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Saturday, March 22
 

9:00am EDT

Ambiguities, Dualities, & Subversive Intents: Queering Art
Saturday March 22, 2025 9:00am - 10:15am EDT
Jess Easter, "Shifting Ontology: Ballroom Culture as Means for Creating Spaces of Security for LGBTQIA+ People of Color"
How and why did drag as it is today, as a widespread cultural practice among many queer persons, develop? To answer these questions, we must first look at the places in which this culture was created. Drag ballrooms have a longstanding existence in large metropolitan areas, like New York City, Newark, and Philadelphia. Current drag culture also has deep roots in a history of queerphobia and racism in the United States, indeed why the practice was so prevalent in cities; these were places not only where marginalized people were left in the race to suburbia later on, but also where people could remain under the radar. Drag balls originally developed in the late 1800s, in large part due to the influence of William Dorsey Swann, a Black man who was born into slavery pre-civil war, in defiance to laws passed outlawing cross-dressing. He organized parties most commonly with other men who were formerly enslaved where they would crossdress and hold competitions. Although Black people had a huge part in the origin of drag and the creation of this safe(r) space for queer persons, the organized circuits themselves were racist in that though POC were allowed to participate, judges were always all White and POC never won any of the prizes. In response, Black and Latinx people formed their own balls, leading to the ballroom culture we see to this day, which offer safe(r) spaces to queer people, particularly queer people of color, beyond competition, through the creation of “houses” and “families.” By examining the places in which ballroom culture has emerged and evolved, we can ascertain that they have been formed in response to the political and socio-cultural imperatives in these locations, widespread racism and queerphobia, in ways so as to create physical spaces of safety, spirituality, and resistance.

Gabby Mahabeer, "Fluxy like Mango: Visualizing Gender and Sexual Fluidity in the Caribbean"
The term “queer” carries gendered, racialized, classed, and geographic privileges specifically rooted in white, middle and upper class citizens of the Global North. Because of its close association with whiteness and the economically privileged, Black scholars such as Audre Lorde, Rod Ferguson, and Angelique Nixon have called out Queer Studies for its inability to discuss queerness alongside an intersectional approach acknowledging oppressions and privileges based on race, gender, class, and religion. Furthermore, “queerness” traditionally functions as a notion of open identity— “coming out” and/or proudly sharing pronouns, wearing pins, or displaying flags. For these reasons and more, the term “queer” and notions of “queerness” do not always encompass the realities of working-class Afro-Caribbeans whose lives are marked by criminality; colonialisms; and changing economics, geographies, and sovereignties. In sum, “queerness” does not encompass relationalities and shifting sexual practices occurring in the Caribbean such as sex tourism, polygamy, and cohabitation.

Considering such limitations of queer theory, I develop a framework of fluxiness to encompass how spiritual and creative Afro-Caribbean practitioners use visual, sonic, embodied, and felt practices to reshape gender and sexuality as boundless, fluid, and experimental, illustrating how gender and sexuality in the Caribbean can be rearranged and/or recalibrated instantly and/or based on specific situations. Specifically, this presentation forms a visual and sonic archive of fluxiness drawing on visual arts and moments from dancehall music videos. I argue that fluxiness, or the state of being fluxy, is an embodied, affective, and spiritual way of challenging gender and sexual norms. In explicitly challenging heteronormativity, being fluxy teaches us how to imagine and create alternate possibilities and worlds amidst climate change, Indigenous erasure, land (dis)possession and other forms of domination.

Shannon Peifer, "Imagination and Play as Liberatory Resistance in Feminist Art"
Within feminist art, an ironic imagination allows for multiple, seemingly oppositional conceptions to be held simultaneously and introduces a playfulness that leaves space for joyful experimentation. In “A Cyborg Manifesto,” Donna Haraway pushes against conceptual boundaries and dualisms to dream of a “blasphemy” that allows for a more politically productive space, admitting contradictory ideas without integrating them into a unified whole. In the same way, we can consider absurdity and ironic imagination in feminist art as resistance worth taking seriously.

This practice of blasphemy or ironic imagination allows for multiple, contradictory truths to exist and for more possibilities of the future to be considered. Can the works of feminist artists help us understand the necessity, effectiveness, and possible limitations of these practices as liberatory resistance?
I argue feminist artists who play on this tension and experiment with the boundaries of dualities are able to collapse normative structures and move beyond prescribed social truths. For example, Lorna Simpson’s “For the Sake of the Viewer” plays with the power structures of a gendered gaze through a fragmented performance of gender in Bio (1992) and She (1992). As Simpson commented on her early work in a recent New York Times interview, “It’s a question mark, rather than complete compliance” (Baquet 2024). Suzan Lori-Parks also plays with words and allows for absurdity in her work. By not allowing the audience to respectfully, politely observe with “a kind of amnesia toward the here and now of performance,” Parks’ “Venus” disrupts performance structures to force the audience into a physical participation of history in the present (Harrower 273). In both cases, ironic imagination acts as a resistance to completeness or simplification and offers a path through crisis that disrupts, rewrites, and reconfigures boundaries.

Baquet, Dean. “Lorna Simpson Is America’s Great Archivist.” The New York Times, 17 Oct. 2024. NYTimes.com, https://www.nytimes.com/interactive/2024/10/17/t-magazine/lorna-simpson-ebony-magazine-race-gender.html.

Haraway, Donna J. “A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century.” Manifestly Haraway, edited by Donna J. Haraway and Cary Wolfe, University of Minnesota Press, 2016, p. 0. Silverchair, https://doi.org/10.5749/minnesota/9780816650477.003.0001.

Harrower, Natalie. “Staging Resistance: Essays on Political Theatre Ed. by Jeanne Colleran and Jenny S. Spencer (Review).” Modern Drama, vol. 41, no. 4, 1998, pp. 661–62.

Parks, Suzan-Lori. Venus. Dramatists Play Service Inc, 1998.

Wright, Beryl J., and Saidiya V. Hartman. Lorna Simpson: For the Sake of the Viewer. First Edition, Universe Pub, 1992.
Speakers
avatar for Gabby Mahabeer

Gabby Mahabeer

Masters, Emory University
avatar for Jess Easter

Jess Easter

Masters, Boston University
Jess Easter (She/Her) is a second year graduate student at Boston University's School of Theology earning a Master of Divinity in the Religion and the Academy track. She holds a Bachelor of Science in Biology and a Bachelor of Arts in Religion from California Lutheran University... Read More →
avatar for Shannon Peifer

Shannon Peifer

Masters, Northeastern University
Saturday March 22, 2025 9:00am - 10:15am EDT
Room 144 Stata Center, 32 Vassar Street, Cambridge, MA 02167

9:00am EDT

Attachment, Adaptations, Agency: Reslience Through Crisis
Saturday March 22, 2025 9:00am - 10:15am EDT
Anvi Nagpal, “Beyond Victimhood: A Pluralistic Examination of Rohingya Women’s Acts of Resilience and Agency in Kutupalong Refugee Camp, Bangladesh”
Mainstream Western feminist frameworks are often critiqued for interpreting gender-based oppression through a Western-centric lens, creating a hegemonic view of gender injustice that risks portraying women globally as powerless. Such perspectives frequently overlook nuanced forms of agency and resilience evident in non-Western contexts. In response, this paper presents a counter-narrative grounded in a pluralistic paradigm, building on current scholarly discourse and my position as a South Asian graduate scholar. It aims to enrich the transnational feminist dialogue by challenging reductive frameworks and highlighting diverse expressions of resilience.

Focusing on the experiences of Rohingya women within Bangladesh's Kutupalong Refugee Camp, this study examines their daily practices of reclaiming agency amidst ethnic persecution, displacement, and gender-based violence within a patriarchal social structure. It addresses the objectification of Rohingya women’s bodies as instruments of control within the political aims of ethnic cleansing, documenting patterns of sexual violence perpetrated by the Myanmar military to diminish reproductive capacity and intensify oppression.

The research also explores how various forms of inequality are embedded spatially within the camp, revealing how the camp’s physical layout reflects and reinforces social hierarchies. Architectural drawings serve as valuable instruments in this analysis, enabling a visual examination of the camp’s socio-spatial politics and an overview of its current physical conditions. Despite these challenges, Rohingya women display resilience through acts of agency, such as income generation through small-scale vocational work, participation in camp politics, and asserting autonomy within the camp’s social structure.

This study reframes Rohingya women as active agents, moving beyond portrayals of passive victimhood to emphasise their self-devised strategies of resistance. It argues that transnational feminist truths are inherently nuanced and contextually grounded, contrasting with the broad, often oversimplified claims of dominant Western narratives. By highlighting diverse lived experiences rather than imposing a singular, universal perspective, these truths are made more robust and tangible. Ultimately, this paper underscores the importance of recognizing and amplifying the emancipatory actions of marginalised women, thereby advancing a more inclusive and representative understanding of global gender justice.

Zainab Najeeb, “بحران پخېر راغلې (Welcome Crisis) – Engendering Displacement in Northwestern Pakistan”
This research investigates the changing social and political landscapes experienced by displaced Pashtun women from Pakistan’s Federally Administered Tribal Areas (FATA) to Peshawar following the 2014 military Operation Zarb-e-Azb. In the absence of male family members due to the Taliban insurgency, these women navigate a complex interplay of colonial-era laws like the Frontier Crimes Regulation (FCR), traditional tribal councils (Jirgas) under the cultural code of conduct Pashtunwali, and the postcolonial state's limited recognition of their citizenship rights. This study aims to examine how forced displacement disrupts entrenched gender norms, particularly by probing the growing tensions between cultural identity and legal status, while reconceptualizing crisis as an ongoing lived experience rather than a temporary rupture (Roitman 2014, Masco 2017).

Through ethnographic research at the University of Peshawar, this project focuses on how Pashtun female internally displaced persons (IDPs) are actively reshaping their social worlds by (a) choosing to remain in Peshawar rather than repatriate to FATA, (b) pursuing higher education at the university, and (c) engaging in political activism on ground and via social media. This research highlights how Pashtun women, often framed as passive victims (Mohanty 1988), are utilizing their education and political engagement to assert agency and challenge state narratives of crisis in the frontier. By focusing on Pashtun women’s practices of forming “newer modes of attachment” (Khan 2010) after becoming displaced, this study problematizes the role of the state in framing the frontier as the site of “chronic crisis.” This research aims to broaden understandings of how women navigate displacement, revealing that their responses are not merely reactive but strategic, as they engage in both survival and resistance within a state-controlled framework of crisis.

Krishna Payeng, “Crisis and Redemption: Unveiling Healing and Resilience Amidst Emasculation in Kashmiri Pandit Narratives”
Crisis(es) profoundly affects human lives, destabilizing individuals and communities socially, economically, politically, and culturally. This paper examines the gendered responses of the Kashmiri Pandit community following the 1990s forced displacement, focusing on the theme of emasculation. The forced migration stripped men of their conventional rights, control, authority, and agency, disrupting their roles within familial and social structures and eroding their sense of belonging tied to their homeland.

In the narratives analyzed, this loss of masculinity is encapsulated in the concept of “emasculation in motion,” meaning men attempting to escape their painful reality through constant movement. This dynamic exemplifies how the theme of emasculation becomes pervasive in their lived experiences. Conversely, women emerge as protectors and caregivers motivated by historical, religious, and cultural factors. They extend their support beyond the confines of family, ensuring both emotional and physical security for their community in times of crisis(es). I argue that post-displacement, Kashmiri Pandit women rely on a reciprocal duality of “caregiving” and “healing.” By connecting with their community through story-telling and decision-making, women, in the meantime, process their trauma and attain self-healing. This interplay highlights the integration of individual and communal healing, fostering hope and resilience in crisis(es). In contrast, men exhibit a duality of “withdrawal” and “adaptation,” often finding themselves conflicted as they navigate their internalized emasculation.

Through writing about their past experiences, the Kashmiri Pandit community seeks social justice and envisions a future that deepens understanding of displacement. This evolving narrative highlights the fluidity of identity, redefined stories, and strengthened solidarity amidst crisis(es). By exploring these gendered responses, this paper enhances our understanding of how marginalized voices navigate crisis(es), envision alternative futures, and create spaces for resilience and healing within their communities.
Speakers
avatar for Anvi Nagpal

Anvi Nagpal

Master of Architecture, University of Toronto
Anvi is a second-year Master of Architecture candidate at the John H. Daniels Faculty of Architecture, Landscape, and Design at the University of Toronto, where she also completed her undergraduate degree in Architectural Design, graduating with the Academic Merit Award in 2022. Her... Read More →
avatar for Zainab Najeeb

Zainab Najeeb

PhD, Rutgers State University of New jersey
Zainab is a PhD candidate at the Department of Anthropology at Rutgers University. She was previously a Teaching Fellow at the Lahore University of Management and Sciences (LUMS) after completing her double Masters in Gender and Development from the London School of Economics and... Read More →
avatar for Krishna Payeng

Krishna Payeng

PhD, Indian Institute of Technology Madras
Saturday March 22, 2025 9:00am - 10:15am EDT
Room 124 Stata Center, 32 Vassar Street, Cambridge, MA 02167

9:00am EDT

Carcerality in Conversation with Abolitionist Care
Saturday March 22, 2025 9:00am - 10:15am EDT
Samantha Davis, “Anti-Carcerality, ‘Esoteric Aid’, and the Sacred”
Carceral logic works in many often invisible ways; transcending prisons and policing it operates by severing us from each other, from community, and from the spiritual. Drawing from the Abolition Collective’s anthology Spirituality and Abolition my paper recognizes a diversity of spiritual traditions as foundational to prison abolition understood as a social movement. However, my paper goes further by suggesting that certain practices— for example, the pouring of a libation to honor one’s ancestors— is not just a nod of respect to ancestral traditions, but that it is a pluriversal technology–an actual enactment of, or making of, multidimensional support, what I call “esoteric aid.” I define ‘esoteric aid’ as the traditions, practices, and rituals that draw upon resources from realms beyond the material and argue that they have liberatory effects. I suggest that esoteric aid is an often-overlooked territory of counter-carceral knowledge production that occurs in non-traditional organizing spaces. I inquire how, in particular, ceremonies are used to create pluriverses for emancipation that allow people to embody liberation even for a fleeting moment. Rooted in an ethos of transitoriness, migration, and Pan-Africanism, several of the customs disrupt the boundaries of what is formally accepted as social movement strategy in the West. Moreover, many traditions I engage with rearrange the temporality of crises by centering apocalypse, not as an endpoint, but as an opportunity or portal to these other realms. Overall, I ask how the wisdom of ‘esoteric aid’ can transform modern US prison abolition organizing into a more whole, well, and sustainable movement to build futures in what many see as the end of the “world”. Finally, I seek to hold the tension of understanding the anti-carceral labor that occurs in sacred practice, and the danger in drawing mainstream attention to healing art forms that were born on the margins.

Bella Fiorucci, ""What is Left?": The Imprint of Incarcerated Bodies"
Assata Shakur arose as a poet in response to the prison. As such, her poetry is deeply concerned with exactly what it means for poems to be created from a place of unfreedom. As attention to prison studies develops, we must seek to define a poetics of the carceral. To accomplish this goal, I study the relationship between inmate authors, the space of the prison, and the sensory experiences they reproduce. The most recent direction of my work is in the exploration of accounts of women inmates, with specific attention to their physical beings, disembodied beings, and carcerality. This most directly takes shape in the poetry of Assata Shakur, as her existence proved so dangerous to US political systems that she was forcibly erased from her community. Her exploration of this erasure and the broader systems that imprison her provide a deep understanding of the sensory experience of prison for the reader of her poetry. The attempts to erase Shakur translates to others, as the pursuit of her imprisonment results in the removal of others from their landscapes as well. The legacy of her image and the consequences of its attempted erasure allow us to draw a visual environment created by and through the prison, especially as seen through the lyrics of Tupac Shakur. We best understand the significance of the image Shakur creates when we look at the way she gives voice to the conditions of captivity from a place of exile. Her continued impact, especially in modern social movements like Black Lives Matter, reinforces the importance of analyzing her unbodied presence. Her poetry expands our understanding of how the prison leaves its mark within a poem, as she articulates the prison experience in unique ways, reconstructing and experimenting with sight to push back against a dehumanizing, carceral space.

Monica Ramsy, "From “social workers not cops” to “social workers are cops”: Threading the needle between the welfare state, the carceral state, and an anarchist vision for abolition"
Why turn to anarchism and the welfare state when discussing abolition? When contemporary U.S. progressive movements invoke the language of “abolition,” the term’s often-implied shorthand is for a movement to abolish prisons, jails, and other explicitly carceral institutions. An ideal world within this abolitionist imaginary is one in which the welfare state is left reformed, but intact. This paper calls for the integration of a wider and deeper lens in prevailing abolitionist discourse. In particular, this paper seeks to highlight the intellectual and political purchase of applying anti-state, social anarchist critiques to abolitionist analyses of the U.S. welfare state, generally, and U.S. social work practices, specifically. By looking at social work practices, this paper builds out, clarifies, and deepens arguments that the “caregiving” or “nurturing” parts of the U.S. state–the welfare state, the social work that brings this state to life–are inextricable from the carceral operations of the state. Likewise, in examining social(ist) work, we have an opportunity to examine the gaps, tensions, and cross-hatching of anti-state and statist socialist frameworks, goals, and projects.

These questions point to the urgent and critically important need for deeper discussion around the “caregiving” arms of the state and, in particular, the welfare state. Looking more closely at the welfare state’s operations and history reveals how this “benevolent” face of the state both creates structural violence, itself, and also aids the ascribed “malevolent” (read: explicitly carceral) faces of the state. In examining this carceral-welfare state interrelationship, this paper draws from Beckett and Murakawa’s concept of the “shadow carceral state,” or the “legally hybrid and institutionally variegated ways'' (222) in which U.S. carceral structures operate today, to argue that–contrary to prevailing contemporary abolitionist discourse–the U.S. welfare state is more accurately characterized as part of the shadow carceral state.

Jadelynn Zhang, "Writers Against Cop Cities: Recentering Protesters and Challenging Dominant Narratives as a Cultural Process"
In Atlanta, GA, the Stop Cop City movement emerged on the heels of the 2020 Black Lives Matter protests following the police murder of George Floyd. The movement opposes the construction of the Atlanta Public Safety Training Center, or “Cop City,” due to the multidimensional, intersectional, harms that it would cause to surrounding, predominantly Black communities, including but not limited to environmental racism, over-policing and police brutality, and violations to Indigenous land rights. Throughout the course of the movement, movement writers have documented the diversity of tactics used by protesters and established abolitionist aims for the movement, enabling its expansion to other communities across the United States protesting their own Cop Cities. Defined broadly, movement writers refer to all movement participants who produce literature in service of the movement, including but not limited to organizers, cultural workers, historians, journalists, guerrilla writers, and content creators. This study asks the following questions: How do movement writers challenge dominant narratives of abolition and abolitionist movements? How do they recenter the experiences of movement participants? To study these questions, I utilize a toolkit of mixed qualitative methods of in-depth interviews, qualitative content analysis, and archival methods while also embedding this research in a community-based approach. This analysis provides insight into how movement writers challenge dominant narratives in their written work and organizing and how these are put in conversation with historical lineages of social movements. This sociological inquiry builds upon existing literatures of abolition feminism, social movements, and culture yet challenges long-held perspectives on movement success as defined solely by institutional change.
Speakers
avatar for Bella Fiorucci

Bella Fiorucci

PhD, Loyola University Chicago
MR

Monica Ramsy

PhD, University of California, Los Angeles
avatar for Samantha Davis

Samantha Davis

PhD, George Washington University
Samantha Davis (she/her) is a Ph.D. candidate in American Studies at the George Washington University. She graduated from UNC-Chapel Hill in 2022 where she studied Global Studies and Public Policy. Sam is a social movements scholar focusing on how the modern prison abolitionist movement... Read More →
avatar for Jadelynn Zhang

Jadelynn Zhang

PhD, Emory University
Saturday March 22, 2025 9:00am - 10:15am EDT
Room 155 Stata Center, 32 Vassar Street, Cambridge, MA 02167

9:00am EDT

Methods of Resistance: Black Feminisms, Abolitionist Consciousness, and Reimagining Education
Saturday March 22, 2025 9:00am - 10:15am EDT
Alliyah Moore, "Black Feminist Place-making and Spatial Practices"
This paper explores the ways Black feminist theory reimagines space, place-making, and radical utopian visions within the contexts of crisis. Utilizing the prompt of crisis as an entry point, this research examines how Black women’s engagement with space functions as both resistance and resilience within structures of oppression. Drawing on frameworks from Black geography and Black ecology, this work highlights how Black women’s creation of space—whether through literal homemaking, community organizing, or rural relocation—subverts dominant narratives of power and cultivates spaces of care, autonomy, and safety.

Grounded in Black feminist theorists such as bell hooks, whose notion of "homeplace" underscores the home as a site of refuge and resistance, this research considers homemaking as a radical act of self-definition and community building (hooks 1990). By situating Black women’s space-making practices in dialogue with Black feminist utopian thought, the study proposes that such methods foster possibilities for alternative worlds and communal resilience amidst crisis. These efforts not only question existing power structures but also offer actionable blueprints for liberatory futures that prioritize well-being, environmental stewardship, and interdependence.

Ultimately, this paper argues that Black feminist approaches to space and place-making are essential in visualizing and constructing utopian possibilities within dystopian realities. This research builds on existing research into Black feminist spatial practices, emphasizing their importance as methods of resistance. It seeks to further explore how these practices foster radical imagination, boundary-breaking scholarship, and pathways toward transformative futures.

Maya Revell, "(Re)Imagining Desirable Futures through Archival and Speculative Methodologies"
Black feminists have long situated education as a method of liberation. As we contend with ongoing environmental degradation and climate catastrophe, Western education systems continue to forward colonial, neoliberal, and techno-scientific solutions that perpetuate systems of harm (Nxumalo et al., 2022). These curricular models and solutions are deemed effective and promising in colonial, capitalist systems. However, decolonial scholars and critical theorists have noted that these solutions and curricular frames are foundational to the construction of white and settler futurities that erase Black and Indigenous peoples (Curley and Smith, 2023).

In striving for futures that center relationality, liberation, and ecological resilience, this paper tends to the methods that Black feminists have used to survive overlapping crises. Building on Mbembe’s assertion that the “decolonization project” requires deconstructing epistemic coloniality and imagining alternative models, this paper engages with Brian Lanker’s “I Dream a World” archival collection containing interviews and works of Black feminist organizers in the 1980s including Angela Davis, Lucille Clifton, and Sonia Sanchez (2015). This archive contains intimate Black feminist ecological knowledge which are necessary for transformative education. Black (feminist) ecologies provide “a way of historicizing and analyzing the ongoing reality that Black communities…are most susceptible to the effects of climate change…it names the corpus of insurgent knowledge produced by these same communities, which…[should] have bearing on how we… historicize the current crisis and how we conceive of futures outside of destruction” (Roane and Hosbey, 2019).

Grounded in my experience processing the Black Feminist “I Dream a World” archival collection, this paper will make visible how Black women and communities have continuously navigated environmental catastrophes while using speculative methodologies to envision and gesture toward the necessary ethics, praxis, and curriculum for creating more desirable futures.
Speakers
AM

Alliyah Moore

PhD, Howard University
MR

Maya Revell

PhD, University of Oregon
Saturday March 22, 2025 9:00am - 10:15am EDT
Room 141 Stata Center, 32 Vassar Street, Cambridge, MA 02167

10:30am EDT

Holding Memory: Sites, Objects, & Autobiographies
Saturday March 22, 2025 10:30am - 11:45am EDT
Lincoln Hirn, "Waiting for the Call: Memory, Legacy, and the Immortal Liberation"
This paper argues that, for a generation of freedom fighters, activists, visionaries, and thinkers, the world ended just after the turn of the twentieth century. Figuratively, at least. Because, by 1900, the last Americans who could remember their own enslavement – and, by extension, their own liberation – were beginning to die. And while this was, perhaps, a fairly mundane, slow-moving sort of apocalypse, it was an apocalypse nonetheless. An entire group of people – people who, through their own ingenuity, bravery, sacrifice, and perseverance, had toppled the American slave regime and helped to create a free society from its ashes – was vanishing. And this, I contend, presented no small problem. In studying the published autobiographies of four formerly-enslaved women – Bethany Veney, Lucy Delaney, Kate Drumgoold, and Susie King Taylor – this essay finds that aging Black activists recognized the critical importance of their own liberatory histories, and worked hard to ensure that they were not forgotten by rising generations.

Moreover, this essay finds that we, as human beings facing our own Armageddon, can learn a lot from Veney, Delaney, Drumgoold, and Taylor. Their narratives, published between 1889 and 1902, provide a roadmap for preserving resistant histories in the face of extinction, and demonstrate how cross-generational solidarity enabled activists born after emancipation to build upon the work of their forebears. If we are to confront the crises facing our contemporary world, we must draw upon the liberatory resources provided by women like Veney, Delaney, Drumgoold, and Taylor while, at the same time, preserving a record of our own struggle for those who will, inevitably, succeed us. There is, this paper concludes, an immortal power hidden within the collective histories of liberation. Which is a fortunate thing. Because, if we want to succeed, we’re going to need it.

Anandi Kar, "Materiality of Memories in the Cultures of Northeast India"
The Northeastern regions of India are marked by a history of marginalization and volatility. With its complex ecosystems and diverse landscapes, the Indian Northeast, is home to many Indigenous communities who have suffered racial violence and displacement and in response, have organized resistance and environmental movements to protect their lands and cultural heritage. The region has also experienced continuous population movements due to geographical and cultural proximity to countries, such as, Bangladesh, Bhutan, China, and Myanmar. In fact, since the partition of India, there has been a persistent influx of immigrants into this area, making it essential to any discussion on postcolonial citizenship in context of India and South Asia.

My paper seeks to foreground a theory of material memory as seeming to have the potential of retaining the relational bearing of a substance loaded with mnemonic charge to its human and non-human environment which becomes especially important in case of the cultures in Northeast India. Material memories have important things to say about the lived cultures from this region by highlighting the eco-materiality of landscapes, the elementariness of the cultural practices and arts and crafts of the vulnerable communities on the verge of extinction to help them conserve and reclaim their ethnic identity more securely. Unlike oral histories, material memories extract cultural memory from the garb of matter where history and tradition are solidly condensed and evade escape. The postcolonial condition is characterized by various practices of memory that incorporate visions of resilience, justice and sustainable futures. My paper will argue that the ‘thingness’ of memory can be theorized as one such form of practice.

It will further investigate how the cultures of the peripheral communities contest or expand liberal justice theories and decolonize environmental knowledge by privileging their material mnemonic rites to re define ‘citizenship.’ To be more specific, it will aim to show how the radical possibilities generated by the entanglements of environmental justice and material memories can challenge the triumphant narratives of nation-building, predicated on the erasure of subaltern histories and the fetishization of capitalist development. For exploring the multidimensionality of material memory, my paper will use and go beyond the works of Pierre Nora, Jan Assmann and Aanchal Malhotra to explore memories contained not only in material objects but also in sites and symbols of religious and cultural practices. It will also use arguments from contemporary philosophical developments, such as, new-materialism and object-oriented ontology to probe the ‘thingness’ of memory without turning away from the ‘human.’ My paper will also ask related questions like: Is memory confined to past events, or does it encompass elements like soil, climate, flora, fauna, and spatial existence? How does material memory mediate the relationships between personal, 3 state and collective memory? What role does material memory play in the rehabilitation and settlement of displaced individuals in new environments? How does the affective dimension of material memory aid peripheral communities in reconciling with a traumatic past?

Lara Sabra, "Possibilities of Care and Survival in Lebanon’s Prisons"
In Lebanon, prisons are located in abandoned buildings, underground parking lots, police barracks, and other such structures. These carceral spaces are marked by brutality and neglect: mattresses are moldy and bug-infested, infections rampant, and drugs or sexual favors used as exchange currencies. Lebanon’s prisons, in short, are spaces where people live in utter depravity – a depravity purposefully orchestrated by powerful actors that epitomizes the state of precarity in which the world finds itself. How do people survive and live amidst these circumstances?

To answer this question, I employ creative ethnographic methodologies involving testimony, storytelling, and material artifacts. More specifically, my paper centers on the possibilities of life within Lebanon’s carceral network by drawing on the memories and keepsakes of one formerly incarcerated woman named Sana. Sana’s stories are supplemented by letters, notes, and drawings she preserved from her time in prison. I conceptualize these artifacts as “memory-objects,” a term that encapsulates how “persons, memories and objects are interconnected and mutually constitutive” (Frykman 2016).

By engaging with Sana's memory-objects, I learned about the bonds and solidarities that prisoners forged with one another. In my paper, I accordingly show how prisoners mobilized these bonds to subvert the suppression of intimacy and care that is endemic to prisons. In a context that is becoming exceedingly unlivable as a result of Lebanon’s ongoing range of catastrophes (e.g. socio-economic collapse, political violence, and war), these relationships function as livable collaborations or “workable living arrangements” (Tsing 2017). I argue that Sana's relationships point to cracks or openings within “seemingly all-consuming” carceral systems (Rhodes 2001): small spaces of alterity where prisoners care for and collaborate with one another to transform everyday life inside the prison. My paper, in sum, examines how practices of care and bonds of relatedness made life possible amidst carceral precarity.
Speakers
avatar for Anandi Kar

Anandi Kar

Masters, Jadavpur University
LS

Lara Sabra

PhD, University of Massachusetts Amherst
LH

Lincoln Hirn

PhD, University of Connecticut
Saturday March 22, 2025 10:30am - 11:45am EDT
Room 124 Stata Center, 32 Vassar Street, Cambridge, MA 02167

10:30am EDT

What Theater, Dance & Storytelling Teach Us: Agency, Disobedience, & Counter Hegemony
Saturday March 22, 2025 10:30am - 11:45am EDT
Nancy Blanco, "Flip It and Reverse It: Burlesque as a Liberatory Praxis of Pleasure and Sexual Education"
In an era where sexual expression is frequently censored and comprehensive sexual education remains contentious, burlesque emerges as a bold, liberatory praxis—reclaiming pleasure and redefining the boundaries of erotic art. Combining nursing expertise with the art of burlesque, this performance challenges restrictive narratives around sexuality and body autonomy, framing the body as a site of both knowledge and resistance. Through humor, storytelling, and dance, the performance confronts the crisis of repression that seeks to silence discussions of pleasure, particularly those historically marginalized.

Traditional sexual education often centers on purity culture and reproduction, limiting discussions of sexuality to a narrow, reproductive framework that upholds control over bodies and restricts expressions of desire. This performance directly counters these norms, emphasizing pleasure as a critical aspect of human autonomy and self-knowledge. By reimagining burlesque as a form of embodied sexual education, it challenges purity culture's lingering impact and opens up new pathways for understanding the body as a dynamic source of empowerment.

Liberatory practices, as expressed through this performance, extend beyond resistance, they transform sexual education into an inclusive, participatory experience that celebrates the body’s capacity for joy and agency. This reimagined approach to sexual education not only subverts repressive norms but also invites a broader dialogue about how pleasure and autonomy intersect as central elements of the human experience.

Sam Collier, "“So Many Good Stories Yet to Tell”: Ecodramaturgies of Entanglement for the Climate Crisis"
What role can theater play in the climate crisis? How can we put stories about climate change on stage? This paper will consider how theater artists, playwrights, and performers are creating a new kind of eco-theater. By working with the long timescales and global implications of climate change, bringing nonhuman characters and perspectives into the stories they tell, and upending dramaturgical conventions, playwrights are reimagining the narratives we tell about the climate crisis.

The scale of climate change is almost impossible to fathom. The threat we face is the culmination of centuries of carbon emissions, but also of millions of individual moments happening all over the world, right now. It will shape all of our lives in immediate, personal ways, but it will also unfold over thousands of years. In order to wrestle with climate change on our stages, the theater faces a challenge: how to speak to these multiple layers, while also telling a good story?

“There are so many good stories yet to tell […] and not just by human beings.”[i] So writes Donna Haraway in her book Staying with the Trouble: Making Kin in the Chthulucene. As theater artists and practitioners craft stories about the climate crisis, many of them are moving beyond the Aristotelian narrative structures that have long defined the standard dramatic form in the Western world. Instead, playwrights and performers are developing works that align more with Haraway’s call for relationality and entanglement. These stories employ new narrative forms, blur the edges of the individual protagonist, incorporate nonhuman perspectives, and draw connections across time and space. In this essay I will consider three recent plays— You Are Cordially Invited to the End of the World, by Keiko Green, The Breathing Hole, by Colleen Murphy, and Hurricane Diane by Madeleine George—and the ways they deviate from conventional dramaturgical practices in order to engage with climate change.

[i] Haraway, Donna. Staying with the Trouble: Making Kin in the Cthulucene, p. 49.

Khadija Islow, "Rituals of Resistance: Queer Black Performance in The Netherlands"
In late November 2023, over a thousand protesters gathered in Dam Square, Amsterdam, just two days after the far-right, anti-immigration Party for Freedom (PVV) secured a majority in the Dutch parliament. This electoral success highlights a troubling trend across Europe, where far-right parties have gained prominence in electoral politics and shifted their focus to combating the perceived "crisis" of the so-called Islamization of Europe, all while positioning themselves as defenders of values such as gender equality and LGBT rights (El-Tayeb, 2011). In response to this rising racism and xenophobia, a vibrant countermovement has emerged, particularly from the queer Black community in the Netherlands, aiming to disrupt these prevailing narratives. Drawing on four weeks of ethnographic fieldwork in Amsterdam, this paper employs Black performance theory (DeFrantz & Gonzalez, 2014) to analyze how these artists utilize ritual performances, writing, and dance as acts of resistance against exclusion and as means of fostering community. Grounded in themes of ancestry, belonging, colonial histories, and healing, their performances serve as powerful critiques of the racial oppression embedded in Dutch society and its migration management regime. This study explores how these embodied expressions and staged critiques challenge dominant narratives, revealing deeper insights into the intersections of race, migration, and identity in contemporary Europe. Ultimately, this paper highlights the resilience and creativity of marginalized communities while fostering critical dialogue around the urgent need for solidarity and intersectionality in the face of rising far-right ideologies.

Mohammad Karambeigi, "Performing Multitudinous: Underground Performance in the Downtown of Tehran"
On September 16th, 2022, an Iranian woman named Mahsa (Jina) Amini, after days of being in a hospital, died. Iranian citizens considered Iran’s government responsible for her death and started a nationwide horizontal protest against the Islamic Republic for about 4 months. During and after the “Woman, Life, Freedom” civic movement, theater/performance makers, performers, dramaturgs, and even scholars refused to stage their theater performances and theater/performance-driven lectures in state-centered venues and theater halls. Consequently, the so-called “Underground Theater Movement” started to emerge. It is worth mentioning that Iranian underground theater, music, and even visual arts are not limited to the period after the “Woman, Life, Freedom” movement, and there were a few theater/performance and music collectives that held their performances privately in unofficial venues. However, underground theater as a leading artistic and sociopolitical movement is uniquely limited to the period after 2022. Therefore, this presentation mainly focuses on this particular artistic and sociopolitical movement and aims to investigate it through the lens of political philosophy by opposing the concept of “post-hegemony practice” to post-Marxist theories on hegemonic politics. The former concept is tied to the idea of withdrawal, while the latter emphasizes the importance of articulation and seizing power. I would like to apply the concept of “post-hegemony practice” to Iranian underground theater to understand how Iranian theater/performance practitioners, instead of seizing power, de-territorialize and re-territorialize theater/performance and cultural context under an authoritarian regime. Furthermore, after the emergence of the underground theater movement, I believe theater/performance practitioners have foregrounded the ideas of “radical civil disobedience” and “exit” by practicing and offering alternative politics of space and time to Iranian citizens.
Speakers
KI

Khadija Islow

PhD, Brandeis University
NB

Nancy Blanco

PhD, University of Texas at Austin
SC

Sam Collier

PhD, University of Colorado Boulder
MK

Mohammad Karambeigi

PhD, University of Pittsburgh
Saturday March 22, 2025 10:30am - 11:45am EDT
Room 144 Stata Center, 32 Vassar Street, Cambridge, MA 02167

10:30am EDT

Do No Harm: Holding the Health Care System Accountable Against Intersectional Violence
Saturday March 22, 2025 10:30am - 11:45am EDT
Lara Alahdeff, “Contemporary Protest: The Enduring Women’s Health Movement”
The nineteenth-century introduction of germ theory, which posits that infectious diseases are caused by a single, observable pathogen, allowed for the extensive elucidation and treatment of diseases. However, this long history of western biomedicine remains incomplete because of its exclusion of women from biomedical and pharmaceutical testing. This has created substantial gaps in the understanding of women’s health and their bodies. The refusal to take seriously women’s health, veiled by the rhetoric of its confounding nature, was exposed by the 1960s- and 1970s-Women’s Health Movements (WHM), in which gatherings of groups of women across the United States of America protested centuries long medical misogyny. However, the twenty-first century epidemic of chronic illnesses which predominantly affect women, such as Fibromyalgia Syndrome (FMS), marks these illnesses as a contemporary crisis in biomedicine. This presentation argues that women’s narrative representations of chronic illnesses, such as FMS, stage an enduring crisis in women’s healthcare mirroring the political will of the WHM. I suggest that women’s FMS narratives depict the persistent figuring of women with conditions such as FMS as ‘hysterical’ within the discourses of western biomedicine, which remain vested in dated theories of the womb and psychological instability. In insisting on the legitimacy of their corporeal suffering in their narrative portrayals of FMS, women’s chronic illness narratives reflect, not just a practice of care, but also a powerful disruption of the medical gaze, to borrow from Michel Foucault’s The Birth of the Clinic. Accordingly, these texts offer women an opportunity to resist the dismissive and lasting stigma of hysteria in twenty-first century biomedicine.

Megan Guzman, “Radical Care and Direct Action: The Forgotten Women of ACT UP/Atlanta”
This project is motivated by the dearth of information around the AIDS advocacy organization ACT UP, particularly in the south, as well as contemporary interest in effective organizing strategies. Since the COVID-19 pandemic, scholars have increasingly focused on analyzing effective organizing strategies for radical social change, particularly in response to the continue growing crises around health, the environment, and failing governmental structures. In dealing with the COVID-19 pandemic, both scholars and activists looked to past pandemics for historical inspiration, finding ACT UP as one model of successful, anti-hierarchical community organizing during a time of crisis. Members of ACT UP used multiple, simultaneous organizing strategies to support the survival of people with AIDS and pushed the U.S. government to redefine AIDS symptoms, fast-track experimental drugs, and set up needle exchanges across the country, among other success. This project focuses on women’s involvement in ACT UP, specifically their integral work campaigning at the CDC to broaden the symptomology of AIDS. The women of ACT UP’s commitment to direct action and radical care to each other across racial, class, and carceral statuses illustrates one successful framework for responding to crisis. I use the work of Sarah Schulman, a former member of ACT UP/NY, as well as primary sources from the Lesbian History Project to argue that women’s involvement in southern factions of ACT UP was integral to the organization’s success, and that these women’s political strategies should inform contemporary activists groups committed to collective liberation. The collective, direct action and radical community care exemplified by the women of ACT UP provide frameworks for contemporary organizing.

Grace Osusky, “Life and Death in a Southern Town”
The Southern United States experienced a surge in racially motivated violence in the early 20th century. Political, economic, and social policies that aimed to improve the lives of Black people during Reconstruction (1863-1877) were met with backlash from White Southerners during what became known as the Jim Crow era (1865-1967). While it is recognized that the lived experience of Black and White Southerners was dramatically different, demographic analyses of the health and survival consequences of discrimination are lacking during this period. Consequently, I seek to explore how changing social and political landscapes affect survival outcomes for Black and White individuals both during and after segregation. For this research, I use data collected on 6,831 individuals from death certificates of residents who lived and died in a small southern town between 1915-2015. Results from my analyses clearly demonstrate a dramatic life expectancy gap during the Jim Crow period that then significantly narrows with the passage of the Civil Rights Act in 1964. During segregation, life expectancy was ~55 years for White residents and ~43 for Black residents. Post-segregation, life expectancy increased for both groups (71 and 65 respectively) and the life expectancy gap shrank in half. Ultimately, while the explicitly racist policies of the Jim Crow period were repealed, structural racism has remained embedded within our cultural institutions in ways that perpetuate cycles of poorer health outcomes for Black Americans. However, findings presented here emphasize the consequences of legislative change on survival and the effects of a paradigmatic shift in social conditions on reducing health inequalities. While a survival gap is still present at the end of the time period under study here, my results highlight the potential for the continued promotion of policies that dismantle racial disenfranchisement to further decrease disparities in life expectancies.
Speakers
avatar for Grace Osusky

Grace Osusky

MA Student, East Carolina University
I am an MA student with a focus on biocultural anthropology in the Department of Anthropology at East Carolina University. The main focus of my work lies in the realm of biodemography. My thesis research focuses on the embodiment of health due to social conditions across time. Specifically... Read More →
avatar for Lara Alhadeff

Lara Alhadeff

PhD, Stellenbosch University
avatar for Megan Guzman

Megan Guzman

Masters, University of North Carolina at Greensboro
Saturday March 22, 2025 10:30am - 11:45am EDT
Room 155 Stata Center, 32 Vassar Street, Cambridge, MA 02167

10:30am EDT

Trans Futures: Trans Care, Counter-Colonial & Non-Heteronormative Societies
Saturday March 22, 2025 10:30am - 11:45am EDT
Michael Barry, "Showtime: Queer Archival Formation and Sexual Labor in Sirena Selena (Vestida de Pena)"
Mayra Santos-Febres’s acclaimed contribution to the growing archive of trans Caribbean literature: Sirena Selena (Vestida de Pena), occupies a vexed position in literary criticism, while often being subsumed into arguments endemic to queer theory regarding the subversive potential of trans characters. This subsumption, exemplified by a critical preoccupation with the novel’s use of the terms “real woman” and “real lady,” not only results in an oversaturated, hegemonic strain of reading, but analyses that are fundamentally complicit in the (re)concretization of monolithic gender conceptions through a necessary investment in the fabrication of “real” genders. Furthermore, contentions that arise from these narrow, “tragic misreadings” routinely ignore the specific social contexts of Caribbean translocality, a critical absence that evokes Viviane Namaste’s critique of Judith Butler (published in 2000, the same year as Sirena Selena). As a consequence of this limited theorization, the narrative’s environment of constant crisis for trans subjects, characterized by state-sanctioned police violence, sexual exploitation, and class conflict, is frequently written about obliquely, or not at all. Attempts to wrest meaning from Santos-Febres’s trans characters, in pursuit of a uniform narrative of subversion, ultimately negate, then overwrite, how those characters narrate their survival within and against dominant social structures.

This paper reconceptualizes Sirena Selena’s drag performances, alongside moments of intercharacter gossip, as labors of queer archival formation, rather than individualized moments of supposedly verifiable subversion. Through this theoretical reorientation, off-stage dialogue and enacted performance work reciprocally to vocalize the resistant existence of distinctly Caribbean trans subjects, while also actively naming queer predecessors and a present queer translocality. In doing so, Santos-Febres’s novel explores the temporo-spatial potentialities of a queer archive without abandoning the lived realities of the characters’ present, violent crisis.

Caylee Weintraub, "Climate Change, Community, and Coral in Ada Patterson’s “Broken from the Colony”"
In an interview, Ada M. Patterson, a semifinalist in Grist’s “Imagine 2200” climate contest, described the driving premise of her short story, “Broken from the Colony”: “I’m trying to imagine what comes after the grief. Once the island is lost, then what?... I wanted to approach it in a way that honored the truth of what’s probably going to happen while thinking that there could still be life afterwards, even if it’s not human life.” Asked to envision the year 2200 through climate fiction, or “cli fi,” an emerging subgenre of work that seeks to envision new kinds of futures in the wake of anthropogenic climate change, “Broken from the Colony” envisions an alternate reality wherein the entirety of Barbados, Patterson’s home island, has been drowned by Hurricane Dorian. The only people who survive are Black trans girls who have taken estrogen, which enables them to breathe underwater. They emerge at the end of the story as a novel species of human-coral hybrids who will ultimately join together to form a coral reef and remake the drowned Barbados anew. Patterson’s use of the coral reef to represent a political imaginary is not entirely novel; it is grounded in a long legacy of writers—particularly Black writers—who have utilized the metaphorical capacities of coral communities to articulate progressive visions of community. I historicize Patterson, herself a Black trans woman, as part of a long literary history of Black writers who turn to coral as a way to envision new kinds communities that are forged through kin relationships and exist as alternatives to violent colonial, heteronormative societies. By engaging the material and metaphorical capacities of coral reefs, Patterson depicts a new kind of interspecies collective polity that is grounded in the idea of a dynamic, knotted unity that is continually in the process of becoming, and, therefore, always has the potential for transformation.
Speakers
avatar for Caylee Weintraub

Caylee Weintraub

PhD, University of Florida
I am a second-year Ph.D. student at University of Florida. My research interests are blue humanities, ecocriticism, critical animal studies, and new media studies. My personal interests include running, swimming, and houseplant care taking :)
avatar for Mike Barry

Mike Barry

PhD, Boston University
Mike (he/him) is a second-year PhD student in the English department at Boston University after having received his BA from the University of Massachusetts Amherst and his master’s degree from the University of Connecticut. His primary research interests are in postcolonial theory... Read More →
Saturday March 22, 2025 10:30am - 11:45am EDT
Room 141 Stata Center, 32 Vassar Street, Cambridge, MA 02167

12:00pm EDT

Lunch Break
Saturday March 22, 2025 12:00pm - 12:30pm EDT
TBA
Saturday March 22, 2025 12:00pm - 12:30pm EDT
TBA

12:30pm EDT

Plenary Panel
Saturday March 22, 2025 12:30pm - 2:30pm EDT
Join us on Saturday, March 22 for our plenary session! The panel features wonderful practitioners, artists, and scholars whose work spans speculative futures, care practices, and alternative methods of study. Our panelists are:

Dr. Nadia Alexis, Poet and Photographer: Her writing has appeared in Poets & Writers, The Global South, Shenandoah, Wild Imperfections: An Anthology of Womanist Poems, and numerous others. Her photography has been featured in Forgotten Lands, The Southern Register, Mfon: Women Photographers of the African Diaspora, and more. She has received several awards and honors, including a 2025 Literary Arts Fellowship and a 2024 Artist Mini-Grant from the Mississippi Arts Commission, a 2024 Mississippi STAR Teacher Award, a 2024 Vance Fellowship from the Natchez Literary and Cinema Celebration, the 2023 Poet of the Year Honoree of the Haitian Creatives Digital Awards, a semifinalist position in the 2020 92Y Discovery Poetry Contest, a nomination for the 2020 Mississippi Institute of Arts and Letters photography award, and an honorable mention prize in the 2019 Hurston/Wright College Writers Award for poetry.

Dr. Alexis’s photography has been exhibited in the U.S., Cuba, and virtually. As part of an Independent Scholars Fellowship for early-career artists and scholars of color, she exhibited at the 2019 Havana Biennial in a show titled The Spirit That Resides, with Carrie Mae Weems as her mentor. A fellow of the Callaloo Creative Writing Workshop, The Watering Hole, and the Poets & Writers Get the Word Out Publicity Incubator, she holds a PhD and an MFA in Creative Writing from the University of Mississippi. She currently resides in Mississippi, where she teaches creative writing to youth and adult writers.

Alison Kafer, University of Texas at Austin: Alison Kafer is Director of LGBTQ Studies, Embrey Associate Professor of Women's, Gender, and Sexuality Studies, and a member of the Crip Narratives Collective at the University of Texas at Austin. She is the author ofFeminist, Queer, Crip, and her work has appeared in a number of journals and anthologies, most recently, Crip Authorship and Fighting Mad: Resisting the End of Roe v. Wade. In collaboration with Mel Y. Chen, Eunjung Kim, and Julie Avril Minich, she co-edited Crip Genealogies. Her research is focused on disability and queer crip world-making in the contemporary United States, particularly as they intersect with movements and theories for reproductive, environmental, gender, and racial justice.

Dr. Shoniqua Roach, Brandeis University: Dr. Shoniqua Roach is a queer black feminist writer and Assistant Professor of African and African American Studies and Women’s, Gender, and Sexuality Studies at Brandeis University. Her peer-reviewed work appears in American Quarterly, boundary 2, differences, Feminist Theory, Signs, and The Black Scholar, among other venues. Her editorial work appears in differences, Signs, and The Black Scholar. Roach’s forthcoming book manuscript, Black Dwelling: Home-Making and Erotic Freedom, offers an intellectual and cultural history of black domestic spaces as tragic sites of state invasion and black feminist enactments of erotic freedom. Roach has been awarded a number of awards, fellowships, and grants, including those from the American Council of Learned Societies, the American Studies Association, and the Ford Foundation.

Sonya Soni, Writer-Activist and Prison Abolitionist: Sonya Soni (She, her, hers) is a Brooklyn-based writer-activist, community organizer, freedom dreamer, prison abolitionist, and the descendent of freedom fighters and caste abolitionists in India. From Kashmir to Nepal to South Los Angeles, she works alongside young people who have been incarcerated, unhoused, and/or in foster care to re-imagine public systems rooted in youth liberation.

With a passion for the arts as the vehicle for movement building and protest, Sonya designed and conducted “Policymaking through Poetry” workshops with youth organizers and aspiring policymakers in South Los Angeles. She co-led the Los Angeles County Youth Commission, the first youth-led government body in Southern California to center the voices of systems-impacted youth in policymaking. She helped co-create the movement to abolish youth prisons, camps, and detention centers across the state of California.

Sonya has worked for social justice organizations including Partners In Health, Boston University’s Center for Antiracist Research, PEN's Prison & Justice Writing Program, and Covenant House International. Sonya graduated from the University of Southern California and Harvard University, and was selected as a Harvard Women & Public Policy Fellow and Harvard Humanitarian Initiative Child Rights Fellow.

Sonya currently serves as a Kweli Literary Fellow, working on her forthcoming book “The Gorra, the Gringa, and the Muzungu.” She often writes about decolonized dreams, diasporic longing, and transborder solidarities. She is also a Bandung artist resident under the Museum of Contemporary African Diasporic Art and the Asian American Arts Alliance, documenting the community oral histories of shared Black-South Asian social movements.
Speakers
NA

Nadia Alexis

Poet and Photographer
AK

Alison Kafer

Director of LGBTQ Studies, Embrey Associate Professor of Women's, Gender, and Sexuality Studies, University of Texas at Austin
SR

Shoniqua Roach

Assistant Professor of African and African American Studies and Women’s, Gender, and Sexuality Studies, Brandeis University
Saturday March 22, 2025 12:30pm - 2:30pm EDT
Room 123 Stata Center, 32 Vassar Street, Cambridge, MA 02147

2:45pm EDT

Disability & Multiplicity of Capacity
Saturday March 22, 2025 2:45pm - 4:00pm EDT
Court(ney) Felle, ""Our Love Language of Unspokens": Contemporary Poets on Chronic Pain"
My proposal focuses on how contemporary poets communicate—and foreground the incommunability of—chronic pain using techniques of what I am calling “fragmentation.” Building off theories of pain that emphasize the gap between phenomenological experience and witness interpretation, I am interested in how poets with chronic pain negotiate this chasm to create their own poetic genre grounded in shared recognition and use of fragmentation. This speaks to larger questions of disabled and chronically ill community-building, including across space and time, especially as intensifying series of crises produce "fragmentation" in our own lives and self-narratives.

Within “fragmentation,” I include techniques such as hard enjambment, punctuation (especially em dashes and slashes), nonlinear phrases and pacing, and inconsistent punctuation and line design, all of which bring readers into the multifaceted and chaotic experience of pain itself. In using these techniques, contemporary poets draw fruitful textual attention to how pain is not fully communicable, shifting the terms of what they are trying to communicate from nondisabled-centric demands to “prove” pain to disabled-centric criticism of the very system that demands proof in the first place. Importantly, contemporary poets do not merely co-opt existing devices but create their own uses distinct from nondisabled poetic approaches. These forms speak toward fellow disabled readers, developing affinity and suggesting possible kinship models in line with recent scholarship. For chronically ill readers often isolated through time, physical space, and emotive and political space, these forms could also become a tool of identification for readers overcoming internalized ableism as well as a tool of radicalization into political chronically ill subjecthood.

Poets under consideration include Khadijah Queen, torrin a. greathouse, Aurora Levins Morales, Cyree Jarelle Johnson, Topaz Winters, Meg Day, Leah Lakshmi Piepzna-Samarasinha, and Jillian Weise. (The working title borrows from the poem “Sick4Sick” by torrin a. greathouse.)

Ayesha Khurshid, "Disability, Exclusion, and Systemic Crises: Liberating Learning as a Sustainable Solution for Resilient Communities"
This paper investigates the complex relationship between disability and inclusion and how it ties in with marginalization and systemic oppression. Disability, is oftentimes framed within social structures that institutionalizes exclusion of individuals from accessing equitable opportunities and reinforce social inequities for disabled experiences and realities. The ableist constitution of ideological and systemic marginalization is manifested in the policies and cultural praxis that creates a continuum to impact the agency via limiting access to education, health, employment, and social/civic participation. Alternatively, inclusive education, offers a transformative opportunity to challenge the exclusionary and inequitable practices. Inclusive education creates equal opportunities and builds collaborative spaces for learners with disabilities that are informed by values of social inclusion and accessibility. This approach reimagines learning-scapes as a site of liberation, one that values the right to self-determination, embraces diverse dis/abilities and a commitment to social justice for de-ideologizing oppressive systems and every day practices. Therefore, my research question is: How can inclusive education serve as a liberatory practice in addressing the systemic marginalization of individuals/learners with disabilities, particularly in the context of societal crises? Qualitative methodology will be used and data will be gathered through in-depth interviews from participants that belong to academia, public sector, and nonprofit sector in Boston, Massachusetts. In conclusion, by positioning inclusive education as catalytic for societal transformation, this paper unpacks the need for liberatory practices in (re)designing educational policies and pedagogy. Such a liberatory lens will not only mitigate crises but will critically interrogate the exclusionary oppressive structures and institutional practices that reinforce inequities and accelerate vulnerabilities during emergency and crises situations.

Ren Lovegood, "Breaking Bad Wages: An exploration of disability labor valuation and liberatory praxis"
This paper examines the historical and social contexts that have shaped disability inequality in the United States, focusing on the institutionalization of subminimum wage (SMW) practices. Prior to the rise of industrial capitalism, people with disabilities (PWD) were valued for individual contributions to their communities. Labor was not yet explicitly defined by wage exchange or individual productivity. The Industrial Revolution shifted the discourse in which efficiency and economic productivity were now considered connected to individual value. The discursive portrayal of PWD as inefficient placed them in direct opposition to the prevailing Protestant work ethic of the period, which framed self-sufficiency and hard work as ideal worker qualities. A contradiction emerged between disability and efficiency in which PWD are expected to work despite being constructed as inferior workers.

Discursive artifacts are powerful tools that have constructed disability through various strategies that reproduce realities in which a valuable worker is assumed to be able-bodied. This paper posits that the practice of SMW has been institutionalized through the discursive framing of the disabled as legitimately less valuable in the context of work. Disability inequality is thus embedded into organizational processes and justified through the myth of meritocracy. Utilizing an exploration of praxis and change, I suggest the contributions PWD make to society may currently lie outside our socially constructed definition of ‘labor’.

Drawing on Hochschild’s (2012) “second shift”, which examines women’s unpaid emotional and domestic labor, I explore the unrecognized and inherent human value of PWD. This research re-imagines how an application of pre-industrial conceptualizations of labor that values each person for their unique contributions to society might be applied in the context of modern social systems. Through theoretical exploration of the reproduction of ableist practices through discourse, I am to conceptualize a re-humanization of disability in the context of social constructions of labor.

Satwika Paramasatya, "Resisting Invisibility: The Crisis of Health Security and Human Rights among LGBTQ Community in Indonesia"
This paper examines the critical intersection between health security and LGBTQ rights in Indonesia, focusing on the structural and policy-level exclusion of LGBTQ communities from equitable healthcare access. Using Foucault’s concept of biopower and securitization theory, this analysis explores how Indonesian policies and societal norms perpetuate health insecurities among LGBTQ individuals, framing them as threats to national stability and public morality. LGBTQ individuals face systematic discrimination in healthcare, further compounded by structural violence at social and institutional levels. This study argues that Indonesian LGBTQ communities' health insecurity stems from a state-sponsored biopolitical agenda that defines public health through restrictive moral and ideological lenses. Drawing on conflict analysis, the paper highlights the urgent need for a rights-based approach to health security, emphasizing the role of inclusive policy reforms in mitigating structural violence. By critically assessing this conflict, the paper proposes pathways for policy reformation that foreground the health needs and human rights of LGBTQ communities as essential to societal resilience and ethical governance.
Speakers
AK

Ayesha Khurshid

PhD, University of Massachusetts Boston
CF

Court(ney) Felle

MA/PhD, The Ohio State University
SP

Satwika Paramasatya

PhD, University of Massachusetts Boston
avatar for Ren Lovegood

Ren Lovegood

PhD Student, University of Massachusetts, Boston
I am a legally blind and multiply disabled doctoral student at UMass Boston pursuing a PhD in Business Administration focused on Organizations and Social Change. My work focuses on the ethics of professions, the history of disability employment, and the evolving concept of "care... Read More →
Saturday March 22, 2025 2:45pm - 4:00pm EDT
Room 144 Stata Center, 32 Vassar Street, Cambridge, MA 02167

2:45pm EDT

Memoir: Complexifying Narratives & Ripples of Change
Saturday March 22, 2025 2:45pm - 4:00pm EDT
Tyrell Collins, "Voices of Defiance: Black Queer Memoirs as Resistance"
Amidst social, environmental, and political crises, LGBTQ-BIPOC memoirs offer transformative insights into resilience and liberation. By challenging dominant narratives and embodying acts of personal and communal resistance, LGBTQ-BIPOC memoirs contribute to "liberatory practices." Based on intersectionality and queer theory, this study examines LGBTQ-BIPOC memoirists who navigate intersecting oppressive systems while affirming their identities and asserting agency. Using Kimberlé Crenshaw's intersectionality and E. Partick Johnson's "quare" studies, I argue that these memoirs are acts of defiance, reflecting the LGBTQ-BIPOC experience as both a site of resistance and survival. Janet Mock and Saeed Jones' memoirs Redefining Realness and How We Fight For Our Lives are examples of core texts that establish a relationship between LGBTQ-BIPOC lived experiences and crisis understanding informed by resilience, resistance, and reimagined futures. The purpose of this paper is to contribute to the current discourse on the power of marginalized narratives to disrupt crisis-laden worldviews and foster transformative change.

Kohinur Khyum, "Storytelling as Liberatory Practice for Survivors of Forced Marriage"
This paper examines how forced marriage survivors from the South Asian diaspora community from the US and UK are breaking intergenerational cultural abuse by telling their stories. Forced marriage is prevalent and often hides under the guise of arranged marriage in the South Asian culture. However, there are different layers of honor-based violence against women within the diaspora community. This global human rights issue is often deemed a cultural practice ‘over there’ but not a problem in the countries in the global North. However, forced marriage is a concern among several immigrant communities including the South Asian diaspora community in several developed countries including Canada, the US, Britain, Australia, and others. Forced marriage in South Asian diaspora culture is a complex interplay of tradition, cultural abuse, honor violence, religious practice, and gender dynamics. In this paper, I will shed light on how these individuals are often silenced because they are not considered the ‘model victims’ because most of their perpetrators are from their minority communities in the global north. I argue that narrative liberation by breaking the systemic silence imposed on forced marriage survivors by their communities, families, social services, and a section of feminist activists became a major tool to foster advocacy efforts to prevent forced marriages within the South Asian diaspora community.
Speakers
KK

Kohinur Khyum

PhD, University of Massachusetts Boston
TC

Tyrell Collins

PhD, Georgia State University
Saturday March 22, 2025 2:45pm - 4:00pm EDT
Room 124 Stata Center, 32 Vassar Street, Cambridge, MA 02167

2:45pm EDT

Crafting and Creating A Revolution
Saturday March 22, 2025 2:45pm - 4:00pm EDT
Margarita Rivera Arrivillaga, "This is our land: Participatory mapping of forced displacement through collective embroidery"
Forced internal displacement has surged globally in recent decades, as exemplified in the Sierra Madre Occidental of Chihuahua, Mexico, where organized crime groups wield violence to exploit natural resources and control critical transit routes. These groups’ pervasive and violent presence has forced many mestizo, Rarámuri, and Ódami families to abandon their homes and lands. Entire communities have sought refuge in Chihuahua City, confronting severe disruption to their livelihoods and cultural practices. Among displaced individuals, women have turned to textile work for economic support. Beyond selling embroidered items such as napkins and bags, they have also transformed this craft into a powerful medium for sharing personal narratives of displacement and resilience. In one community, a multidisciplinary team comprising a journalist, a photojournalist, and myself, an anthropologist, has collaborated with a community’s internal initiative to share their experience through a series of four embroidered maps on blanket cloth. These visual narratives reflect the community’s pre- and post-displacement histories, articulating loss, survival, and resistance memories. Utilizing a participatory methodology, we facilitated spaces for dialogue, enabling workshops that provided tools for mapping and drawing. This community-based, art-centered project endeavors to connect a broader audience with the community’s displacement story, fostering empathy and advocacy. The completed maps illustrate a personal and collective narrative, engaging viewers in a dialogue on the human cost of displacement. The project aims to elevate these stories beyond the immediate community, contributing to a larger discourse on displacement and cultural resilience. In doing so, it offers a compelling example of how art can serve as a vehicle for advocacy, promoting a deeper understanding of the lived experiences of displaced populations.

Hatim Rachdi, "Oxidizing the Past"
This presentation explores Tamazgha, an unbounded vision of Indigenous North Africa, through a series of artworks that center queer and non-normative gender expressions within Amazigh culture. Using my ME-ThOD practice—an experimental, “oxidized” approach to archival reading—I engage with “other-archives”: fragments of poems, graffiti, songs, and images that challenge traditional archival limits, revealing Tamazgha as a relational space of kinship that transcends colonial frameworks. These pieces position Tamazgha as a space where gender and sexuality exist beyond the binaries imposed by state and colonial histories. My digital works like EfE-ture and Tassa capture unfiltered expressions of freedom and desire, envisioning Amazigh futures that fully embrace queer and liberated identities. Awal and Loubiya Al Ama challenge state control, reimagining authority through queer Amazigh resilience, while Oho rejects orientalist myths, reclaiming Moroccan queer narratives on local terms. By unsealing these layered archives, I offer Tamazgha as a dynamic, trans-sovereign identity where gender and sexual diversity are not deviations but central to a liberated, evolving Amazigh culture. This Tamazgha lives beyond borders, inviting a future grounded in radical belonging and ungovernable queer possibilities.

Maya Wadhwa, "Crafting Protest Posters: Embodied Art and Resistance in Post-Roe Era"
Through the lens of craftivism (the combination of the practices of craft and activism), I will examine a selection of protest posters made, held, and waived at protests after the release of the Dobbs v. Jackson Women’s Health Organization Supreme Court decision. In these posters, gathered from news sources published after June 24, 2022, themes of guns and snakes are drawn, painted, and printed. Each thematic representation and accompanying words indicate the sociopolitical and cultural perspective of the protester, and subsequently, how they are positioning themselves vis-a-vis abortion.

I answer the questions: How does craftivism help protesters address cultural and reproductive fear and anger? What symbols, motifs, and rhetoric are protesters using to situate themselves in relation to other protesters and the broader Reproductive Justice movement?

By close-reading posters containing snakes and guns imagery and rhetoric, I reveal that protesters are using a rights-based approach to frame their claims to reproductive and bodily autonomy. In addition, I argue that protesters draw from ideas of agency and embodiment to make their claims legible to other protesters. I find that the diversity of representation captured in the snakes and guns motif reveals the protester’s unique positions and understandings of abortion rights.

This research will add to a growing body of scholarship that combines, feminism, craft, and activism. I posit the value of crafting as a meaningful and powerful way to channel fear, anger, and hopelessness about reproductive futures. Importantly, I read handmade posters as Art and a site of cultural knowledge production, a perspective that is absent from poster studies.
Speakers
HR

Hatim Rachdi

PhD, Yale University
avatar for Margarita Rivera Arrivillaga

Margarita Rivera Arrivillaga

PhD, University of Kansas
Ella / She / HerBorn and raised in Guatemala, currently based in Kansas, USA.Margarita has a B.A. degree in Anthropology (UVG), a M.A. degree in Demography (El COLMEX) and diplomas in Anthropology of Art (LATIR-CIESAS) and Anthropology of the Cities (URL-CIESAS). She is currently... Read More →
avatar for Maya Wadhwa

Maya Wadhwa

Masters, The Ohio State University
Saturday March 22, 2025 2:45pm - 4:00pm EDT
Room 155 Stata Center, 32 Vassar Street, Cambridge, MA 02167

2:45pm EDT

Love, Hope & All That Sustains Us
Saturday March 22, 2025 2:45pm - 4:00pm EDT
Daphne Fietz, "Decentering modern hope: Hope as virtue in the climate crisis"
Hope is generally regarded as a critical motivation for individuals to pursue change, while the 'decline of hope' and the concept of 'utopia' are identified as significant social problems. Although these themes are not new, the catastrophic consequences of climate change have intensified hope as a problem.

Drawing on interviews and ethnographic observations with climate activists from Germany and Britain, this presentation explores how hope is cultivated among those confronting the climate crisis in the Global North. I will argue that hope manifests in various forms, each reflecting distinct relationships with the future.

‘Modern hope’, a hope that is tied to the outcomes of one’s action and directed towards the broader future, becomes problematic but retains a hold on activists’ imaginary. Hope in this sense does not emerge as a key motivation but as a source of despair. In contrast, hope as virtue shifts the possibility of change into capacities of human beings and resistance itself. Because virtue is tied to the temporality of the self and to praxis, the catastrophic future loses its paralyzing effect.

I propose a more nuanced theory of hope that considers its various modalities, enabling us to comprehend both its demotivating and motivating aspects. In the modern temporal landscape, humans are seen to have the agency to transform the sociopolitical structures through praxis to approximate a better future. However, with the advent of the Anthropocene and the irreversible damage to the planet—foundational to any action—this model has become problematic, yet many narratives of hope continue to rely on it. I would like to use this presentation to instigate a discussion on the various modalities of hope, their temporal structures, and their historicity.

Asher Firestone, "The Hermeneutics of Love in Mizrahi Diaspora"
This paper will investigate the often-overlooked racial dynamic of Arab Jews’ (Mizrahi) presence in Palestine, to envision the concretized call for decolonization of Palestine. To invite Mizrahi Jews into an anti-Zionist diaspora outside of the state of Israel, we must use the praxis stage of the hermeneutics of love to investigate how we confront decolonizing worlds, when marginalized subgroups replicate the violence initially used against them.

Using the scholarship of Ella Shohat, I will unpack the violent history of Ashkenazi Jews baiting Arab Jews from SWANA to immigrate to 1950’s “Israel” and creating a secondary class of citizens who would serve as cheap labor for the newly established state. Zionism necessitates a deep dissociation with Arabness to produce a pure Israeli identity, and yet Israel has relied on Mizrahi people’s Arabness precisely to delineate a settling buffer between elite Israelis and Palestinians fighting to return to their land. As Israeli society subsumed Mizrahi history in propagandized hyper-memory of the Holocaust, the space to remember and mourn their Arab nations of origin withered. Frantz Fanon’s theory of double consciousness will reveal this to be a peak cognitive dissonance, where Israeli refusal of Arabness has constructed Mizrahi self-hatred and racism towards Palestinians.

Love is the only thing that can break through this dissociation, as Chela Sandoval’s work reveals. But it will not likely be the morally implored love towards Palestinians, that so many peace processes have attempted (and failed) to negotiate. Instead, love must be part of a larger abolitionist project-- one where, as Daniel Boyarin articulates, a global Jewry turns back to 2000 years of diasporic tradition. Jewish communities must reengage Mizrahi leadership to call for Israelis to mournfully and lovingly leave the homes that were stolen from Palestinians, and join a liberatory Jewish diaspora.

Nourhane Kazak, "Grievability and Resistance: Feminist Witnessing in Fatima Joumaa’s Photography of South Lebanon"
"What is the space between collective grief and love?"
— Sarah Ihmoud

Through obfuscation of history, linguistic gymnastics, regurgitation of Orientalist tropes, and appealing to a selective white morality, Empire works hard to render Lebanese lives, especially those from the South, "ungrievable." This research explores "feminist witnessing" as a method of resistance through visual documentation, focusing on Lebanese photographer Fatima Joumaa's portrayal of the lives and losses in South Lebanon amidst ongoing Israeli aggression. The term "feminist witnessing" is underexplored in the literature, and this study seeks to address this gap by examining Joumaa's documentation of funerals and commemorations of martyrs, particularly highlighting women's participation in these public ceremonies. Joumaa's work makes visible the grievability of Southern lives that traditional media often marginalizes, erases, or even demonizes. Drawing on Judith Butler's theories of ungrievability, Marianne Hirsch's feminist cultural memory, and Sarah Ihmoud's concept of "decolonial love," I argue that Joumaa's images serve as a form of feminist witnessing. Through her photographs and videos shared on social media, Joumaa documents collective grief and solidarity, challenging Empire's convoluted framing of war and violence. This study examines how visual storytelling from South Lebanon constructs an archive of resilience and resistance akin to Ihmoud's decolonial letters. By synthesizing these frameworks, I seek to think through what feminist witnessing could look like, examining how it confronts the disposability of lives deemed ungrievable and asserts their intrinsic value and purpose in the greater struggle for liberation from imperialistic occupation and injustice.
Speakers
AF

Asher Firestone

PhD, University of Colorado Boulder
DF

Daphne Fietz

PhD, Yale University
NK

Nourhane Kazak

Master's, Georgetown University
Saturday March 22, 2025 2:45pm - 4:00pm EDT
Room 141 Stata Center, 32 Vassar Street, Cambridge, MA 02167

4:15pm EDT

Black Radical Thought in Action
Saturday March 22, 2025 4:15pm - 5:30pm EDT
James Chiyoki Ikeda, "“The Intimate Face of Universal Struggle”: June Jordan’s Search for a Shared Liberatory Project in a Time of Apocalyptic Crisis"
My paper traces the development of poet and educator June Jordan’s conceptualization of a shared, global liberatory project blending antiracism with anti-imperialism—her vision, that is, of universal liberation—between the mid-1960s and the mid-1990s. During this period, Jordan frequently used the word apocalyptic to describe conditions both within the United States and globally, and her vision of universal liberation was shaped fundamentally by her perception of this apocalyptic context and the overlapping crises that constituted it.

I argue that Jordan’s understanding of crisis and the liberatory vision arrayed against it led her to embrace a binary conception of global political struggle and a coalitional politics which enabled her to think expansively about solidarity across many different categories of difference. She ultimately came to see a shared global ‘enemy’ in imperial white male supremacy and a shared end-goal of self-respect and self-determination for the racialized, imperialized global majority, expanding her application of the idioms of American race politics to the so-called Third World.

At the same time, this group-based coalitional thinking was undermined by Jordan’s need to reconcile the utter uniqueness of the individual with politically meaningful groupings like race, gender, nation, and sexual orientation, especially in a world marked by imperial hierarchy. Thus, at the root of her political thinking was a desire to ground collective political identities in something substantive and politically operable without subsuming the individual, whose full existence always cuts across those identities in untidy way. This was the political task Jordan faced as she worked through how to respond to what she saw as an apocalyptic crisis.

My paper will provide direction for people today who are grappling with the strategic question of how to advance collective political struggle against crisis conditions without eliding the individual who is never reducible to their political group identities.

Ki'Amber Thompson, "Emerging Abolitionist Infrastructures of Feeling In and Beyond Times of Crisis"
What do abolition geographies feel like? What are the affective states, or feelings, that maintain carceral geographies? What affective states do we need to attune to in order to make abolition geographies? How can we emerge abolitionist infrastructures of feeling in and beyond times of crisis? This paper explores how we might attune to potentially liberatory affective states that emerge in times of crisis and beyond times of crisis. The COVID-19 pandemic put the state in crisis, and this crisis exposed vulnerabilities of the state, leading people to call for change. The experience of the pandemic and the affective states it created (loss, rage, uncertainty, fear, stillness, clarity, suffocation, etc.) created an opening, an opportunity for liberatory transformation to occur. The COVID-19 pandemic was/is a crisis that came together with the ongoing crisis of police killings of Black people, emerging an abolitionist structure of feeling, where abolition became more thinkable for a broader population and thus more possible. This paper draws upon a queer Black feminist affect theory to inquire beyond the limits of our visual imaginations in making abolition geographies. This paper moves beyond the prioritization of the visual over other ways of knowing and takes us through a sensuous exploration of our capacities to feel with all of our senses to exceed the limits of our imagination that prioritize the visual field. Thinking with the affect theory concept of infrastructure of feeling, this paper examines ordinary or everyday affective energies toward growing our capacities to imagine and practice abolition geographies in and beyond times of crisis.

Jessica Wright, "Bending Toward Gender Equality: Women’s Evolving Roles in the Black Panther Party, 1968-1971"
This paper examines women’s complex roles in the Black Panther Party (BPP). While the BPP’s ideology was egalitarian because of its socialist leanings, female Panthers experienced gender discrimination. Between 1968 and 1971, the Black Panther Party (BPP) struggled to resolve the gender discrimination that female Panthers experienced. Through party policies, actions, and ideology, male and female Panthers both perpetuated the BPP’s male-centered environment and enacted reform. This paper argues Panthers Linda Greene and Kathleen Cleaver’s descriptions of women’s roles in the BPP demonstrated the party’s changing stance on gender equality.

First, I examine Greene’s 1968 article, “The Black Revolutionary Woman,” in The Black Panther newspaper. Greene’s definition of Black gender roles against U.S. societal expectations exemplified the complexity of the nascent BPP’s views of Black women. Although Greene depicted the ideal Black woman as a self-sacrificing assistant and a sexual object, Greene also reflected the BPP’s egalitarian, socialist ideology. Greene described Black women with masculine adjectives and their equal capacity to be revolutionaries.

By 1971, the BPP began coalition efforts with the women’s liberation movement, renounced the Black nationalist argument for reclaiming masculinity, and implemented internal reforms. I discuss how Kathleen Cleaver’s 1971 interview with The Black Scholar demonstrated the extent of the BPP’s reformative policies and actions on the issue of female party roles. Cleaver articulated the BPP’s motivations for enacting gender equality reform, the party’s rejection of Black women’s subservience, and the discrimination female Panthers faced. By detailing inequalities and stressing women’s roles as mothers, Cleaver showed that the BPP did not fully eradicate sexism by 1971.

Despite the BPP’s shortcomings, Greene and Cleaver emphasized female Panthers’ po
Speakers
JW

Jessica Wright

Masters, Simmons University
Hi, everyone. I'm in my second year of the Archives Management and History Dual Degree Program at Simmons University. I anticipate graduating in the fall of 2026. My research interests include World War I in Europe and women's involvement in the Black power movement in the United... Read More →
JC

James Chiyoki Ikeda

PhD, Northeastern University
KT

Ki'Amber Thompson

PhD Candidate, University of California, Santa Cruz
Saturday March 22, 2025 4:15pm - 5:30pm EDT
Room 124 Stata Center, 32 Vassar Street, Cambridge, MA 02167

4:15pm EDT

maomao: becoming ancestral mud (a performance ritual)
Saturday March 22, 2025 4:15pm - 5:30pm EDT
maomao: becoming ancestral mud is a solo performance that weaves in family oral histories, creation myths, folk songs, and Buddhist/Taoist rituals to rekindle ancestral spirits, queer lineage, and ecological entanglements. The piece offers a biomythographical retelling of my ancestral and diasporic migration, from rural Shaanxi to the US, mapped onto my coming-of-age story of place-making. More than twelve generations of my ancestors had resided in northern Shaanxi while I am the first generation in my family who was born and raised outside of the region. “Mao mao,” literally meaning feathers, is a nickname of mine given by my grandmother for endearment. I name the piece “maomao” to both honor grandma’s rural wisdom and articulate a grammar for femme/queerness within ancestral lineage.

I’m indebted to critical ethnic studies and queer/trans studies’ approach to fabulation as a speculative knowledge practice. Saidiya Hartman (2008) responds to the limit of colonial archives of transatlantic slavery from “critical fabulation,” a writing practice that asks what could have been, what might have happened, akin to what Lisa Lowe’s (2014) “past conditional temporality.” Queer of color writers engage with fabulation as a literary device to merge myths, biographies, fictions, and fantasies together as alternative narratives of the self, from Audre Lorde’s (1982) “biomythography” in Zami: A New Spelling of My Name to Kai Cheng Thom’s (2016) “confabulous memoir” in Fierce Femmes and Notorious Liars. I depart from these generative theorizations of fabulation as a literary and historical method by articulating “ancestral fabulation” an embodied ritual practice. By mythologizing one's diasporic ancestry interwoven with femme, queer intimacies, it situates one’s lineage entangled with legacies of relational colonial modernities while simultaneously imagining otherwise. Doing this performance is a process of becoming and unbecoming, to remember and dream alternative ways of knowing and being different from the extractive systems of the present.
Saturday March 22, 2025 4:15pm - 5:30pm EDT
Room 155 Stata Center, 32 Vassar Street, Cambridge, MA 02167

4:15pm EDT

Revised, Revisited, & Reshaping Communal Knowledge
Saturday March 22, 2025 4:15pm - 5:30pm EDT
Adrian Godboldt, "Filling the Dead Air: How Local Radio Amplifies Community Voices in Times of Crisis"
Amidst the initial wave of the COVID-19 crisis, Kentucky Governor Andy Beshear provided daily press briefings on the rapidly unfolding situation—but only in English. This left non-English speaking communities across the state without vital information. In response, a local community radio station in the city of Lexington, called RADIOLEX, translated Beshear’s press conferences into multiple languages, addressing the needs of a city with over 185 languages spoken. However, to avoid this information gap in future crises, the station decided to develop its own communication infrastructure. Collaborating with RADIOLEX, I developed an onboarding training guide to integrate diverse community journalists into the radio station, filling in for the dead air left by the state. Guided by feminist theory, this training guide served as a miniature ethnographic toolkit, aimed at resisting exclusionary practices and fostering spaces of inclusion through radio waves—amplifying voices often overlooked by the state. This presentation will explore how a feminist ethnographic framework can empower community members to reflect on their own positionalities, build relations, and produce knowledge that resonates throughout their community.

Taylor Harmon, "Made by Madre: the Mexican-American Kitchen as a site of kinship and knowledge reproduction"
Open any Latin-American cookbook and the introduction will emphasize the strong ties that food has to culture. Speak to any Mexican-American family and you will hear about the significance of the conversations held around abuela’s kitchen table. These stories hold the key to conversations that have plagued scholars for decades: about kinship, about nation and identity, cultural knowledge, and the role women play in all of it- we just need to listen to who is telling them. Questions of domestic spaces and gendered labor have been an area of focus within the field of feminist studies, including scholars such as Shoniqua Roach (2022) who presents the Black Living Room as a space of Black becoming, and Rhacel Salazar Parrenas (2000) who focuses on migrant Filipina domestic workers as reproductive laborers. Nira Yuval-Davis (1996) argues women as “biological reproducers of the nation” and writes about the ways in which national and ethnic processes affect and are affected by women. Indigenous cultures have also long revered women as reproducers and keepers of cultural knowledge (Cutcha Risling-Baldy, 2018; Carol Schaefer, 2006), but epistemological biases have largely prevented these wisdoms from being considered valid sources of knowledge production that are worthy of citation in academic work. Additionally, gendered domestic labor in the kitchen, specifically among Mexican immigrant women and their postgenerations, has not been credited as the capacious space for cultural knowledge reproduction and kinship ties that it is. As such, my paper aims to challenge citation politics by holding scholarly work, indigenous knowledge, and knowledge produced through art- specifically live theater (Christin Eve-Cato, 2024)- to present a feminist reading of The Mexican-American Kitchen as a site of cultural knowledge reproduction, kinship, and identity, that is facilitated by immigrant women and their successors.

Elisabeth Lucien, "Who is there to save the hero? A Generational Perspective of the Socialization of Strength among African American Women"
The concept of strength has been foundational to the identity of many Black American women, shaping how they are perceived and how they perceive themselves. Over time, this strength has become more than just a characteristic; it has evolved into a prescriptive social discourse upheld by societal expectations and cultural narratives. This has led to the perpetuation of the "strong Black woman" trope. This stereotype paints Black women as unyielding, resilient figures, often likened to superheroes capable of enduring immense mental, emotional, and physical challenges. While the physical and emotional consequences of this trope have been well-documented by scholars, there remains a significant gap in the literature: how Black American women across generations perceive and engage with this trope. This study seeks to address this gap by examining the attitudes and perceptions of Black American women toward the socialization of strength across four distinct generational cohorts—Baby Boomers, Generation X, Millennials, and Generation Z. Through interviews with women from each generation, the research aims to uncover both the commonalities and divergences in how the "strong Black woman" trope is understood and internalized over time. Employing a qualitative phenomenological approach, this feasibility study serves as a pilot and lays the groundwork for more expansive future research. Data was collected via four cross-sectional focus groups, each comprising 5-7 participants, recruited primarily from Sacramento, California. The study's findings are expected to deepen theoretical understandings of the gendered racial socialization processes that shape Black women's lives. By amplifying Black women's voices and lived experiences, this research will offer a more nuanced and generational perspective on the enduring and evolving legacy of the "strong Black woman" trope and its impact on identity formation across time.
Speakers
avatar for Elisabeth Lucien

Elisabeth Lucien

PhD, Howard University
TH

Taylor Harmon

Masters, Brandeis University
avatar for Adrian Godboldt

Adrian Godboldt

PhD, University of Massachusetts Amherst
I'm currently a PhD student in Anthropology, with a focus on culture, at the University of Massachusetts Amherst. My research interest looks at the intersection of digital technology, human relations, and geopolitics. I'm looking to explore the infrastructure that gives life to our... Read More →
Saturday March 22, 2025 4:15pm - 5:30pm EDT
Room 144 Stata Center, 32 Vassar Street, Cambridge, MA 02167

4:15pm EDT

Transformative Connections: Solidarity, Mutual Aid, Community Care & Collective Justice
Saturday March 22, 2025 4:15pm - 5:30pm EDT
Casey Grippo, "The Solidary Requirement of Solidarity"
Contemporary life is plagued by the atomization of political subjects. To overcome this, thinkers often speak of the importance of community-level care. In this essay, I explicate two forms of community-level care: solidarity and allyship. Contrary to thinkers who see allyship as a form or type of solidarity, I argue that solidarity and allyship focus on different objects and should thus be classified as divergent phenomena. While solidarity and allyship both serve the similar function of bonding people together, they do so by wholly different means. In solidarity, people are united by their focus on shared concern or ideological commitment(s), and the solidary group is often denoted by first-person plural pronouns (e.g., “we are in solidarity”). When people are in solidarity with one another, the object of one’s care is not the other but the shared concern or ideological vision they hold together. On the other hand, allyship unites people by focusing on the one in need, and allyship is often denoted by the use of third-person pronouns (e.g., “I am an ally to them”). When one engages in allyship, they exhibit care for the other rather than the concerns or commitments of the other. In this way, allyship fails to produce a much-needed community-level care, substituting interpersonal care in its place. Therefore, solidarity is a more powerful tool for liberation because it enables people to overcome the hyper-individualistic commitments forced upon us in a way that allyship is unable to. Only by sharing the concerns of the other and engaging in shared commitments with each other are we able to provide one another with the community-level care so desperately needed. Moreover, by understanding this distinction between solidarity and allyship, we can better understand how elite capture effects the way we even conceive of liberation itself.

Morgan Gimblet, "Community Care, Radical Reimaginings, and Decolonial Feminist Resistance: Testimonios from a Texas Reproductive Justice Mutual Aid Collective"
This project expands on my previous research exploring the case study of my volunteer ran, queer, sex worker, and POC-lead Texas-based reproductive justice mutual aid group. I draw connections about how the organization utilizes decolonial praxes of community building, radical reimaginings, and collective care in creating survival programs for liberation and continuing the Chicana feminist tradition of mutualistas (mutual aid societies) as queer forms of resistance. Through testimonios, autohistoria, and anti-colonial methodologies, this project provides insight into contemporary decolonial queer feminist coalition-building efforts centering community care and pedagogies of social transformation that emerge out of crisis. In centering the lived experiences of the Texas organizers, the study underscores the significance of collective storytelling as a form of solidarity and a powerful tool for liberation and decolonial resistance. Specifically, I historicize the praxis of the non-hierarchal grassroots collective, emphasizing our advocacy for bodily autonomy, promoting community care through mutual aid fundraising, sharing accessible resources, and resisting the non-profit industrial complex. By foregrounding the perspectives of the collective, this research provides insight into radical possibilities for transformative decolonial feminist movements for liberation.

The purpose of this project is to explore how queer Texas organizers utilize decolonial feminist theories and praxis in our grassroots organizing through building solidarities, creating transformative connections, and providing community-created solutions despite the restrictions that limit our bodily autonomy (Spade, 2020; Luna & Luker, 2013). Grounded in reproductive justice, mutual aid, transnational, decolonial queer, and Chicana feminist theories, I provide an intersectional critique of the nonprofit industrial complex by centering mutual aid organizing as a liberatory practice in our communities (Ross & Solinger, 2017; Spade, 2020; Galván, 2014; Tambe & Thayer, 2021; Mohanty, 2003; Gomes Pereira, 2019; Morgan-Montoya, 2020). Further, incorporating testimonios from my fellow organizers and using autohistoria, these decolonial praxes are essential in solidarity movements towards collective liberation and contribute to decolonial feminist epistemologies and transformative pedagogies in the fields of Gender, Chicanx, and Ethnic Studies (Delgado Bernal et al., 2012; Hamzeh & Flores Carmona, 2019).

Joy Chrysyl Llido, "Resisting Displacement in a Climate Crisis: The Dumagat-Remondato’s Fight to Live Free"
This project analyzes the grassroots organizing efforts of the Dumagat-Remontado People’s fight against displacement through a climate justice framework. In the Philippines, the primary source of fresh water for the National Capital Region has fallen below critical levels exacerbated by severe drought conditions attributed to human-caused climate change. The Kaliwa Dam Project aims to double the region's freshwater production and alleviate the on-going crisis. The Anti-Kaliwa Dam Campaign is an Indigenous Right’s struggle in opposition to the construction of the Kaliwa Dam on the Dumagat-Remontado’s ancestral lands in the Philippines.
The paper highlights the disproportionate impact of climate change on Indigenous Peoples and their enduring quest for climate justice. This research posits that using a climate justice framework as an analytical tool and a political strategy will enable the Anti-Kaliwa Dam Campaign to navigate its socio-cultural battle against the Philippine government and waterworks providers more effectively. This framework elevates the campaign’s fight from an Indigenous and Land Rights issue in the Philippines and connects it to a global social movement. Within this framework, the community's opposition to the dam construction project becomes not only a defense of their land, but also a broader struggle against global systemic oppression.
The findings aim to contribute to the discourse on climate social justice movements, highlighting the interconnectedness of indigenous rights, environmental justice, and the larger climate justice movement. The study involves a qualitative analysis of the campaign's social media presence, particularly posts from the Stop Kaliwa Dam Facebook page, to examine how a climate justice framework fits in the campaign’s organizing strategy. The findings will underscore the expression of PeoplePower from a grassroots movement that has a real stake in a complex global problem.
Speakers
avatar for Casey Grippo

Casey Grippo

PhD, Boston University
Casey Grippo primarily works in the realm of social ontology, focusing on the relationship between social forces, social groupings, and individual identity formation. Their dissertation, a prescriptive project arguing for a politics of solidarity, concentrates on solidarity as one... Read More →
JC

Joy C. L. Solon

PhD, University of Massachusetts Boston
avatar for Morgan Gimblet (she/they)

Morgan Gimblet (she/they)

PhD, University of Colorado Boulder
Morgan Gimblet (she/they) is a doctoral student, teaching assistant, and Colorado Diversity Initiative Fellow in the Department of Communication pursuing an Ethnic Studies Graduate Certificate at the University of Colorado Boulder. Their research areas include reproductive justice... Read More →
Saturday March 22, 2025 4:15pm - 5:30pm EDT
Room 141 Stata Center, 32 Vassar Street, Cambridge, MA 02167
 
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Liberatory Practices for Worlds in Crisis: 2025 GCWS Grad Student Conference
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