pain to disabled-centric criticism of the very system that demands proof in the first place. Importantly, contemporary poets do not merely co-opt existing devices but create their own uses distinct from nondisabled poetic approaches. These forms speak toward fellow disabled readers, developing affinity and suggesting possible kinship models in line with recent scholarship. For chronically ill readers often isolated through time, physical space, and emotive and political space, these forms could also become a tool of identification for readers overcoming internalized ableism as well as a tool of radicalization into political chronically ill subjecthood.

Poets under consideration include Khadijah Queen, torrin a. greathouse, Aurora Levins Morales, Cyree Jarelle Johnson, Topaz Winters, Meg Day, Leah Lakshmi Piepzna-Samarasinha, and Jillian Weise. (The working title borrows from the poem “Sick4Sick” by torrin a. greathouse.)

Ayesha Khurshid, "Disability, Exclusion, and Systemic Crises: Liberating Learning as a Sustainable Solution for Resilient Communities"
This paper investigates the complex relationship between disability and inclusion and how it ties in with marginalization and systemic oppression. Disability, is oftentimes framed within social structures that institutionalizes exclusion of individuals from accessing equitable opportunities and reinforce social inequities for disabled experiences and realities. The ableist constitution of ideological and systemic marginalization is manifested in the policies and cultural praxis that creates a continuum to impact the agency via limiting access to education, health, employment, and social/civic participation. Alternatively, inclusive education, offers a transformative opportunity to challenge the exclusionary and inequitable practices. Inclusive education creates equal opportunities and builds collaborative spaces for learners with disabilities that are informed by values of social inclusion and accessibility. This approach reimagines learning-scapes as a site of liberation, one that values the right to self-determination, embraces diverse dis/abilities and a commitment to social justice for de-ideologizing oppressive systems and every day practices. Therefore, my research question is: How can inclusive education serve as a liberatory practice in addressing the systemic marginalization of individuals/learners with disabilities, particularly in the context of societal crises? Qualitative methodology will be used and data will be gathered through in-depth interviews from participants that belong to academia, public sector, and nonprofit sector in Boston, Massachusetts. In conclusion, by positioning inclusive education as catalytic for societal transformation, this paper unpacks the need for liberatory practices in (re)designing educational policies and pedagogy. Such a liberatory lens will not only mitigate crises but will critically interrogate the exclusionary oppressive structures and institutional practices that reinforce inequities and accelerate vulnerabilities during emergency and crises situations.

Ren Lovegood, "Breaking Bad Wages: An exploration of disability labor valuation and liberatory praxis"
This paper examines the historical and social contexts that have shaped disability inequality in the United States, focusing on the institutionalization of subminimum wage (SMW) practices. Prior to the rise of industrial capitalism, people with disabilities (PWD) were valued for individual contributions to their communities. Labor was not yet explicitly defined by wage exchange or individual productivity. The Industrial Revolution shifted the discourse in which efficiency and economic productivity were now considered connected to individual value. The discursive portrayal of PWD as inefficient placed them in direct opposition to the prevailing Protestant work ethic of the period, which framed self-sufficiency and hard work as ideal worker qualities. A contradiction emerged between disability and efficiency in which PWD are expected to work despite being constructed as inferior workers.

Discursive artifacts are powerful tools that have constructed disability through various strategies that reproduce realities in which a valuable worker is assumed to be able-bodied. This paper posits that the practice of SMW has been institutionalized through the discursive framing of the disabled as legitimately less valuable in the context of work. Disability inequality is thus embedded into organizational processes and justified through the myth of meritocracy. Utilizing an exploration of praxis and change, I suggest the contributions PWD make to society may currently lie outside our socially constructed definition of ‘labor’.

Drawing on Hochschild’s (2012) “second shift”, which examines women’s unpaid emotional and domestic labor, I explore the unrecognized and inherent human value of PWD. This research re-imagines how an application of pre-industrial conceptualizations of labor that values each person for their unique contributions to society might be applied in the context of modern social systems. Through theoretical exploration of the reproduction of ableist practices through discourse, I am to conceptualize a re-humanization of disability in the context of social constructions of labor.

Satwika Paramasatya, "Resisting Invisibility: The Crisis of Health Security and Human Rights among LGBTQ Community in Indonesia"
This paper examines the critical intersection between health security and LGBTQ rights in Indonesia, focusing on the structural and policy-level exclusion of LGBTQ communities from equitable healthcare access. Using Foucault’s concept of biopower and securitization theory, this analysis explores how Indonesian policies and societal norms perpetuate health insecurities among LGBTQ individuals, framing them as threats to national stability and public morality. LGBTQ individuals face systematic discrimination in healthcare, further compounded by structural violence at social and institutional levels. This study argues that Indonesian LGBTQ communities' health insecurity stems from a state-sponsored biopolitical agenda that defines public health through restrictive moral and ideological lenses. Drawing on conflict analysis, the paper highlights the urgent need for a rights-based approach to health security, emphasizing the role of inclusive policy reforms in mitigating structural violence. By critically assessing this conflict, the paper proposes pathways for policy reformation that foreground the health needs and human rights of LGBTQ communities as essential to societal resilience and ethical governance.
Speakers
AK

Ayesha Khurshid

PhD, University of Massachusetts Boston
CF

Court(ney) Felle

MA/PhD, The Ohio State University
SP

Satwika Paramasatya

PhD, University of Massachusetts Boston
avatar for Ren Lovegood

Ren Lovegood

PhD Student, University of Massachusetts, Boston
I am a legally blind and multiply disabled doctoral student at UMass Boston pursuing a PhD in Business Administration focused on Organizations and Social Change. My work focuses on the ethics of professions, the history of disability employment, and the evolving concept of "care... Read More →
Saturday March 22, 2025 2:45pm - 4:00pm EDT
Room 144 Stata Center, 32 Vassar Street, Cambridge, MA 02167

2:45pm EDT

Memoir: Complexifying Narratives & Ripples of Change
Saturday March 22, 2025 2:45pm - 4:00pm EDT
Tyrell Collins, "Voices of Defiance: Black Queer Memoirs as Resistance"
Amidst social, environmental, and political crises, LGBTQ-BIPOC memoirs offer transformative insights into resilience and liberation. By challenging dominant narratives and embodying acts of personal and communal resistance, LGBTQ-BIPOC memoirs contribute to "liberatory practices." Based on intersectionality and queer theory, this study examines LGBTQ-BIPOC memoirists who navigate intersecting oppressive systems while affirming their identities and asserting agency. Using Kimberlé Crenshaw's intersectionality and E. Partick Johnson's "quare" studies, I argue that these memoirs are acts of defiance, reflecting the LGBTQ-BIPOC experience as both a site of resistance and survival. Janet Mock and Saeed Jones' memoirs Redefining Realness and How We Fight For Our Lives are examples of core texts that establish a relationship between LGBTQ-BIPOC lived experiences and crisis understanding informed by resilience, resistance, and reimagined futures. The purpose of this paper is to contribute to the current discourse on the power of marginalized narratives to disrupt crisis-laden worldviews and foster transformative change.

Kohinur Khyum, "Storytelling as Liberatory Practice for Survivors of Forced Marriage"
This paper examines how forced marriage survivors from the South Asian diaspora community from the US and UK are breaking intergenerational cultural abuse by telling their stories. Forced marriage is prevalent and often hides under the guise of arranged marriage in the South Asian culture. However, there are different layers of honor-based violence against women within the diaspora community. This global human rights issue is often deemed a cultural practice ‘over there’ but not a problem in the countries in the global North. However, forced marriage is a concern among several immigrant communities including the South Asian diaspora community in several developed countries including Canada, the US, Britain, Australia, and others. Forced marriage in South Asian diaspora culture is a complex interplay of tradition, cultural abuse, honor violence, religious practice, and gender dynamics. In this paper, I will shed light on how these individuals are often silenced because they are not considered the ‘model victims’ because most of their perpetrators are from their minority communities in the global north. I argue that narrative liberation by breaking the systemic silence imposed on forced marriage survivors by their communities, families, social services, and a section of feminist activists became a major tool to foster advocacy efforts to prevent forced marriages within the South Asian diaspora community.
Speakers
KK

Kohinur Khyum

PhD, University of Massachusetts Boston
TC

Tyrell Collins

PhD, Georgia State University
Saturday March 22, 2025 2:45pm - 4:00pm EDT
Room 124 Stata Center, 32 Vassar Street, Cambridge, MA 02167

4:15pm EDT

Black Radical Thought in Action
Saturday March 22, 2025 4:15pm - 5:30pm EDT
James Chiyoki Ikeda, "“The Intimate Face of Universal Struggle”: June Jordan’s Search for a Shared Liberatory Project in a Time of Apocalyptic Crisis"
My paper traces the development of poet and educator June Jordan’s conceptualization of a shared, global liberatory project blending antiracism with anti-imperialism—her vision, that is, of universal liberation—between the mid-1960s and the mid-1990s. During this period, Jordan frequently used the word apocalyptic to describe conditions both within the United States and globally, and her vision of universal liberation was shaped fundamentally by her perception of this apocalyptic context and the overlapping crises that constituted it.

I argue that Jordan’s understanding of crisis and the liberatory vision arrayed against it led her to embrace a binary conception of global political struggle and a coalitional politics which enabled her to think expansively about solidarity across many different categories of difference. She ultimately came to see a shared global ‘enemy’ in imperial white male supremacy and a shared end-goal of self-respect and self-determination for the racialized, imperialized global majority, expanding her application of the idioms of American race politics to the so-called Third World.

At the same time, this group-based coalitional thinking was undermined by Jordan’s need to reconcile the utter uniqueness of the individual with politically meaningful groupings like race, gender, nation, and sexual orientation, especially in a world marked by imperial hierarchy. Thus, at the root of her political thinking was a desire to ground collective political identities in something substantive and politically operable without subsuming the individual, whose full existence always cuts across those identities in untidy way. This was the political task Jordan faced as she worked through how to respond to what she saw as an apocalyptic crisis.

My paper will provide direction for people today who are grappling with the strategic question of how to advance collective political struggle against crisis conditions without eliding the individual who is never reducible to their political group identities.

Ki'Amber Thompson, "Emerging Abolitionist Infrastructures of Feeling In and Beyond Times of Crisis"
What do abolition geographies feel like? What are the affective states, or feelings, that maintain carceral geographies? What affective states do we need to attune to in order to make abolition geographies? How can we emerge abolitionist infrastructures of feeling in and beyond times of crisis? This paper explores how we might attune to potentially liberatory affective states that emerge in times of crisis and beyond times of crisis. The COVID-19 pandemic put the state in crisis, and this crisis exposed vulnerabilities of the state, leading people to call for change. The experience of the pandemic and the affective states it created (loss, rage, uncertainty, fear, stillness, clarity, suffocation, etc.) created an opening, an opportunity for liberatory transformation to occur. The COVID-19 pandemic was/is a crisis that came together with the ongoing crisis of police killings of Black people, emerging an abolitionist structure of feeling, where abolition became more thinkable for a broader population and thus more possible. This paper draws upon a queer Black feminist affect theory to inquire beyond the limits of our visual imaginations in making abolition geographies. This paper moves beyond the prioritization of the visual over other ways of knowing and takes us through a sensuous exploration of our capacities to feel with all of our senses to exceed the limits of our imagination that prioritize the visual field. Thinking with the affect theory concept of infrastructure of feeling, this paper examines ordinary or everyday affective energies toward growing our capacities to imagine and practice abolition geographies in and beyond times of crisis.

Jessica Wright, "Bending Toward Gender Equality: Women’s Evolving Roles in the Black Panther Party, 1968-1971"
This paper examines women’s complex roles in the Black Panther Party (BPP). While the BPP’s ideology was egalitarian because of its socialist leanings, female Panthers experienced gender discrimination. Between 1968 and 1971, the Black Panther Party (BPP) struggled to resolve the gender discrimination that female Panthers experienced. Through party policies, actions, and ideology, male and female Panthers both perpetuated the BPP’s male-centered environment and enacted reform. This paper argues Panthers Linda Greene and Kathleen Cleaver’s descriptions of women’s roles in the BPP demonstrated the party’s changing stance on gender equality.

First, I examine Greene’s 1968 article, “The Black Revolutionary Woman,” in The Black Panther newspaper. Greene’s definition of Black gender roles against U.S. societal expectations exemplified the complexity of the nascent BPP’s views of Black women. Although Greene depicted the ideal Black woman as a self-sacrificing assistant and a sexual object, Greene also reflected the BPP’s egalitarian, socialist ideology. Greene described Black women with masculine adjectives and their equal capacity to be revolutionaries.

By 1971, the BPP began coalition efforts with the women’s liberation movement, renounced the Black nationalist argument for reclaiming masculinity, and implemented internal reforms. I discuss how Kathleen Cleaver’s 1971 interview with The Black Scholar demonstrated the extent of the BPP’s reformative policies and actions on the issue of female party roles. Cleaver articulated the BPP’s motivations for enacting gender equality reform, the party’s rejection of Black women’s subservience, and the discrimination female Panthers faced. By detailing inequalities and stressing women’s roles as mothers, Cleaver showed that the BPP did not fully eradicate sexism by 1971.

Despite the BPP’s shortcomings, Greene and Cleaver emphasized female Panthers’ po
Speakers
JW

Jessica Wright

Masters, Simmons University
Hi, everyone. I'm in my second year of the Archives Management and History Dual Degree Program at Simmons University. I anticipate graduating in the fall of 2026. My research interests include World War I in Europe and women's involvement in the Black power movement in the United... Read More →
JC

James Chiyoki Ikeda

PhD, Northeastern University
KT

Ki'Amber Thompson

PhD Candidate, University of California, Santa Cruz
Saturday March 22, 2025 4:15pm - 5:30pm EDT
Room 124 Stata Center, 32 Vassar Street, Cambridge, MA 02167
 
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Liberatory Practices for Worlds in Crisis: 2025 GCWS Grad Student Conference
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